Pink Skull To Release “Psychic Welfare” On RVNG Intl.

Triangle Shape
Hot Bubblegum
Two Bills
Mu
Either the Luminescent Wallpaper Goes, Or Do I
Janine Aubergine
Bee Nose
Summer Reading
Late Night Eggs
Salamander
Human Hair Disco
Chicken Bone Beach
Ayatollah

Pink Skull returns with Psychic Welfare, their third studio album and second for RVNG Intl., following 2009’s Endless Bummer.

Psychic Welfare comes after Julian Grefe waded through the cosmic slop that accumulated around him the two years following the release of Endless. Grefe alongside Justin “JG” Geller, forms the central nervous system of a Pink Skull. The duo expanded to include Jeremy Gewertz (drums), Mike Hammel (bass), and Sam Murphy (guitar) for the recording and live realization of Endless, and then expanded once more to include Adam Sparkles (programming) and Robin van der Kaa (bass, programming) for Psychic Welfare.

Psychic Welfare was produced by Pink Skull and Jeff Zeigler (Kurt Vile, War On Drugs) between the band’s Philadelphia studio and Brooklyn, NY. Contending with the seismic swells in both the macro and micro worlds around him, Grefe refracted the polluted waves in a fantastical fit to write the 13 songs of Psychic Welfare. The album is a map of time and space portals in which the listener can navigate from the corroded corners of machinated life to boundless, amorphous space in mere seconds.

Across the album’s pull-out poster artwork for Psychic Welfare is a hand-scrawled poem by the late NYC sage Ira Cohen entitled “Blind Assemblage”. In the poem, Cohen describes the decay of society and struggles to find civility within tragedy, a sentiment mirrored in Grefe’s lyrical content of Psychic Welfare, if not masked by a new found pop propensity.

The lead track on the album, “Hot Bubblegum,” a Television-inspired piece of pop perfectly pushes this dichotomy of psychotic playfulness. “Mu” is a sprawling instrumental spread of blissed-out 80s funk, complete with a tin rooftop sax solo by Billy Dufala (Man Man). “Janine Aubergine” fictionalizes Grefe’s girlfriend’s bluegrass fiddle-playing aunt as a psychedelic maven over a tango groover, while “Bee Nose (Put Yr Face On)” is a woozy, hazy late-night phone call from the warped Scottish countryside circa 1998. “Summer Reading” feels like a Transformer-era Lou Reed bullying Mark E. Smith around a disco bouncey castle.

Tracks from Psychic Welfare were remixed by Brassica, Higamos Hagamos, Ray Mang, and Worst Friends. Each of these remixes will be released as single support and included alongside additional original tracks as bonus downloads. The artwork of Psychic Welfare is taken from a a series of visual synth feedback experiments conducted by the band and video artist Adam Carrigan.

Pink Skull will be playing at this year’s Camp Bisco Music Festival in upstate New York this weekend joining acts including Cut Copy, Yeasayer and Four Tet.

The physical version of Psychic Welfare will be available on September 13th from fine retailers worldwide. The LP edition features a 48″ x 96″ heavy-stock pull out poster. The digital version will be available September 27th from the drab internet universe.

Author: James McQuiston

Ph.D. in Political Science, Kent State University. I have been the editor at NeuFutur / neufutur.com since I was 15. Looking for new staff members all the time; email me if you are interested. Thanks!

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