OBITUARY EXCLUSIVE I-TUNES PROMOTION
Candlelight Records together with I-Tunes will premiere the first song from Obituary’s upcoming new album Xecutioner’s Return via an advance single.Â “Evil Ways” will be available for purchase starting July 31 andÂ for fans will be the first and onlyÂ advance listen of the album set to hitÂ North American storesÂ on August 28. Continue reading “Metal Band Obituary Works With I-Tunes”
The Christine Spero Group – My Spanish Dream / 2007 Self / 9 Tracks / http://cdbaby.com/cd/christinespero2 /
One of the first things that is heard at the beginning of “My Spanish Dream” has to be the entirety of The Christine Spero Group weaving their instruments together to come up with a coherent and cohesive sound. Hints of Latin arrangements and jazz spontaneity immediately confront listeners during the disc’s first track, “My Spanish Dream”. The tango-like arrangements that end the chorus provide a form of onomatopoeia to this track that is simply to die for. “Don’t Say No” builds off of “My Spanish Dream” due primarily to the piano arrangements of Christine Spero. The smooth compositions in “Don’t Say No”, coupled with the vocals of Spero, elicits comparisons to Gloria Estefan and the talented musicians in the Miami Sound Machine.
While it is true that The Christine Spero Group tends to go towards the slower, more lounge-worthy tracks rather than the dance-fests that were often present during Estefan’s work, the talent exhibited by the bands and the distinctive vocals of the singers are similar. “Caribbean Nights” builds off of “Don’t Say No”, in that the set of influences influential in the creation of the track are the same between the tracks, giving each of the two songs a very early eighties feel.
However, at no point during “My Spanish Dream” does The Christine Spero Group sound dated in the least. One of the strong suits of The Christine Spero Group during this album has to be their ability to use older styles and couch it in a way that will entice listeners in the current
period to pick up the album.
Listeners will be enticed by the instrumental interplay present during “Just So You Know”, which brings the ropier sound of the bass into direct conflict with the twinkling high end of the track. Instead of creating dissonance during this track, the struggle for dominance between these two pieces of the band makes each side work harder and their efforts all the more impressive. The Christine Spero Group was only able to react in this way due to their amazing ability as musicians and the fact that Christine eirself has been working in creating these types of songs for well over a half decade. The tropical rhythms present on “My Spanish Dream” increase the replay value of this album, and ensures that listeners will be able to play the disc until that time
when The Christine Spero Group releases their next album.
Top Track: Don’t Say No, The Festival
Paris Luna â€“ City Lights / 2007 Self / 11 Tracks / http://www.parisluna.com /
Paris Luna start out their â€œCity Lightsâ€ in a way that reminds me of Sixpence None the Richer. The first track on â€œCity Lightsâ€ is â€œHaving a Hard Timeâ€. â€œHaving a Hard Timeâ€ is a rock track in the same vein as a Kelly Clarkson; the bass and drums make for an easy listening track, one in which the vocals of Paris rest comfortably. The bandâ€™s work on â€œHaving a Hard Timeâ€ and on the second, more country-influenced â€œSomedayâ€ shows that they are very capable. During â€œSomedayâ€, the band is able to craft a sound that is specifically their own, while moving to include a more Shania Twain-esque set of vocals at points.
The acoustic guitar that opens up â€œTell Me Whyâ€ is yet another new thing that individuals will experience when it comes to Paris Lunaâ€™s â€œCity Lightsâ€. The guitar work opens up and the end result is again something that would not be surprising in the least ot hear on modern rock radio. The one thing that I feel is a difference between Paris Luna and the rest of the acts on those types of stations has to be that Paris Luna tells much more of a story with each track on â€œCity Lightsâ€ than the other acts in the genre. The guitar progression on â€œTell Me Whyâ€ shows that the rest of Paris Lunaâ€™s band is much more talented as musicians than many of the acts in that genre.
The fact that every one of the tracks on â€œCity Lightsâ€ could conceivably rocket up the charts is further testament to the skills and abilities of Luna and the rest of eir band. â€œNo Good For Meâ€ is a track that breaks free of the general formula used by Luna, in that the tempo is much slower and the vocals are much more emotional than in prior tracks. There is some unity between â€œNo Good For Meâ€ and the rest of the tracks on the disc, but the success of this track shows that Paris Luna will succeed in any style, using any sort of influences that are thrown at them. Paris Luna will be big after the right individuals hear this album, and I have a feeling that this will happen in the short term rather than the long term. Check out Paris Luna now, and be sent on an emotional, fun, and impressive type of modern rock.
Top Tracks: Having a Hard Time, All for Nothing
Street Dogs â€“ Fading American Dream / 2006 Brass Tacks / 13 Tracks / http://www.street-dogs.com / http://www.drt-entertainment.com /
Street Dogsâ€™ first album was fucking amazing. Simple as that. Their second album was still decent, but it had less of the fury and fun style that â€œSavin Hillâ€ had. Street Dogs are back with their third album, â€œFading American Dreamâ€, and it might just be the best of the three. The band links together Rancid with the streetpunk bands of the eighties, along with the sound that the band has to have given the fact that they have a former member of the Dropkick Murphys present. â€œNot Without A Purposeâ€ catches individuals not only with catchy guitar lines and bouncy bass lines, but with a harmony on the vocals that in many ways is another instrument that can be used by the band. Continue reading “Street Dogs â€“ Fading American Dream”
Albert Hammond, Jr â€“ Yours To Keep / 2007 New Lie / 10 Tracks / http://www.myspace.com/alberthammonjr / http://www.newlinerecords.com /
Albert Hammond does not sound like much of a rocker. However, for those individuals that do not know, ey was one of the integral parts to the seminal band The Strokes. The opening track on â€œYours To Keepâ€ is â€œCartoon Music For Superheroesâ€, and it does not sound like the hard, catchy rock of The Strokes for a second. Rather, Hammond plays a style of dreamy pop that has a lot of influence drawn from the sixties pop acts like The Turtles and The Monkees.
