Author: James

Posted on: February 5, 2021 Posted by: James Comments: 0

Snuttock “Stay”

The robot mix of Snuttock’s Stay has transformed the original track into something wholly different. What origimnally had an early 1980s, new wave sort of jam to it (see our review of the original here) is now a quaint romantic effort in the vein of Spandau Ballet and the Culture Club. The two-part harmony pushes each voice to a higher plateau, all while resting comfortably on top of an electronic…

Posted on: February 4, 2021 Posted by: James Comments: 1

America’s Sweetheart “Face To Face”

On Face To Face, America’s Sweetheart call back to the mid/late-1970s with emotive guitar work, carefully-arranged percussion, and narrative qualities to each and every note that makes its way into the track. The vocals tie together Karen Carpenter and Sheryl Crow. The band is able to create considerable cohesion with these elements. Fans can do nothing else but hang on to each thick bass line and intricate guitar riff on…

Posted on: February 4, 2021 Posted by: James Comments: 0

Kayne Dynell “Shining”

Kayne Dynell’s “Shining” has a front-facing set of vocals that immediately spin off in a fun fashion. The song itself ties together a bit of Soulja Boi and Migos, while incorporating a catchy backing beat. Taking these two elements together, Shining ultimately is one of those works that will play equally easily on pop and rap stations. The hooky chorus of this cut will bury itself deep into the minds…

Posted on: February 4, 2021 Posted by: James Comments: 0

ayoka “Elevate”

ayoka’s “Elevate” will immediately bring fans in through the tremendous vocals achieved at the onset. When the percussion and dreamy vocal samples being brought in to the equation shortly after, Elevate ends up being a track that will stick with fans long after the song ceases to play. When ayoka’s vocals drop out and the instrumentation is able to have a few moments to wind things up, listeners will find…

Posted on: February 4, 2021 Posted by: James Comments: 0

LBM “Bad Habits”

LBM’s “Bad Habits” is that sort of track that will easily make it only modern R&B station. There’s a laid-back, late-1990s infused backing track that adds a timeless air to composition, while the coolness and confidence of LBM’s vocals were draw fans in by the barrelful. The range that LBM hits between the stanzas and chorus is surprising as well; there’s a lot more to this composition that many efforts…

Posted on: February 4, 2021 Posted by: James Comments: 0

Hidden Beams “Animals”

Hidden Beams’s “Animals” possesses an epic sound that manages to cram a ton of material into the space of 2:50. The distinct instrumental sides of Animals are wholly different from one another, but these deviations from the song’s main fare end up highlighting the song’s body rather than detract from it. The instrumentation that is laid down during Hidden Beams’s latest is epic, whether it be the booming drums or…

Posted on: February 4, 2021 Posted by: James Comments: 0

Kemme “Cyclorama”

Kemme’s “Cyclorama” is darkly-crafted pop that builds upon the tradition of performers like Massive Attack and Bjork. The effort has a brooding introduction that gradually shifts into a vocal-focus track replete with longing for a previous event. The two distinct sections – vocals and instrumental content – are able to rise and fall over the course of Cyclorama. The result of this is to keep the song sounding wholly unique.…

Posted on: February 1, 2021 Posted by: James Comments: 0

Joyann Parker “Carry On”

Joyann Parker’s “Carry On” is a tremendous effort that exists at the nexus of gospel, soul, and blues. The track has a truly timeless sound to it. Listeners will be helpless to do anything but focus into Joyann’s tremendous vocals. The backing instrumentation encountered on Carry On is impressive in its own right, as well. The band works as a cohesive effort, linking together chunky bass lines and sizzling horn…

Posted on: February 1, 2021 Posted by: James Comments: 0

Leph Louie “Motivated”

On Motivated, Leph Louie is able to weave a tremendous narrative of self-improvement. By providing his own story, Leph Louie is trying to showcase that uplift is possible. There’s a whole heap of help that is provided here for individuals that want to try to improve their own lot. The track itself is understated, providing a drum beat with skillful keys. Where many rappers are more than happy to just…

Posted on: February 1, 2021 Posted by: James Comments: 0

Shadow Puppet Theatre “SETIA”

Shadow Puppet Theatre’s SETIA is a fun track that builds upon the style of performers like Van Morrison and Weezer. The band is able to establish a very deliberate bass / drum dynamic that acts as a backdrop upon which the soulful vocals lay perfectly on. The bit of introspective and alluring guitar work adds further differentiation to SETIA. There’s no two seconds during Shadow Puppet Theatre’s latest that sound…

Posted on: January 31, 2021 Posted by: James Comments: 0

Cokah “Boom Boom Boom”

