The Flatliners â€“ The Great Awake / 2007 Fat Wreck / 12 Tracks / http://www.theflatliners.com / http://www.fatwreck.com
This is the debut album by Torontoâ€™s own The Flatliners, and the band is able to come at their first release with such intensity that individuals will feel that they are much farther in their careers. The first track on â€œThe Great Awakeâ€ is â€œJuly! August! Reno!â€, and it paints The Flatliners as a band that likes to give their listeners a dollop of punk while still having some of the emotional intensity of current day hardcore. The overall approach of the band during this track plays on the output of bands like Latterman, but there is a hint of earlier acts like Thought Riot present during this opening track. Similarly, â€œEulogyâ€ is a track that will recall 2005-era Rise Against, along with hints of Strike Anywhere and earlier Against Me!. Continue reading “The Flatliners â€“ The Great Awake”
The Rumble Strips â€“ Alarm Clock / 2007 Kanine / 6 Tracks / http://www.therumblestrips.com / http://www.kaninerecords.com /
Few bands have the cahones to cover the great Thin Lizzy. That is what The Rumble Strips do on their â€œAlarm Clockâ€ EP, along with placing 5 other rockinâ€™ songs on the disc. â€œAlarm Clockâ€ starts with a very prominent horn section that make The Rumble Strips sound a little like the Planet Smashers. When the Birtish accent of the band kicks in, I go back to the days when I would watch The Undertones and Madness on MuchMusic, and tried to catch episodes of the Young Ones on BBC America. The Rumble Strips have that type of retro sound, but it is the strength of the vocals and impressive production that is present on this EP that make the disc into something that is truly great. Continue reading “The Rumble Strips â€“ Alarm Clock”
Georgie James â€“Â Places / 2007 Saddle Creek / http://www.myspace.com/georgiejames / http://www.saddle-creek.com /
If one really thinks about it, the fact that Georgie James is currently on Saddle Creek and not Dischord is a fairly major type of thing. This is due to the fact that Georgie James is comprised of a member from Q And Not U, which were located on Dischord before their break-up. For quite a few years, pretty much any act that played around the Washington area that garnered critical acclaim worked with Dischord, and the release of â€œPlacesâ€ on Saddle Creek shows that Dischordâ€™s stranglehold on indie rock has decreased to the degree that Saddle Creek can coerce a band from Dischordâ€™s back yard into signing with the label. Continue reading “Georgie James â€“ Places”
The Last Goodnight â€“ Poison Kiss / 2007 Virgin / 12 Tracks / http://www.thelastgoodnight.net / http://www.virginrecords.com /
Individuals may know who The Last Goodnight are without knowing exactly why or how they know them. Their music was featured as a free download on iTunes, and was used as a musical interlude during a promotional clip for the show Brothers & Sisters. In regards to knowing the band in a non-electronic sense, they have been lucky enough to tour with Elliott Yamin and Josh Hoge, and have also toured with Rocco DeLuca and the Burden. The opening track on â€œPoison Kissâ€ (also the title track) paints The Last Goodnight as an act that is tremendously influenced by an act like Maroon 5.
There is a decidedly pop sound present in their rock output, to the degree that it would not be surprising to see them on rock radio rotation. The biggest track (the song that individuals would be most familiar with The Last Goodnight with) on â€œPoison Kissâ€ is â€œPictures of Youâ€. â€œPictures of Youâ€ is a much slower track than â€œPoison Kissâ€, and the opening piano line during the track is thrown into a R&B influenced backing instrumentation, while the band continues to do their feel-good brand of rock. â€œPictures of Youâ€ will bring The Last Goodnight fame and fortune, as the track is soft enough that it will not offend being on adult contemporary stations, while there is just enough of an edge to merit the track being on rock stations.
The band continues â€œPoison Kissâ€ with â€œStay Beautifulâ€, which is a track that continues with the soulful, pop-laced brand of rock music that has preceded the track. The only thing that could be problematic for The Last Goodnight is how closely grouped the tracks on â€œPoison Kissâ€ are; the songs, whether they be â€œPoison Kissâ€ or â€œIncompleteâ€, rarely break new ground. While this bodes well for individuals that can really get behind this style of music, the band feels as if they are creating a rut for themselves that will be difficult, if not impossible, to get out of. The Last Goodnight show enough talent on this album to make me confident that they could break free of this style if they are prodded to, but I feel as if there might not be enough in the way of desire to do so. Keep an ear to the ground about the band, though, and they may just yet surprise individuals listening in to them.
