On January 17, cellist Johannes Moser and his collaborator, the performance artist and toy pianist Phyllis Chen, embark on their first U.S. tour together: â€œSounding Off: A Fresh Look at Classical Musicâ€. The two will travel to six cities across America, bringing their fresh and original take on the creative process and concert experience to universities, schools, and community groups. Before each performance â€“ featuring works ranging from classical to experimental â€“ they will conduct a variety of educational outreach activities, designed to allow each cityâ€™s audience to find and develop its own unique identity. Moser and Chen begin their â€œSounding Offâ€ tour on January 17 in San Diego, CA, with further stops in San Francisco (Jan 19-20), Detroit (Jan 22), Malibuâ€™s Pepperdine University (Jan 24), Boulder (Jan 27), and New York City (Feb 1).
For this bold audience development project, Moser has reached out to a broad range of community and campus organizations in each university town on the tour, from high school students in Detroit to marketing and business students at the University of California at Berkeley. Rather than performing in concert halls, he and Chen have elected to appear at alternative performance spaces, including bars, clubs, and galleries, with the tour culminating at (Le) Poisson Rouge, Manhattanâ€™s leading venue for eclectic gigs. Playing on traditional and electric cello, and on traditional, prepared, and toy piano, Moser and Chen will present repertoire from both the classical canon and the cutting edge, to show how the latest trends in modern music can influence classical performance and presentation.
â€œSounding Offâ€ is a project tailored to engage and excite university students about contemporary classical music and performance. By contrast with the conventional concert format, each event will be somewhat open-ended. â€œMy goal on this tour is to integrate the outreach activities and performances in a new way,â€ explains Moser. â€œOur hope is to create a sense of excitement and investment in our music-making through intimate and informal activities outside of a formal concert setting. The students will then enter the performance having a personal connection to the performers and a close connection to the artistic process.â€
Johannes Moser has long been an advocate of music education and audience development during his travels around the world. He has been a frequent ambassador to schools, hospitals, and community groups, both through â€œRhapsody in Schoolâ€, which coordinates these activities throughout Europe, and by reaching out directly to community organizations. In the U.S., Moser has taken the initiative of contacting such organizations, and provides performances and demonstrations between his formal concert dates. â€œI started visiting hospitals, schools, retirement homes, and hospices when I was 19 years old. Until then, playing concerts had been something fun but rather abstract to me,â€ Moser explains. â€œThe more I played in these environments, the more I learned that music can make a real difference in peopleâ€™s lives, including mine. Performing these activities on a regular basis has changed the way I think about making music.â€
Further highlights of Johannes Moserâ€™s 2009-10 season include a return to the Milwaukee Symphony Orchestra, for performances of Shostakovichâ€™s Cello Concerto No. 1 in E-flat major (Feb 15 & 16). His rendering of the same work with the Cleveland Symphony was described as â€œa tour-de-force accountâ€ by the Plain Dealer, which continued:
â€œWhere the music asks for intensity, Moser answered with ferocity, wailing on his cello like a rock guitarist. The finale, especially, was a raging tide. But quieter passages were also gripping, as eerie high notes evoked utter loneliness or resignation.â€
Moser will also play Schumannâ€™s Cello Concerto with the Dresdner Philharmonie under Rafael FrÃ¼hbeck de Burgos, first in Dresden (April 23 & 25) and then on a tour of South America (May 1-15). And finally, before heading to South America, Moser will perform Lutoslawskiâ€™s formidable Cello Concerto with the Bavarian Radio Symphony Orchestra and Franz Welser-MÃ¶st in Munich (April 29 & 30).
More information about Johannes Moserâ€™s â€œSounding Offâ€ tour is available at: www.soundingofftour.com.
For more information about Johannes Moser and Phyllis Chen, please visit:
www.Johannes-Moser.com and www.phyllischen.net
Johannes Moserâ€™s â€œSounding Off: A Fresh Look at Classical Musicâ€
January 17, 2010
San Diego, CA
San Francisco, CA
San Francisco, CA
Detroit Institute of Art
Rock N Soul CafÃ©
(Le) Poisson Rouge
New York, NY