I must admit, that I sometimes become confused with all the different bands that are coming forth with a newer rock type of sound. A few years back, there was some semblance of differentiation between them – one could understand what songs were Disturbed, which were Godsmack’s, and which ones Papa Roach cut. However, I’m seeing (or hearing) a little more collusion of these different styles in current rock music.
In the last few years, there have been a number of different iterations of metal that really freshen up the genre. I recall a few years back, for example, reviewing a collection of metal songs for kids. This time around, metal tracks are given the flamenco treatment. Where fans lightly into metal will know a few tracks on “Heavy Mellow” (such as Megadeth’s “In My Darkest Hour”, Ozzy’s “Bark At…
It takes about a half-minute to get into the groove, but Lonely H starts off “Kick Upstairs” with a track that frankly recalls Rivers Cuomo’s vocals with a style of rock that seems more fitting for the seventies than the current period. In a sense, there seems to be a concerted effort to recall the retro type sound of nineties alternative rock with songs like “Marmalade Sky”, as the track…
I have a Locust poster sitting in my room as we speak. I really thought when I first heard about them I would have no desire to listen to it, but I downloaded a copy of “Plague Landscapes” and was hooked. This is something different from The Locust, as some semblance of easily-discernible structure (I’m sure their previous material had some high-faluting, difficult structure that I couldn’t begin to dissect)…
Starting off their disc with “Alchemy”, Lock and Key come forth with the energy that begat their first CD on Deep Elm, “No Fate”. The fuzziness that ends this track just adds a dark feeling to the opening of the follow-up track, “Process of Molting”. One thing that must be said about Lock and Key is that they are virtuosos with each facet of their being – whether it is…
A one-hit wonder for many individuals who only listen to popular music, Local H has been releasing albums constantly since their largest commercial success, “As Good As Dead”, hit stores in April of 1996. Much has changed for the band since “Bound For the Floor”, though, and “Whatever Happened to P.J. Soles” is an album that shows a band in transition, moving from a Offspring-but-more-rock sound in “California Songs” to…
The odd echo that starts off “Without Your Song” makes the vocals all the more interesting. The instrumentation is so bare as to be non-existent; “Albatross” changes things due to its instrumental opening (a minute and a half worth) but ultimately sticks with a very creepy type of sound. The echoing present in this track mixes in with an electronic sound to change things up, but one knows that the…
There is a classic sound to Living Things that will have parents of children who buy this album walk in and ask whether this is early Crue or Foreigner. During a song like “Bom Bom Bom”, Living Things come up with a style that is not as stark and intermediary as Buckcherry, but rather is a smooth blend of styles that work in 2006. The production is immaculate, and show…
This may be the first split single that I’ve ever received. That’s right, Little Klimt (a singer-songwriter out of New York) and Chofferson (an artist out of Los Angeles) each contribute one song to this split, so to say that individuals may have a problem trying to get a genuine read on their styles is understating it. For Little Kilmt’s track, one can hear the confines of a garage as…
Little Brazil comes from that brand of emo-rock that holds as a deity Rivers Cuomo, but unlike the sixties-influenced pop of Weezer, some genuine feelings are held on Little Brazil’s “You and Me”. Leading off the disc with “Now” and skillfully tying it in with the heart-beat/ethereal nature of “The Way You Listen”, “You and Me” is so much more than an album – it is a journal entry, a…
