Category: Features

Posted on: February 15, 2021 Posted by: Sargeant Comments: 0

Jaimie Steck “Boomerang”

Jaimie Steck’s Boomerang is a fun pop track that has a bit Madonna, a bit Christina Aguilera, and Jaimie’s own unique take on things. The backing instrumentation has a hint of middle eastern flair, all while keeping a solid momentum for the song. Steck is able to do double duty here in that she can create vibrant vocal statements while adding mightily to the overall harmonies achieved by the percussion…

Posted on: February 14, 2021 Posted by: Sargeant Comments: 0

Rough Minds “Songs Out Loud”

Rough Minds’s “Songs Out Loud” has an ample amount of fuzz present from the onset. The track really feels at home in the mid-1990s alternative rock scene. The catchy chorus and killer guitar licks take in a hint of Weezer, but there’s even some Boston and Cheap Trick to really moor the band’s influence into an earlier tradition. Songs Out Loud is a fantastic track that will have listeners’ toes…

Posted on: February 14, 2021 Posted by: Sargeant Comments: 0

Marvin Etzioni “Love Letter To Democracy”

Marvin Etzioni’s “Love Letter To Democracy” is a track that revitalizes the singer-songwriter model of performers like Billy Joel and mid-seventies David Bowie, all while allowing listeners ample access to his own unique style. Little more is present in this track besides Etzioni’s vocals and a set of pianos / synths, but the combination of those two is able to establish something that is epic in its sound. By tackling…

Posted on: February 14, 2021 Posted by: Sargeant Comments: 0

Robyn McCorquodale “We All Fly Together or We Don’t Fly at All”

On “We All Fly Together or We Don’t Fly at All”, Robyn McCorquodale is able to create a sweeping effort that showcases how important it is to provide support for every human. This is through being caring and helpful. A deliberate approach here is taken here to match the instrumentation to Robyn’s vocals. Emotional synths, punctual percussion, and just enough in the way of bass guitar ensure that the track…

Posted on: February 14, 2021 Posted by: Sargeant Comments: 0

Thee Holy Brothers – “Lift You Up”

Thee Holy Brothers’s “Lift You Up” is an effort that exhorts anyone listening in to a higher purpose. With the additional vocals laid down here (Stephon Ferguson taking up the words of Martin Luther King), the track is able to really resonate in the minds of hearts of all that dig into the composition. The bit of clap-work that is incorporated to Lift You Up contributes to a deeper sound,…

Posted on: February 14, 2021 Posted by: Sargeant Comments: 0

Trav Torch “Do It Again”

Trav Torch goes back into an early-nineties R&B groove with his latest track, Do It Again. Fans will be falling off of each and every line that follows forth here; the bit of luxurious synths and percussion is precisely what is needed to further flesh out this narrative. There’s just a hint of electronic snap that plays at the back of Do It Again that firmly grounds the track into…

Posted on: February 14, 2021 Posted by: Sargeant Comments: 0

Jaybandsome “Looking Up”

Jaybandsome’s “Looking Up” has an honest and earnest sound to it that will immediately draw listeners in. The lyrical side of things is given a spotlight, while the backing beat is able to build up and reach prominence a number of times during this single. The percussion/vocal dynamic here is perhaps the most interesting part of Looking Up, as they continue to reach for a dominant position. The song is…

Posted on: February 14, 2021 Posted by: Sargeant Comments: 1

Meresha “Red Headed Lover”

Meresha’s Red Headed Lover is a wonderful ode to early 1990s dance music. The luxurious synths and supersonic vocals will appease fans of artists as wide-ranging as the Zapp Band and Taylor Dayne, all while Meresha is imprinting the track with her own unique flair. The fat bass line that kicks into Red Headed Lover is particularly fun, further separating this track from the rest of the music currently garnering…

Posted on: February 14, 2021 Posted by: Sargeant Comments: 0

The Aces “801”

On 801, The Aces are able to establish a layered, emotional effort that has a wonderful blend of 1990s-tinged vocals and ethereal compositions. Even adding a hint of reggae into the mix, this song is able to speak volumes to anyone fortunate enough to listen in. The lyrics provide considerable narrative to the composition, but the dynamic between the constituent instrumental elements contributes mightily to the story that the band…

Posted on: February 14, 2021 Posted by: Sargeant Comments: 0

Legaxy ft Tory Lanez “Rotation”

Rotation, the latest effort from Legaxy, is a track that will undoubtedly garner attention as it rolls out to a wider audience. There’s a memorable, booming bassy beat that represents the backend of the song. The silken vocals that come forth at the single’s beginning will get listeners singing along, while the track keeps interesting when the slightly harder-edged flow kicks in. Rotation has enough to it to work well…

