Once you get past the fact that Roberto Escobar sees his brother more as a Columbian Robin Hood rather than one of the most barbaric, nefarious drug lordsâ€¦ well, ever, The Accountantâ€™s Story is actually a pretty fascinating read thatâ€™s incredibly difficult to put down once youâ€™ve started reading. Continue reading “The Accountantâ€™s Story: Inside the Violent World of the Medellin Cartel”
An anthology about relationships written by guys sounds about as appealing asâ€¦well talking about relationships with guys. But thanks to a stellar list of authors â€“ heavy on comedians like Jon Stewart, Patton Oswalt, Stephen Colbert and Will Forte â€“ and the comedy-prone topic of getting dumped, makes the task that much more compelling. The essays are offered as lessons of sorts, far from practical, but extremely funny nonetheless. Continue reading “Things Iâ€™ve Learned From Women Whoâ€™ve Dumped Me”
British comedic writers Steve Lowe and Brendan McArthur have made a career of sorts bitching about â€˜modern conveniencesâ€™ through a collection of books. The best bits have been sandwiched into Is It Me or Is Everything Shit? with additional observations added in by Daily Show writer/American Brendan Hay. For the most, the book has some pretty hilarious, astute observations. Like their straight to the point take on Hare Krishnas: â€œHare, hare Krishna/Hare hare/hare Bullshit/Bullshit/Bullshit Krishna/Hare bullshit/Bullshit hare/(Repeat).â€ Continue reading “Is It Just Me or Is Everything Shit?: Insanely Annoying Modern Things”
Dave Thompson is the Andy Rooney of music criticism.
Bushy eyebrows aside, Thompson puts his stake in the ground early on in his latest manifesto, I Hate New Music, with the outrageous claim that rock music stopped being good sometime around 1978. Seriously. Like the aforementioned 60 Minutes alum Rooney rambling on about not getting as much coffee in the can as he did in the good old days, Thompson rant dismisses everyone from The Clash to Nirvana, choosing rather to dwell on bands like Boston and Grand Funk Railroad. Continue reading “I Hate New Music: The Classic Rock Manifesto”
Revolution On Canvas / $12.95 / 224M / 1:30 / http://www.twbookmark.com /Â
Poetry usually bores the hell out of me. Bands that have individuals that feel that they are set on this Earth to do anything but create music after making it big annoy me as well. However, this first volume of Revolution on Canvas is something I can get into. Note; this book is purely poetry (well, purely with the exception of a few different drawings from other band mates). If individuals are not big fans of poetry, then this book is something that they could easily miss out on. There is nothing in the way of layout changes between the poems in this book. Rich Balling, the editor, kept the poems as they were originally provided to eir. As far as I know, there is no rhyme or reason to the poems; they are not put in the book by any sort of alphabetical order or anything. However, the one plus is that the poems are grouped together by the writer.
Thus, all the poems done by Fat Mike are put together in a few pages of the book. Another solid organizational facet of the book is the fact that the table of contents is extensive, allowing for individuals to easily go through and locate the works by individuals that they like. While the bulk of individuals writing for this book are from emo acts, a few notable exceptions are present. These include Joseph Karam (The Locust), Tim McIlrath (Rise Against) and Jason Cruz (Strung Out). The poems in this work are not just the melodramatic collage of emo kids, but some really stand out as solid works. Bob Nanna (Hey Mercedes) has more of a prose style to eir poetry, which allows eir to create more of a story than was in anything else in this volume of Revolution on Canvas.
I would like to read other volumes of Revolution on Canvas, but hopefully each subsequent volume covers something different that musicians have created. The Spartan style of this volume should be a hallmark of future volumes. Perhaps the issue per copy of the book could come down to under $10, as the book goes pretty quickly. An hour and a half or two hours and individuals are all poetried out, without anything else to slake their thirsts from material from their favorite acts. Still, there are a few gems in the magazine that make up for some of the higher cost.
I know that a long time back, I used to play Vampire: The Masquerade. One of the clans in this RPG (role playing game) was the Brujah. The reason why this is relevant at all is that the title of Tim Maddenâ€™s new book â€“ The Brujaâ€™s Tale â€“ is similar to that of the Brujah clan. Tim Maddenâ€™s Homepage provides individuals with an insight into the work, which deals with witchcraft (particularly, the brand of magic worked by individuals of the Maya tribe), a murder, and various tawdry relations. Continue reading “The Brujah’s Tale”
Dear Peppers and Pollywogs : What Parents Want to Know About Planning Their Kidsâ€™ Parties / 2007 Self / 132M / http://www.pepperspollywogs.com /
As individuals could guess, this book is a guide for parents. This book is set up to allow individuals to quickly come up with an answer to their party quandaries, whether it be the parent wondering what is age-appropriate or how much individuals should spend on birthday presents. The writing style is simplistic and has a number of ideas put forth in a list form, so that individuals can rapidly evaluate how each idea fits in their own unique situation. Continue reading “Dear Peppers and Pollywogs”
The Hammer: The Best of Hank Aaron / 2007 Borders / $14.95 / 144M / 1:50 /
The subtitle of this book is â€œFrom the Pages of Sports Illustratedâ€, and the tile really gives individuals a good idea what focus that the book may have. This was culled together from the material written about Hank Aaron throughout eir career by the individuals at Sports Illustrated. More so, the language used to describe Aaron is kept as it was originally written. Thus, if there are instances of the word â€œNegroâ€, it is present. Preserving history and not trying to revise Aaronâ€™s history is the first step forward by this book, which uses good many of Sports Illustratedâ€™s most famous wrights. This list includes Roy Terrell, William Leggett, George Plimpton and Mike Capuzzo.
The small text in this already-small volume may be a little on the hard side to read, but it does means that individuals will spend a decent amount of time reading through these solid pieces. A criticism about this book has to be the pictures. While there are a decent amount of them, they are bundled together in two specific sections. Obviously, the cost to intersperse the pictures would have been higher if Sports Illustrated wanted to have them be in color, but I donâ€™t see how adding a black and white picture to the beginning page of a piece would have hurt matters any. Still, the writing in this book is solid and will give individuals a little more context into the career of one of baseballâ€™s best hitters. I canâ€™t foresee Sports Illustrated doing the same for Barry Bonds, so that makes this volume all the more sweet.
Sure, it would be easy to search down these articles in the online SI archive, but this puts them all together in an easy to read format. For individuals like me that were born after Aaronâ€™s career had ended, â€œThe Hammerâ€ gives individuals a better understanding of why Aaron was such a stand up player and how eir behavior varies from the rest of the stars in baseball today. Interesting, funny, and at times touching, â€œThe Hammerâ€ is the complete picture of a major baseball star; pick the book up if you have any love for Americaâ€™s pastime, and make sure to read through from cover to cover to get the full story. Maybe we could see one of these for some of the other storied baseball stars of all time, perhaps even someone as awesome as Nolan Ryan (but Iâ€™m letting personal bias show).
Revolution on Canvas 2 / $12.99 / 2007 Warner / 2:00 / 236M /
This is the second volume of what I believe is the only book that is dedicated to collecting the poetry of some of the most famous rock stars in the emo, hardcore, and metalcore genres. This volume features a different selection of artists than the first volume. This time around, individuals from Motion City Soundtrack, The Receiving End of Sirens, He Is Legend, Meg & Dia, Something Corporate, The Sound of Animals Fighting, Classic Case, and Say Anything all throw in.
Continue reading “Revolution on Canvas 2”