Category: Music Reviews

Posted on: November 7, 2024 Posted by: James McQuiston Comments: 0

Faithless Town “California Come Home”

Faithless Town’s “California Come Home” is a call-back to the 1990s alt-rock of the Gin Blossoms, Counting Crows, and Dishwalla. The vocals sit above the guitar fuzz and contemplative arrangements of the song. The repetition of California Come Home acts as a way for Faithless Town to change up their output. Keeping fans firmly planted on the edges of their seats until the single ends, Faithless Town showcases both their…

Posted on: November 6, 2024 Posted by: James McQuiston Comments: 0

Adrianna Freeman “HALO”

Adrianna Freeman’s “HALO” is a single that will immediately draw in listeners. The very traditional arrangement of the guitars, drums, and bass imbue HALO with a 1990s country vibe, while Freeman’s vocals recall a Jo Dee Messina, Carrie Underwood or Shania Twain. The sizzling guitar solo that acts as HALO’s bridge is something special, showcasing an intricatre arrangement that rises up just as much as Adrianna’s inimitable vocals. The bit…

Posted on: November 6, 2024 Posted by: James McQuiston Comments: 0

Hailey Newman “VIBEZ”

On VIBEZ, Hailey Newman is able to craft an alluring style of pop music that touches upon the early work of Taylor Swift and Deana Carter. The rich vocals are given a boost through catchy guitar licks and on-point drumming. Each constituent element encountered during VIBEZ works together to make a track that stands up to repeat plays and would feel right on pop and modern country radio stations and…

Posted on: November 6, 2024 Posted by: James McQuiston Comments: 0

Kelsey And Lisa “Takin’ It Easy”

On Takin’ It Easy, Kelsey and Lisa are able to call back to the island style of Jimmy Buffett and the more lighthearted fare of The Carpenters and Maria Muldaur. The instrumentation is warm and inviting, with guitar, bass, and percussion uniting to make a toe-tappingly-fun backing beat upon which the titular pair can present their vocals. The production of Takin’ It Easy ensures that there are ample opportunities for…

Posted on: November 3, 2024 Posted by: James McQuiston Comments: 0

Porter Block “Cruel World” 

Cruel World is a touching, intimate song that immediately will draw fans in with alluring voals and thoughtful instrumentation. Porter Block’s latest single has an absolutely timeless approach threaded throughout, drawing in the widest possible swath of listeners. It’s hard to pigeonhole Cruel World; there are nods to 1980s pop-rock, 1990s alternative, and even bits of 1970s easy listening throughout its run time. With each subsequent single, Porter Block is…

Posted on: October 31, 2024 Posted by: Gus Rocha Comments: 0

Pumpkinhead Ale (Shipyard Brewing)

Shipyard Brewing’s Pumpkinhead Ale is a quintessential fall seasonal release, known for capturing the spirit of autumn in a bottle. Available only during the cooler months, Pumpkinhead is usually released in early September, making it a highly anticipated seasonal favorite. Its limited availability heightens the anticipation for many beer enthusiasts who eagerly await its return each year. The pour of Pumpkinhead Ale is light amber, almost golden, with a slight…

Posted on: October 30, 2024 Posted by: Kim Muncie Comments: 0

Bluegrass Band Rock Hearts Release “Unfinished Bridges”

Pouring old wine into new bottles, as an ongoing musical concern, isn’t as easy as it sounds. This is especially true when we’re discussing genres such as bluegrass. Bluegrass’ stylistic kingdom, like other territories of Americana, is relatively narrow; there’s only so much you can do before you aren’t playing bluegrass anymore. You’re doing something else. URL: https://rockheartsbluegrass.com/ Inventive bands seize upon hybridization. This means they pick their shots with…

Posted on: October 27, 2024 Posted by: James McQuiston Comments: 0

Zimmer90 “feel like we used to” 

feel like we used to, the current track from Zimmer90, is a delightful lo-fi alt/pop effort. This could easily garner attention on XMU or other curated playlist. Dreamy vocals interact with sweeping synths to tattoo the single’s harmonies deep into listeners’ gray matter. There’s a timeless sound built throughout this composition that will draw in a huge swath of music fans. feel like we used to is the perfect song…

Posted on: October 27, 2024 Posted by: James McQuiston Comments: 0

Ron Brunk “Fading”

Fading is a touching effort that is able to impact listeners with little more than Ron Brunk’s vocals and guitars. The careful touch that is placed on the composition will ensure the song resounds with listeners long after it ceases to play. I find there’s a lot of commonality with Fading and My Ride’s Here-era Warren Zevon. There’s a sedate and serene look at his situation, an honesty that is…

Posted on: October 27, 2024 Posted by: James McQuiston Comments: 0

Staunch Moderates “Mediterranee”

Staunch Moderates’ “Mediterranee” is a laid-back effort that incorporates jazz, soul, funk, and 1990s rap into something that is wide-reaching as the subject matter covered in the track. This eclectic approach is made all the clearer through the contributions of GTS, DJ Staunch, and Casanova Ace. Each part puts their own stamp on the composition, all while the backing instrumentation ends up as the welcoming blanket enveloping everything. Listeners will…

