Even though Panic at the Disco’s Matt Squire was the individual behind the production of this disc, the style of emo music that Permanent Me plays is not the electro-punk-emo mix of Panic. Rather, it blends the 1998 pop-punk Blink 182 style with the guitar fuzz of acts like Appleseed Cast and Lewis. What results is something that is ready for all the radio station, whether they be college-based or…
Ola’s vocals on “Let There Be Morning’s” first track “Weekends” are simply fantastic. Spacey but not the mindless chatter created by acts like Coldplay, Ola’s vocals will draw listeners in from the first work spon until the last gasp of breath finishes off the disc. The twinkling guitar of a track like “Sway” really models itself on the vocals created for the track; this full sound (made even more so…
Pepper is a band that I reviewed a few years back. When I reviewed “In With The Old”, I found an album that was solid but one that did not push any new types of styles or approaches during its runtime. The disc’s first track (“No Shame’s” “Bring Me Along”) is a track that is insistent in its laid-back styling. The musical styles used during this track include the brand…
Fitting in with the laid-back California sound of 311 and Sublime, with Synchronicity-era Police and Bob Marley sound, Pepper puts this, their latest album, to the forefront. However, Pepper is one of those bands that are perfectly content following the wakes of a number of innovative bands, instead of trying to experiment and incorporate new sounds to their sounds. “Use Me” is the first single-worth track on “In With the…
People in Planes starts out “As Far As The Eye Can See” in a retro type of vein that luckily disappears after the opening section of the first track on the disc “Barracuda”. What is left, then, is a band that is reminiscent of both Interpol and Queens of the Stone Age. There is a southern-rock sound that permeates “Barracuda” that really distinguishes them from the rest of the retro…
Its some of the hardest-hitting emo music that I’ve heard since the new My Chemical Romance or Coheed and Cambria’s new CDs came out. However, what makes this disc so different from the two previously mentioned is the intensity in which it (through “You Are Loved”) holds. This mixture of masterful arrangement, solid musicianship, and an ear for pop-perfection is what makes People Chasing People such an impressive band. The…
A harder-edged punk band than most of the pop-punk that is coming out currently, The Pennyroyals seem more in tune with bands like Three Days Grace than Good Charlotte. In fact, the first track on “There Is No Revolution!”, “Better Than Me” is led by a harsh guitar attack and the perfect vocals of Mike. Skillfully mixing in synthesizer lines to their tried-and-true brand of rock , The Pennyroyals seemed…
“Revelation on the Radio” is an absolute epic track in the vein of Styx or Queens of the Stone Age. While rooted firmly in the rock genre, listeners can hear equal amounts of metal (Fear Factory) and even punk (Jello Biafra) present in Steele’s first cut. “Via Satellite” provides listeners with a tremendous amount of energy, as Steele’s vocals drive into listeners with all of the allure of a Tubronegro…
“Flesh” reminds me of a Devo track. The same sort of angular post-punk rock is present in both the classic Akron band as well as PepperDome, but there are noticeable differences between the former and the latter. Key of these would have to be an appreciation of all the music to come out after the former – hints of Gogol Bordello, Reel Big Fish, and even Against Me! can all…
“Old & Faded” is the first track on The Sunrise’s “Spread The Word”, providing listeners with a sampling of their own style of rock. This style touches upon seventies rock, gospel, R&B, soul, and does so while providing a message. “The Way To Live” provides this message of uplift and righteous living alongside guitar work that is simply fantastic. The overall sound of “The Way To Live” will garner fans…
The strings, guitars, and other ambient noises that begin “Search and Rescue” will immediately catch the attention of anyone in the room. The intensity of this introduction dovetails well into the meat of the disc’s first track, “Be Right Here”. Fans of a wide swath of artists, be it Hellogoodbye, Fall Out Boy, T-Pain, or even Matt and Kim will be able to dig this eclectic opening. The linking of…
“From Here”, Katey Laurel’s new album starts in a very controlled and measured fashion. The foundation laid down by the instrumentation on the disc’s first track, “Begin Again”, gradually gains steam as the track rolls on. When Laurel gets to the chorus, listeners will immediately sit up and take notice – there is a catchiness present that will ensure that the track sticks with all that listen in.
“Achilles’ Heel” starts out with “Bands With Managers”, a slow, deliberately plodding track that skillfully mixes the human nature of the vocals with the detached, machine-like nature of the drums and synthesizers. Looking back to late nineties alternative rock for the inspiration for the vast majority of the CD, Pedro the Lion elicits comparisons to Placebo, Sloan, and Geggy Tah. Perhaps the most enticing matter with Pedro the Lion would…
The introductory vocals during “Here We Go Again” are interesting, and to be honest, take a few minutes to fully get into. This is due to the fact that Pavia has a very innovative and new style of vocals, and this newness will take individuals a short while to get used to. Couple that with the fact that the vocals are practically all that are present during the opening of…
Starting out with “Diaryland”, a track that is as scary as any ambient track from a Halloween-themed CD, Paulson creates a brooding atmosphere that only gets more intense as the track builds up. Finally breaking into some semblance of vocals two minutes into the track, Logan’s vocals still act in an instrumental way. Reminiscent of Incubus’ oddly-arranged style of drumming, “A Great pretending” uses that same brooding nature to make…
Paulson – All At Once / 2005 One Day Savior / 10 Tracks / http://www.paulsonisaband.com / http://www.onedaysavior.com / Reviewed 28 December 2005 The band comes through with a tender appreciation of emotion, a desire to unity softness with a hidden intensity and wonderful arrangements that will keep individuals listening in. There seems to be a mixture of the traditional (read: mid-nineties) brand of emo with the same emotive instrumentation that…
Let me state up front that this review is not meant to be ironic in anyway and while sarcasm is the major form of communication for anyone between 12 and 25, I’m in my late 30’s so am (almost) capable of going more than 15 minutes without a single snarky retort. OK, I’m just as cynical as your average tween, but I’ve at least lived long enough to justify the…
“Maple” may just be one of the most annoying openings for a CD; the repletion and brash arrangements that are such a hallmark for the track do maintain some semblance of a melody, but it is lost in much of the track’s chaos. Continuing with the incredible amount of repetition for “It’s The Wine”, Pattern Is Movement seem to be expressing themselves in a seventies vein, almost as the Kinks…
Moving into their first track “Non Servium” with a generous helping of Radiohead and a brooding style of indie rock, Pattern is Movement start out their disc with a solid-sounding but weak-experimenting first track. The inclusion of strings to counteract the snarky tone of the guitar is a welcome change from banality, but the track still leaves some longing in the hearts of true musical swingers. Lacking a definite bass…
“Strength” shows Patten’s appreciation of bands like Creed and Nickelback, and while Patten’s instrumental approach does not touch much in the way of rock (the track blends together piano and keyboards), the intensity of Patten’s vocals cannot be denied. There is more than a fair share of blues in the aforementioned set of vocals, perhaps giving the tracks on this album a more timeless sound. “Remember When” is a much…