Hey all, James here from NeuFutur. Just wanted to let everyone know that there is a minor rendering issue present with some of the pages. I’m currently fixing what I can, but if anyone would like to help, just comment any page that looks wonky. I’ll get to it whenever I can.
It is rare when a band puts their biggest hit as their opening track; when a band is newer, like I Am The Avalanche it may just be the smartest move that they could do. With a bouncy bass line and a mixture between screaming and smoothed-out vocals. The production on tracks like “New Disaster” is strong and sure; when the track moves between the different speakers, one knows that…
I Am The Avalanche start out this self-titled disc with an intensity that reminds one of Vinnie Caruana’s previous band The Movielife. The overall sound of the disc’s beginning track “New Disaster” is still inexorably linked to pop-rock and feels groomed for popular radio, but there is no denying that the music of “Dead and Gone” has a certain edge to it that just was not found in Vinnie’s previous…
I Am Ghost – We Are Always Searching I Am Ghost – We Are Always Searching / 2005 Epitaph / 9 Tracks / http://www.iamghostmusic.com / http://www.epitaph.com / Reviewed 14 October 2005 Coming out much more like the Eurhythmics than the Nekromantix, the smooth vocals really provide a contrast with the rapidly increasing fuzziness of the instruments during “The Dead Girl Epilogue: Part One”. When the band actually gets into their…
With all the energy of the Ramones, The Hypstrz seem to “Englishify” the original Ramones sound enough to re-cast all their tracks in a favorable veneer. With tracks crashing into each other all willy-nilly like, the live songs here have a studio sensibility to them that belies their freshness and spontaneity. Crafted in such a way that ensures listeners will not be tired, the average Hypstrz track hovers right at…
With a rushed style to it, The Hybrid, a local band from Greencastle, Indiana, comes out with their first disc. Coming through with 13 tracks, of which two are original songs, we mainly get a view of The Hybrid as a band that does a lot of covers. This isn’t necessarily the case, as the band is getting a number of originals, but certain things can be said about their…
Thin tendrils of music start off “Country Falls”, with dreamy vocals doing much more for the construction of a musical identity than the furthering of certain lyrical ideas. “Summertime Cowboy” shows Husky Rescue re-cast their sound, sounding much like a sixties girl-group than the dreamy-pop that opened up the disc. Therein lies the most interesting fact about the band; they can completely change their style up in the space of…
Hush’s true introduction to this disc (“Hush Is Coming”) is pretty impressive, bringing a nice flow and coupling it with a rock backdrop and one of the most recognizable rappers in the game, Nate Dogg. The tinny blips that “let It Breathe” has really provide a higher tone against which Hush’s vocals really shine. The incorporation of seventies/early-eighties style of synthesizers to the track further differentiate the track from the…
This is one of the only new hard rock bands that does not take the sound of acts like Disturbed and 10 Years to heart, deciding to mix a little Tool and Kenny Wayne Shepherd for something that weaves its way around genres for five and a half minutes (“Rapture”) before sputtering out. The track is diverse enough to really be able to connect to a large segment of the…
“Falls Apart” is the first track on “Vol. 1” and it is a track that mixes together all of the disparate styles of radio rock that have made it big in the last fifteen years. The track shows that Hurt loves acts as wide as Live, Tool, and Linkin Park while not just rehashing each band’s style. In much of the same way, “Forever” shows Hurt as a band that…
