It Don’t Take Much (Because I Do), the latest effort from Bruce Sudano, is a soft, mid-tempo effort that links together 1970s easy listening rock with a bit of the desert rock genres. The touching vocals that Sudano imparts upon the composition works perfectly on top of the soulful guitar licks and on-point drums here. The cohesion that exists between these parts makes It Don’t Take Much (Because I Do)…
Heilung’s “Norupo” calls back to an much earlier tradition. The vocal harmonies achieved during their latest effort will resound loudly with listeners. Adding flutes and an emphatic drum beat to the mix, Heilung will keep fans on the edges of their seats. The gradual increase in the single’s tempo over the course of the next minute allows other pieces to enter into the equation. A secondary set of vocals and…
Elijah Wolf’s “Brighter Lighting” is an interesting jam-up of 1960s singer-songwriter and 1990s alternative. Wolf’s vocals on this new single are dreamy and jam-packed with harmonies. This ensures that the guitar, drums, and pianos are given another element to build off of. Brighter Lighting enjoys numerous layers and just enough fuzz to join things together flawless. Elijah Wolf has made Brighter Lighting into a track that speaks to a wide…
On Cabin Fever, Elektragaaz is able to go all the way back to the first generation of dance music. There’re nods to Hot Butter’s Popcorn as well as Boney G’s Rasputin. Hints of progressive and psychedelic rock are inserted into the track. There’s a considerable narrative side to the instrumentation here, contributed by the guitars and drums. There’s a vibrancy to Cabin Fever that will undoubtedly get fans off of…
Jesse Eplan’s Ecstasy is a fantastic in the range of different styles and approaches that he’s able to achieve. The track effortlessly moves between pop, R&B and rap. With vocals soaring over the backing beat, Ecstasy will tattoo its lyrics deep into listeners’ minds. The features (Da Last Phoenix and Kfedey) a lot in providing further depth to an already fulfilling effort. Eplan’s choice of the pair of features here…
Mr Russell is the latest album from Overlord Gruff, starting out with Floatin. Savage immediately cuts to the bone. The haunting keys that plays in the background is the perfect beat to allow for Overlord Gruff’s flow to shine. While there are a number of female vocal samples popping up art points during this track, there’s a cohesion that ensures that they contribute mightily to the finished effort. Black Superman…
Dj Amaze x AG’s “456” is one of those efforts that will immediately raise a room’s spirit. This blend of reggae and dance music has a booming, bouncy beat and charismatic vocals representing the two main pillars of the song. The beat is constantly tattooing itself onto listeners through the entirety of 456, all while vocal samples add something vital to the track. Dj Amaze x AG’s 456 will easily…
On 27 Summers, Nas comes forth with a bold testimony about his staying powers. Confident as ever, Nas is able to create a track that is simultaneously hard-hitting while keeping just enough crossover appeal. The lyrical content of Nas’s bars reads like a James Joyce book; there are so many nods to past and present happenings and Nas’s own experiences during this cut. 27 Summers portends another season of fantastic…
Keep Climbing is a stellar track calling back to the rap of the early 1990s. With a positive, heady message that will continue to showcase itself to listeners even five or ten plays in, Shaheed has ensured that music can do more than get people out on the dance floor. With the other side of the track being lit up by Dj Supreme’s work, there’s nary a place or approach…
Paydro’s “Feel Like Da Bank” is one of those cuts that will immediately make listeners’ head spin around. The confidence exuded in each lyric melds perfectly with the booming bass and ono-point percussion. The punctuation of Paydro’s flow with single-word responses kicks things into an entirely higher level. While Paydro jumps on back to the “modern gangster” era of Rick Ross and 50 Cent, there’s a crispness to the delivery…
Theodor Bastard’s “Les” is a darkly rich effort that ties together the trip-hop of acts like Massive Attack and Portishead with more atmospheric and ethereal sounds. Listeners’ expectations from this track are continually shattered. The vocals float in and out of lyrical and musical modes, while the instrumentation bubbles up into threatening to take over the track just as easily as it slides into a more sedate, collaborative mode. There’re…
Garmarna’s “Dagen Flyr” starts out with an emphatic drum beat and alluring vocals. The track will have listeners by the throat as Garmarna continues to increase their tempo. The drum/vox dynamic gradually shifts to allow more of thee act to shine; bass guitar lines and strings unite to make a considerable mass hurtling toward listeners. The effort links together Switchblade Symphony with traditional metal, adding in just a hint of…
Jaimie Steck’s Boomerang is a fun pop track that has a bit Madonna, a bit Christina Aguilera, and Jaimie’s own unique take on things. The backing instrumentation has a hint of middle eastern flair, all while keeping a solid momentum for the song. Steck is able to do double duty here in that she can create vibrant vocal statements while adding mightily to the overall harmonies achieved by the percussion…
Rough Minds’s “Songs Out Loud” has an ample amount of fuzz present from the onset. The track really feels at home in the mid-1990s alternative rock scene. The catchy chorus and killer guitar licks take in a hint of Weezer, but there’s even some Boston and Cheap Trick to really moor the band’s influence into an earlier tradition. Songs Out Loud is a fantastic track that will have listeners’ toes…
Marvin Etzioni’s “Love Letter To Democracy” is a track that revitalizes the singer-songwriter model of performers like Billy Joel and mid-seventies David Bowie, all while allowing listeners ample access to his own unique style. Little more is present in this track besides Etzioni’s vocals and a set of pianos / synths, but the combination of those two is able to establish something that is epic in its sound. By tackling…
On “We All Fly Together or We Don’t Fly at All”, Robyn McCorquodale is able to create a sweeping effort that showcases how important it is to provide support for every human. This is through being caring and helpful. A deliberate approach here is taken here to match the instrumentation to Robyn’s vocals. Emotional synths, punctual percussion, and just enough in the way of bass guitar ensure that the track…
Thee Holy Brothers’s “Lift You Up” is an effort that exhorts anyone listening in to a higher purpose. With the additional vocals laid down here (Stephon Ferguson taking up the words of Martin Luther King), the track is able to really resonate in the minds of hearts of all that dig into the composition. The bit of clap-work that is incorporated to Lift You Up contributes to a deeper sound,…
Trav Torch goes back into an early-nineties R&B groove with his latest track, Do It Again. Fans will be falling off of each and every line that follows forth here; the bit of luxurious synths and percussion is precisely what is needed to further flesh out this narrative. There’s just a hint of electronic snap that plays at the back of Do It Again that firmly grounds the track into…
Jaybandsome’s “Looking Up” has an honest and earnest sound to it that will immediately draw listeners in. The lyrical side of things is given a spotlight, while the backing beat is able to build up and reach prominence a number of times during this single. The percussion/vocal dynamic here is perhaps the most interesting part of Looking Up, as they continue to reach for a dominant position. The song is…
Meresha’s Red Headed Lover is a wonderful ode to early 1990s dance music. The luxurious synths and supersonic vocals will appease fans of artists as wide-ranging as the Zapp Band and Taylor Dayne, all while Meresha is imprinting the track with her own unique flair. The fat bass line that kicks into Red Headed Lover is particularly fun, further separating this track from the rest of the music currently garnering…