Posted on: February 12, 2021 Posted by: Sargeant Comments: 0

Malek Hanna – Beautiful Stranger

Malek Hanna’s Beautiful Stranger is an alluring pop single that calls back to the highwater mark of the 1990s. During his latest single, Hanna builds upon the tradition of Enrique Iglesias and Robbie Williams. The song is extraordinarily cohesive as Malek pulls double-duty here. More than just convey the overall narrative of the track, he is able to interact with the guitars and drums. This has the effect of bolstering…

Posted on: February 6, 2021 Posted by: Sargeant Comments: 0

GoodLook “Good Friday”

GoodLook’s “Good Friday” is a track that refreshes the hardcore rap style of NWA and Beatie Boys. With vinyl scratching and booming bass beats, the backing instrumentation to this track will assuredly get listeners out on the dance floor. The confidence and lyrics laid down here by GoodLook will endear the performer to anyone listening in. By creating a track that so faithfully recreates the first decade of rap music,…

Posted on: February 5, 2021 Posted by: Sargeant Comments: 0

War Panties “Creaky Crooked Woman” and “Delaware Cornfields”

Creaky Crooked Woman has a funky, bluesy sound to it. There are nods to acts as diverse as The Rolling Stones, Jethro Tull, and Primus in the overall instrumentation that is present here. The funky, gonzo type of take that War Panties create here calls back to the halcyon days of the 1970s, but there’s a brightness and vitality to this composition that speaks to modern generations perfectly. Delaware Cornfields…

Posted on: February 5, 2021 Posted by: Sargeant Comments: 0

Mara x Mini “We Matter”

We Matter has some of the most hard-hitting and effectual flows that we’ve had the opportunity to hear so far this year. The duo is able to build an engrossing track off of one another, tying the two tacks taken with a soulful backing instrumentation. There are nods to traditional gospel and soul music, married to some eye-opening political content. Wholly unique in the way that the pair take the…

Posted on: February 5, 2021 Posted by: Sargeant Comments: 0

Snuttock “Stay”

The robot mix of Snuttock’s Stay has transformed the original track into something wholly different. What origimnally had an early 1980s, new wave sort of jam to it (see our review of the original here) is now a quaint romantic effort in the vein of Spandau Ballet and the Culture Club. The two-part harmony pushes each voice to a higher plateau, all while resting comfortably on top of an electronic…

Posted on: February 4, 2021 Posted by: Sargeant Comments: 1

America’s Sweetheart “Face To Face”

On Face To Face, America’s Sweetheart call back to the mid/late-1970s with emotive guitar work, carefully-arranged percussion, and narrative qualities to each and every note that makes its way into the track. The vocals tie together Karen Carpenter and Sheryl Crow. The band is able to create considerable cohesion with these elements. Fans can do nothing else but hang on to each thick bass line and intricate guitar riff on…

Posted on: February 4, 2021 Posted by: Sargeant Comments: 0

Kayne Dynell “Shining”

Kayne Dynell’s “Shining” has a front-facing set of vocals that immediately spin off in a fun fashion. The song itself ties together a bit of Soulja Boi and Migos, while incorporating a catchy backing beat. Taking these two elements together, Shining ultimately is one of those works that will play equally easily on pop and rap stations. The hooky chorus of this cut will bury itself deep into the minds…

Posted on: February 4, 2021 Posted by: Kim Muncie Comments: 0

Waxflight Releases LP

Utilizing a jagged groove to emphasize the simplicity of their melodies in “Daughters of Progress.” Drawing together otherwise perplexing pulsations out of the ethers to form a casual rhythm in “New Dogs.” Dabbling in the best sort of overindulgence you can hope to find in a guitar-driven album in “Myth of You.” Slapping us around with the very audacity of a signature harmony in “Equation.” Waxflight mean business in their…

Posted on: February 4, 2021 Posted by: Sargeant Comments: 0

ayoka “Elevate”

ayoka’s “Elevate” will immediately bring fans in through the tremendous vocals achieved at the onset. When the percussion and dreamy vocal samples being brought in to the equation shortly after, Elevate ends up being a track that will stick with fans long after the song ceases to play. When ayoka’s vocals drop out and the instrumentation is able to have a few moments to wind things up, listeners will find…

Posted on: February 4, 2021 Posted by: Sargeant Comments: 0

LBM “Bad Habits”

LBM’s “Bad Habits” is that sort of track that will easily make it only modern R&B station. There’s a laid-back, late-1990s infused backing track that adds a timeless air to composition, while the coolness and confidence of LBM’s vocals were draw fans in by the barrelful. The range that LBM hits between the stanzas and chorus is surprising as well; there’s a lot more to this composition that many efforts…