“What A Night” is the first track that listeners will hear when they put in the eponymous CD, and what issues forth is a blend of Tori Amos and Ani DiFranco that showcases equal amounts spirit and talent. Westin’s vocals match perfectly the guitars, drums, and pianos laid down by her backing band. What results with this introductory salvo is nothing less than a single that should garner heavy play…
The sweeping guitar riffs that open up “Suburban Hymns” seems to have put the perfect-pop of individuals like Rivers Cuomo on its head. The very virtuosic (but low-key) guitar that makes its way through “My Last Hostage” is just part and parcel of a larger desire by The Life and Times to skillfully cloak themselves with the fuzz of a bygone period in alternative rock. The shuffling beat of “Coat…
“Shout” is the main track on this EP, and individuals have to understand that this is the height of Christian pop music; this is Mary Mary for 2006, and this rocks while still trying to say a message. For those fans of the song, there is no shortage in the number of times that individuals can tune in; for ten tracks, there are four cuts that are specifically “Shout” (with…
Where “Rabbit Fur Coat” starts out in a very Allison Krauss type of style for “Run Devil Run”, there seems to be an infusion of that style with something that is much more acceptable in alternative rock. At the end of the track, one really hears more of a fusion style that looks toward Bitch & Animal’s “Drag King Bar” more than anything. “The Big Guns” continues slightly in this…
Totally not what I would expect from Nitro Records, The Letters Organize play a band of hardcore-emo that is reminiscent of Refused and Converge. The riffs that lead the band are brash and seem to look back to late-nineties metal, most noticeably Clutch. To My Surprise influences Brent Jay’s vocals, and in such the band’s focus is pretty solid, even to the point of really limiting the different styles that…
Chicago’s infamous “corporate grindcore” outfit HEWHOCORRUPTS are no stranger to weird releases: having formerly issued a credit card sized CD housed in a wallet, a NSFW split calendar, an EP packaged with shredded money, etc… but THIS one takes the cake. “Midi of Profits” is what it’s called, and a 1gb USB rubber bracelet is what it is. That’s right, Robotic Empire has released a rubber USB bracelet with MIDI…
Letter Kills starts “The Bridge” out with a funky guitar line, and “Lights Out” is a typical emo-rock track, replete with an active second set of vocals at odds with the lead. The first radio track is “Don’t Believe”, using ample high hats, emotive lyrics and a cohesive effort – the track may be lacking in innovation from “Lights Out” but it shows the band as dynamic, forever perfecting their…
The dreamy nature of Let’s Go Sailing during “Sideways” is fun and energetic, even if the band does not fill their music with bombastic beats or anything else that will pound listeners into submission. The band is not afraid to use repetition during their tracks, and individuals should not be afraid either, since the band is very capable and talented. There is little better that Let’s Go Sailing could do…
The vocal shifting of previous times is present even as early as “City of Champions”. LetLive continue their intense assault on the listener that began with “Exhaustion, Salt Water and Everything In Between”. What the band really seems to have changed with their formula on “Speak Like You Talk” is a tremendous amount of use of differing time signatures. This is a direct comment on all the hardcore bands that…
Letlive is another band like Anatomy of a Ghost and Boys Night Out – a “new wave” of emo acts that intersperses both melodic “emo-core” vocals and screamed-out vocals to push their sound. While “Adjectives Might Work”, their first cut off of “Exhaustion, Salt Water, and Everything in Between”, is pretty much a sleeper, their second track is both much more radio friendly and catchy. “With a Mouth Sewn Shot”…