Posted on: October 27, 2024 Posted by: James McQuiston Comments: 0

Jim Peterik “American Dreamer”

Jim Peterik’s (Survivor) “American Dreamer” is a retro-styled track that would be perfectly at home in the biggest stadiums of the 1980s. There’s a vitality to the composition here that will draw in any fans of Foreigner, Journey or Stan Bush. The chorus is infecitous to the degree that fans will be singing along after their first few experiences with the effort. Of particular note during American Dreamer has to…

Posted on: October 27, 2024 Posted by: James McQuiston Comments: 1

 Ron Brunk “Lemon Mountain Manatee”

On Lemon Mountain Manatee, Ron Brunk immediately draws in listeners with a bit of fun brass before taking listeners on a narrative journey. The vocals are a modern version of the 1960s and 1970s singer-songwriter genre. The horns bubble up after Brunk’s chorus, acting as a palette refresher and amping fans up for what is to follow. There’s a certain cohesion to Lemon Mountain Manatee achieved by harmonies that Ron…

Posted on: October 27, 2024 Posted by: James McQuiston Comments: 0

Pep Rally “Roll Around”

Pep Rally’s “Roll Around” is a fun rock track that feels as if the band is having the time of their life. There’s a fun groove that is built up through the entirety of Roll Around’s run time. The lead vocals are charisdmatic and alluring, while the co-lead matches each utterance perfectly. Keeping things progressing, the perfectly-punctual drums are the gluue that hold the track together post-bridge. Listeners will be…

Posted on: October 27, 2024 Posted by: James McQuiston Comments: 0

TT “Let Us Breathe”

Let Us Breathe, the latest from TT, is a positively-bouncy ssort of alternative rock treat that stands out boldly from the bulk of current music through taut instrumentation, intelligent production, and a laundry list of nods to acts as wide-ranging as Dick Dale, Deep Purple, and The Minutemen. The sizzling guitar line that bridges Let Us Breathe is a sight to behold, providing a fun deviation from the main body…

Posted on: October 26, 2024 Posted by: James McQuiston Comments: 0

Kendra Erika “Body Language”

Body Language is an electronic-infused pop track from Kendra Erika. The song showcases Erika’s vocals alongside an assertive dance beat and retro-inspo keys. Following in the footsteps of performers like Kylie Minogue and Sabrina Carpenter, Kendra Erika makes Body Language a must-listen for anyone that likes their music upbeat and perfectly-produced. The song is able to cover considerable ground over the course of its sub-three minute run time. By concluding…

Posted on: October 25, 2024 Posted by: James McQuiston Comments: 0

ViennaCC “Weekend Mood”

Weekend Mood is a hopeful, electronic-meets-pop track that will bring people out onto the dance floor. There’s bits of the Zapp Band with a bit of Falco interspersed here. The instrumentation is bouncy, light, and fanciful. ViennaCC’s vocals leisurely lie on the top of Weekend Mood, providing one with another way which to enjoy the song. A brief lyricless interlude glues together the two sections of Weekend Mood. The song…

Posted on: October 25, 2024 Posted by: James McQuiston Comments: 0

BOSCO “Shotgun Paradise”

Shotgun Paradise is a tempest of distortion and angst, a rock track that is able to showcase some serious instrumental chops all while making a song that is a must-include on heavy music radio stations and playlists alike. Fans of acts like Likin Park and Audioslave will be able to find something to love here, all while BOSCO is able to create their own unique sound over Shotgun Paradise’s run…

Posted on: October 25, 2024 Posted by: James McQuiston Comments: 0

Neo 21 “SGMA remix” 

The SGMA remix from Neo 21 is an intriquing, laid-back track. Fans are given a close-up view of the performer’s distinctive lyrical flow, while the backing instrumentation hearkens back to late 1990s backpack rap. The deftly-sequenced drum beat acts to put emphasis on Neo 21’s lyrical flow, while the bit of guitar strum that comes up at points acts as a good counterpoint for the dry and gritty lines that…

Posted on: October 24, 2024 Posted by: Kim Muncie Comments: 0

“Never Heavy Is One Full of Light” by Never Heavy

Steve Alex’s excellent, acoustic soft-rock album Never Heavy Is One Full of Light likely owes a lot of its strengths to Alex being a veteran of the music industry since the nineties. This was a time when the squeaky-clean, corporate-controlled glamazons currently dominating the charts were considered boy band material, rock still ruled the radio slots, and people appreciated great art with commercial prowess, if a little more than the…

Posted on: October 23, 2024 Posted by: James McQuiston Comments: 0

Mike Teezy “I FEEL GOOD”

I Feel Good is a bop, a track that will work perfectly on rap radio stations and playlist alike. We’re marvelling at Mike Teezy’s flow throughout the main body of the track, while the solight shift into a more R&B style for the single’s chorus allows for fans to stay engaged with the track. The song covers a vast swath of different sounds and styles, united into one cohesive entity…