Cokah’s “Boom Boom Boom” immediately hits listeners with intense vocals and a catchy tagline that will be bouncing around listeners’ brains long after the song ceases to play. The rapper is able to build upon the tradition of performers like Trina and Nicki Minaj, all while imbuing Boom Boom Boom with her own unique flow. The vibrant visuals that are utilized in the video for the single will get viewers…

Posted on: January 31, 2021 Posted by: James Comments: 0

Lesibu Grand “Hot Glue Gun”

Lesibu Grand’s “Hot Glue Gun” calls back to the stripped-down punk style of The Donnas or the X-Ray Spex. There’s a bit of Shirley Manson that can be picked up in Lesibu Grand’s vocal delivery, ensuring that the intense guitars, bit of synths, and punchy drums are given a bit more urgency. The song’s chorus will tattoo itself deep into the minds and hearts of listeners, while the ascending scales…

Posted on: January 31, 2021 Posted by: James Comments: 0

Griffith Frank “You’ll Be There”

Griffith Frank’s “You’ll Be There” has all of the trappings that listeners desire from pop music. There is an impassioned, passionate set of vocals that sits at the top of the track, bolstered with twinkling keys. There’s a gradual increase to You’ll Be There’s momentum, keeping fans firmly entranced by what Griffith Frank is trying to do here. The two distinct elements to You’ll Be There combine at the middle…

Posted on: January 31, 2021 Posted by: James Comments: 1

Pete Muller & The Kindred Souls “For What It’s Worth”

Pete Muller & The Kindred Souls’s For What It’s Worth blends together the singer-songwriter traditional with traditional country music. By putting their own unique take on the Buffalo Springfield classic, they simultaneously show their ability to keep things faithful and their ability to impart this composition with their own unique flair. The dynamic between the vocals and instrumentation pushes each to an entirely higher plateau, while the arrangement itself will…

Posted on: January 28, 2021 Posted by: James Comments: 0

James Cole “Live Forever”

James Cole’s “Live Forever” is a vibrant and fun track that showcases the dedication and drive of Cole, all while being tied up in a nice bow linking together charismatic vocals, sweeping instrumentation, and punchy percussion. The song builds up some serious speed, nary giving listeners a second to breathe before Cole concludes things. Live Forever’s video does well in matching the same brightness and airy sound of Cole’s voice…

Posted on: January 28, 2021 Posted by: James Comments: 0

Pierre Bless “Right On Time”

Pierre Bless’s “Right On Time” is centered around a backing beat that pokes through a laid-back, gritty lyrical flow. The track is easily able to catch the minds and attentions of listeners, while the video (attached below) blends together surreal visuals with the inimitable approach adopted by Bless here. The track is able to work well with oughts and early-tens rappers, all while the rapper carefully crafts his own style…

Posted on: January 27, 2021 Posted by: James Comments: 0

Eddie Cohn “FREEDOM”

Eddie Cohn creates something amazing with his latest track, Freedom. The track is able to call back to the wind-swept singer-songwriters of the 1980s (e.g. Peter Gabriel, Michael Hutchence) all while having an instrumentation that has enough versatility to ferry his lyrical content while getting fans out onto the dance floor. The groove that is achieved during Freedom is fantastic. It is a rare sight today to find music that…

Posted on: January 27, 2021 Posted by: James Comments: 0

Slammin’ Gladys “Dragon Eye Girl”

On Dragon Eye Girl, the Slammin’ Gladys are able to link together the funk-rock of acts like the Red Hot Chili Peppers with the post-grunge of Stone Temple Pilots and Jane’s Addiction. Bluesy guitar lines and charismatic vocals will have fans tapping their feet as the drums keep things perfectly on time. The production on Slammin’ Gladys’ latest is luxurious, allowing each note to sound perfect no matter whether an…

Posted on: January 27, 2021 Posted by: James Comments: 1

Michael Lanza x Chow Mane “Islands”

Islands is an intimate and catchy track that has vocals and a bouncy beat link together to really set off the rap flow brought to bear by Chow Mane. Shifting back and forth between the sultry vocals of Lanza and the tropical feel of the composition, Islands is one of those tracks that stays invigorating until its final notes. While there’s an easy play for this composition to make it…

Posted on: January 27, 2021 Posted by: James Comments: 0

Tolu A. “My Talents”

Tolu A.’s “My Talents” covers a considerable amount of ground. The sheer amount of narrative quality that is present in the instrumental arrangements – pianos working alongside rich bass lines and punchy drums – is considerable. When the sax enters into the equation, the track is able to reach a higher plateau. Listeners will find themselves planted firmly on the edges of their seats for the entirety of the composition.…