Hell, there is even a nod to the sun-baked sounds of the Beach Boys, with more than a passing glance to their â€œKokomoâ€. The track is endearing but it does not yet mark a solo hit for Hammond. The second track on the disc makes a much stronger play for radio rotation. This track, â€œIn Transitâ€, still uses a lot of the earlier influences to create a track. However, unlike â€œCartoon Musicâ€, â€œIn Transitâ€ has a link to the work of acts like Interpol and Fischerspooner, in that there is just a minor hit of electronic music that plays on the edge of the track. The hooky, Polaris-like drum beats of â€œEveryone Gets A Starâ€ works with the deadpan vocals of Hammond during this track to play to the Bloodhound Gang crew. This track could make it up the charts in the â€œironicâ€ way, and the song should be noticed for itsâ€™ smart arrangements. This is the first track, in fact, that makes me appreciate Hammond as a master of arrangement. By the end of â€œEveryone Gets A Starâ€, Hammond is sitting pretty. For my money, it is the lead up to the chorus on â€œBright Young Thingâ€ that makes â€œYours To Keepâ€ for me.
The emotional gravity, coupled with impressive instrumentation, is THE reason why individuals should pick up this album. Couple that with a linkage back to the sixties sound of prior tracks along with the dance-like drumming, and one has a track that shines in both the single and album context. Â Albert Hammond, Jr on eir â€œYours To Keepâ€ does well in the construction of a post-Strokes style. I actually prefer Hammondâ€™s sound at points over the highly repetitive sound of The Strokes. I just hope, that as the years pass, that Hammond can come up with more in the way of solo efforts that are up to the same high quality of â€œYours To Keepâ€.Â
Top Tracks: Bright Young Thing, Blue Skies
Music Nation (www.musicnation.com <http://www.musicnation.com/> ) has today announced the release of Friend Finder â€“ a web tool that allows Music Nation artists and fans to seamlessly send out invitations to contacts in their pre-existing Gmail, Yahoo and Hotmail address books. Â In order to encourage artists to utilize this new functionality, Music Nation has launched a contest in tandem with the release of Friend Finder. Â Artists who bring in the most friends between now and July 9 will win a personalized ad on the Music Nation homepage, a shout-out in the MN newsletter to, and an Epic Records prize pack, among other prizes. Continue reading “Music Nation Releases Friend Finder”
C-BO TEAMS UP WITH THE AND 1 STREET BALL
TOUR FOR EXCLUSIVE PERFORMANCES AND HOSTING
In support of the recent G-Unit South signing, and the release of the highly anticipated WESTSIDE RYDERS 3 compilation (IN STORES NOW), C-Bo has joined the AND 1 Mixtape tour this summer for a string of exclusive performances and official after party hosting. With over 2 million records sold, and 17 solo albums, C-Bo has defined the street hustle with receiving NO LOVE via Radio and video. Westside Ryders 3 is in stores now featuring The Outlawz, Spice 1, Yukmouth and more! Continue reading “C-BO Teams Up With And 1”
Bittersweet Dream / $? / :45 / 28M / email@example.com /
Bittersweet Dream; I have no clue where I found you, but I am glad I found you. This is a zine that is a communal project, more so than most other small-market magazines. There are poems, cartoons, and ideas for how to create revolution, all contained within 28 pages. There is simply something for everyone here. I may not be a fan of poetry, but there are humorous comic strips present (that are pointed and do make a reader think). There is a good blend of pictures, cartoons, and differing fonts to keep individuals interested throughout. The description of life presented during â€œMy Current World Viewâ€ shows the beauty of the world when nature takes over, while â€œUtopia Tacticsâ€ is perhaps the best piece of the magazine. Continue reading “Bittersweet Dream”
Kate Voegele is a 20-year-old singer/songwriter that is honestly years beyond her young age. Her debut album, “Don’t Look Away,” just came out on MySpace Records and her first single is “Only Fooling Myself,”.
You can hear her at: http://www.myspace.com/katevoegele .
Check out some photos of Kate here: http://www.flickr.com/photos/wuny/sets/72157600247544301/
Kate is also on the Kyle XY Soundtrack that is out now.
Here is the tracklisting:
1. The 88 – Hide Another Mistake
2. Earlimart – Nevermind The Phonecalls
3. In-Flight Safety – Surround
4. Irving – I’ll Write The Song, You Sing For Me
5. O.A.R. – Wonderful Day
6. Climber – Bug Bear
7. Carey Brothers – Honestly
8. Mates Of State – So Many Ways
9. Sherwood – Middle Of The Night
10. Mariana’s Trench – Alibi
11. Kate Voegele – It’s Only Life
12. Sean Hayes – 3 A.M.
13. American Analog Set – Born On The Cusp
14. April Matson – Will You Remember Me (Lori’s Song)
You can hear clips of all the tracks here: www.myspace.com/kylexysoundtrack
Revolution on Canvas 2 / $12.99 / 2007 Warner / 2:00 / 236M /
This is the second volume of what I believe is the only book that is dedicated to collecting the poetry of some of the most famous rock stars in the emo, hardcore, and metalcore genres. This volume features a different selection of artists than the first volume. This time around, individuals from Motion City Soundtrack, The Receiving End of Sirens, He Is Legend, Meg & Dia, Something Corporate, The Sound of Animals Fighting, Classic Case, and Say Anything all throw in.
Continue reading “Revolution on Canvas 2”