There are a number of different films that have mashed together the corpus of a specific genre. The Wayans Brothers have literally made a career of it, and The 41-Year-Old Virgin Who Knocked Up Sarah Marshall And Felt Superbad About It looks to be a film that improves on the spoof films that preceded it. While obvious from the film’s title, this Craig Moss production is a sex-charged romp through…
There is a classic sound to Living Things that will have parents of children who buy this album walk in and ask whether this is early Crue or Foreigner. During a song like “Bom Bom Bom”, Living Things come up with a style that is not as stark and intermediary as Buckcherry, but rather is a smooth blend of styles that work in 2006. The production is immaculate, and show…
It seems almost as if those individuals that made such great adult comedies back in the eighties were teleported to 2009 in much the same way as the characters in Hot Tub Time Machine were transported back in time. Where The Hangover was a solid film based on the established actors that made up the cast and crew, I feel that the more up and coming ensemble here really bring…
This may be the first split single that I’ve ever received. That’s right, Little Klimt (a singer-songwriter out of New York) and Chofferson (an artist out of Los Angeles) each contribute one song to this split, so to say that individuals may have a problem trying to get a genuine read on their styles is understating it. For Little Kilmt’s track, one can hear the confines of a garage as…
Little Brazil comes from that brand of emo-rock that holds as a deity Rivers Cuomo, but unlike the sixties-influenced pop of Weezer, some genuine feelings are held on Little Brazil’s “You and Me”. Leading off the disc with “Now” and skillfully tying it in with the heart-beat/ethereal nature of “The Way You Listen”, “You and Me” is so much more than an album – it is a journal entry, a…
Fables of the Reconstruction, the third album from college rock poster boys R.E.M., showed the band was evolving toward a tighter, more cohesive sound. Sure Murmur and Reckoning will always be trotted out by indie music snobs as among the band’s best – and they were both good albums, unlike anything else that was being played at that time – but Fables of the Reconstruction was far more consistent. Songs…
Obviously Mark Lind is the lead singer of The Ducky Boys, so at some point the two acts will have some general sound in common. Little did I know how common the sounds would be between “Death and Jail” and The Ducky Boys’ last album “The War Back Home”. “No Future’ is the first big hit of the disc, which is built on the guitars that made Face to Face…
Limbeck quickly moves between styles in just the first few tracks of “Let Me Come Home”. The first track, “People Don’t Change” really uses a lot of the momentum generated from an alt country style, while the follow up “Long Way To Go” seems to take a page from all the early Hippie acts. Coming back to the country type of style with “Everyone’s In The Parking Lot”, Limbeck really…
Limbeck, yet another band off Doghouse Records. Limbeck, band I had only heard of before putting on this new disc. Limbeck, band that plays their rock band roles utterly perfectly. While they are not trying to make their own agenda with “Hi, Everything’s Great”, they are trying to put out the best sounding power-rock out. And with tracks like “Julia”, they might be doing just that. Each song is constructed…
“June Gloom” starts off The Like’s new disc, and the vocals laid on the track by Z Berg really give the impression that eir has been more influenced by Thom Yorke than anything. Sure, there is a little more substantive of a nod towards this influence because of the very mid-nineties, jangly-alternative played by the band, but the vocals are pretty damning of themselves. Perhaps the most compelling part of…