Top Tracks: Stay Beautiful, In Your Arms
Angels and Airwaves â€“ I-Empire / 2007 Suretone / 12 Tracks / http://www.angelsandairwaves.com / http://www.geffen.com /
While my post-Blink bands loyalty was in the +44 court for a while, I found out about Angels and Airwaves after procuring for myself a copy of their last album. â€œIt Hurtsâ€ was an amazing track, and it swing my loyalty over. â€œCall To Armsâ€, the first track on â€œI-Empireâ€, puts me more firmly into Angels and Airwavesâ€™ camp. While there is not necessary a radio track to be find in â€œCall To Armsâ€, the intricacies present in the arrangements will draw individuals in. Continue reading “Angels and Airwaves â€“ I-Empire”
OST: Enchanted / 2007 Walt Disney / 15 Tracks / http://www.disneymusic.com /
Alan Menken (â€œThe Little Mermaidâ€, â€œBeauty and the Beastâ€, â€œPocahontasâ€, and â€œHerculesâ€) hooked up with Stephen Schwartz (â€œGodspellâ€, â€œRagsâ€) to create this score, which is similar to what the two did during both â€œPocahontasâ€ and â€œThe Hunchback of Notre Dameâ€. â€œEnchantedâ€ is the latest Walt Disney movie, and it blends together live action film with animation, both in the traditional style and in a CGI style. Menkenâ€™s score to â€œEnchantedâ€ works in much of the same way. This means that there are a number of tracks that are vocal (primarily performed by Amy Adams), traditional movie score compositions (which promise the largest part of the score), and there is even a popular artist performing a track on the disc (â€œEver Ever Afterâ€, by Carrie Underwood). Continue reading “OST: Enchanted”
V/A â€“ Christmas Number Ones / 2007 Universal / 17 Tracks / http://www.ilovethatsong.com/numberones /
As one can conceivably glean from this CD, these are the songs that have reached number 1 on the chart during the Christmas season. This means that there are tracks from Elton John, Dolly Parton, the Jackson 5, Louis Armstrong, and Bing Crosby on this album. To keep the cost down of the disc, the album is crafted into a digipak that uses a lighter (perhaps biodegradable) type of plastic to hold the CD. The only thing that is a little bit confusing is the inclusion of six â€œBonus Tracksâ€, which are presumably called that due to the fact that they did not reach #1. Continue reading “V/A â€“ Christmas Number Ones”
Johnny Cash â€“ Christmas 1976 / 2007 Shout Factory / 50 Minutes / http://www.johnnycash.com / http://www.shoutfactory.com /
I really have to applaud Shout! Factory for releasing something like this. Every time one of these television specials or long forgotten releases is given new light, that is one less item that will be lost to sands of time. Who knows how many different shows, performances, and similar materials have been lost over the years due to the fact that individuals did not care or know about their present. Well, Shout! Factory has released the 1976 and 1977 Christmas specials hosted by Johnny Cash, and have kept the performances sacrosanct. This means that there are a number of different performances that are present on this DVD, whether it be Cashâ€™s version of â€œWanderingâ€, â€œCamptown Racesâ€ (with Roy Clark and Tony Orlando), or â€œOld Folks at Homeâ€; Roy Clarkâ€™s â€œJuke Box Saturday Nightâ€, or Billy Grahamâ€™s â€œA Story of Christmasâ€. The video quality on this DVD is sharp, considering that the special has not been aired in any capacity since its original airing in 1976. Sure, some of the humor seems to be a little bit on the corny side and â€œstarsâ€ like Roy Clark and Tony Orlando have paled in comparison to Cash, but there is still a magic with this special that defies the withering effects of time.
Johnny Cash â€“ Christmas 1977 / 2007 Shout Factory / 50 Minutes / http://www.johnnycash.com / http://www.shoutfactory.com /
The lineup for Cashâ€™s 1977 version of eir Christmas special just seems to be stronger than that on thwe 1976 special. Perhaps it is the fact that CBS allowed Cash more money to hire eir friends, or maybe there just was an alignment in the stars, but this special just seems better than the 1976 show (not to say that the 1976 show was weak in the slightest, either). This time, Cash, Roy Orbison, Carl Perkins, June Carter Cash, and Jerry Lee Lewis all combine to create a set of songs that are memorable even after the disc ends. Â â€œOh, Pretty Womanâ€ is given a solid treatment by Orbison, while Jerry Lee Lewisâ€™s performance of â€œWhole Lotta Shakinâ€™ Going Onâ€ is right up there with the studio version in regards to catchiness and sheer hookiness. Regardless of the effort that is put into these two tracks, it is not until the Johnny Cash, Family, and Friends version of â€œHark! The Herald Angels Singâ€ that individuals will truly be impressed by the special. The vocal qualities of everyone attached to the song just makes this rendition pop, and provides individuals with a good sense of the beginning of the end for this special. Pick it up if you can find it this season.
James Taylor â€“ One Man Band / 2007 Hear Music / 19 Tracks / http://www.jamestaylorweb.com /
James Taylor has been in the music industry for nearly 40 years. It is no surprise, then, that the music that is present on â€œOne Man Bandâ€ is some of the most mature and strong of eir career. What â€œOne Man Bandâ€ is is not a new album, but is rather an audio and video version of a live performance, during which Taylor recreates some of the best known songs of eir career. This means that classics such as â€œYouâ€™ve Got A Friendâ€, â€œFire And Rainâ€, and â€œSomething In The Way She Movesâ€ are all present here. The video version of this set provides Taylor fans with a number of different visual googahs. Essentially, what individuals are buying here is not just an audio CD but really a 2 in 1 that allows individuals that are too busy to sit down and watch the video to pop in the CD. Continue reading “James Taylor â€“ One Man Band”
Anchors for Arms â€“ Listen.React / 2007 Oort / 11 Tracks / http://www.anchorsforarms.com / http://www.ortrecords.com /
â€œThe Rootsâ€ is the first track on â€œListen.Reactâ€, and it shows the approach that Oort is taking in signing a number of these independent emo bands to their label (for those that do no know, Oort is an imprint of Lobster Records). What I mean with that is that Oort is bringing back the roots of Lobsterâ€™s signing style, bringing back the emo to the emotional releases that Lobster comes out. The heavy riffs that Anchors for Arms place on this album will remind listeners of a Sum 41, albeit with a heavier push to the technique and finesse of the guitars rather than the raw power that Sum 41 placed into their tracks. The only weakness that individuals will hear on the early section of this disc is that the vocalist attempts during some points â€“ specifically points during â€œMachinesâ€ â€“ to fit way too many lyrics in too short of a time. Continue reading “Anchors for Arms â€“ Listen.React”