Beacon have released “Safety’s Off,” the glittering, beat-driven second single off their forthcoming For Now EP, out Tuesday, October 2nd, on Ghostly International. FADER describes the track as “massagingly minimal R&B” and have made it available for download here.
The Brooklyn-based duo are also excited to take their hypnotic, electronic-laced beats to select markets this fall, joined by El Ten Eleven and Ghostly labelmate Michna. New Yorkers can also catch Beacon this Saturday when they open for School of Seven Bells at Maxwell’s.
Check out their first single “Feeling’s Gone” here, as well as the Shibuya remix by rising British artist Fort Romeau.
In anticipation of their EP release next week, Stereogum is streaming For Now, noting the band is “tightening their approach, incorporating a heavier thud into their genre-hopping mentality while polishing Thomas Mullarney’s vocals for maximum impact.” Take a listen here and sink into their textured, seductive sound.
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For Now is the second EP by Brooklyn duo Beacon, five songs that continue the band’s exploration of the dark spaces under the surface of human relationships. As with the band’s debut EP No Body, For Now is a record that conceals a great deal of depth beneath a melodic veneer—again, there’s a stark contrast between Thomas Mullarney’s honeyed vocals and the words he’s singing, although this time the mood is perhaps less sinister and more reflective. And again, themes of fractured love are prominent, particularly the distinction between love and lust, and what happens when the former falls away, leaving only the latter to fester: as Mullarney sings on third track “Pulse”, “It’s a long walk from lust to love… And if I get caught, it’s not my fault.” Musically, this is perhaps the best realization yet of Beacon’s synthesis of R&B-inflected melody with ’90s electronica influenced production. The sound design is immaculate, employing minimal, bass-heavy templates embellished with judicious melodic flourishes. “Feeling’s Gone,” for instance, starts with a distinctly rave-y synth line, but one that sounds somehow muted and diminished, like the faint memory of a night long past—a feeling that echoes the song’s lyrics, which relate the temptation of trying to rekindle a love that’s gone. Elsewhere, the gentle synth arpeggios of “Safety’s Off” recall The Knife’s “Silent Shout,” while the hip hop beats of “Pulse” and “Into the Night” acknowledge the band’s R&B influences. And underpinning it all is the bass—a constant presence that’s brooding, dark and atmospheric throughout. Not so much the party and the after party as the party and the aftermath, the abiding impression left by For Now is of that strange, empty time of night when the party’s over and everyone’s gone home… but you can’t sleep, so you sit and stare into the dark and wait for the dawn to come. |
