The energy that is first exerted by Morello during their opening to “Twelve Ways To Breathe” is without comparison. During this first track “Fade Out”, the band is able to make a compelling guitar line work with a set of vocals that moves between energetic and introspective. While this approach is interesting t say the least, it is not something that is commonly used by acts. The sheer newness of…
About 10 seconds into Monty Are I’s “Wall of People, I fell in love. This disc is going to be in my stereo for months to come. Genius, only word for it really. But since I have to give you 400 words on it, allow me to try elaborating. It all started on track 1, “Between the Sheets”. This track comes right at you full force, an excellent opening. With…
Monsters Are Waiting play a brand of music on their “Fascination” that bounces through quite a few styles even as the music is fairly straight-forward and possessing of few styles. At some point, there is a girl group (from the sixties) like feel to songs like “Monsters”, but there is something new and fresh and pervades the sound of the band. However, during tracks like “Nobody”, Monsters Are Waiting take…
“Behm” is an electronic track that still sounds very natural and organic. The repetition seems to show more of a growing process rather than an act that does not know where to go with their next track. There is a snowball track present on this song that is foreboding. Individuals that have just started this disc have no idea where Monster Movie will go with the rest of the tracks…
Jeremih had a number of tracks that captured listeners throughout most of 2009, especially the oft-heard “Birthday Sex”. While there were other tracks on eir first album that really expanded eir range as a performer, I feel that Jeremih’s new album, “All About You” is something that should solidify eir as a performer in the likes of R. Kelly. The disc itself begins with the self-titled track, a song that…
There is a laid back feel to this disc that first manifests itself during “Cooley McCoolsen”. This sound is reminiscent of some of the ambient music of the mid to late nineties, and what differentiates it from that style has to be the inclusion of a funk laden backing beat. The flow changes considerably for “Alles Fur Die Cuts”, a track that maintains the somewhat downtempo flow but jazzes it…
Unfortunately, it seems like I have missed the bulk of The Choir’s work. As they have been a band since 1985, and have released 17 different albums, I feel like I have a lot to catch up upon. However, starting up “Burning Like The Midnight Sun” requires nothing in the way of familiarity with the band. From the beginning of the band’s introductory track, “Midnight Sun”, it seems as if…
I was amazed by Ahleuchatistas when I first was lucky enough to see them at AMC 2004, but their album goes just as far showcasing their Primus-like spurning of traditional chord and time structures. Allowing for a high amount of continuity between “Cracked Teeth” and “Ecstasy Combat Boots”, Ahleuchatistas are impressive any way one sees the band, whether it be the Neil Peart like bass lines of Derek or the…
Monkey is a perfect example of that ska that really does not fit into the three divisions that are traditionally given to the genres. Starting out with “Summertime Sun”, the band is able to create a solidly arranged, catchy as all get out type of track that is a key reason to listen in. “Shanty Party” really breaks down some of the artificial boundaries created by record labels, showing individuals…
The songs that Monitors commit to disc are interesting to say the least. At some point, the music that Monitors play is a brand of indie rock, but the sheer off the wall sound that the band creates puts Monitors more firmly into the noise genre. At some point, Monitors have an extremely catchy style that will get individuals herking and jerking about. While the style of music may not…
Jane Monheit has not been around the music industry for too terribly long. Ey is only 29 at the moment, so what holds true for the music on “Surrender” may not be what is true in 2027 or 2047. Fact is, there is a lot of time for Monheit to grow and expand eir repertoire. However, for individuals trying to decide whether this album is worth the purchase price, a…
Just as with their last album, “Theory of Harmonial Value”, .moneen. enthralls its audience with some of the most clean and richest instrumentation to ever grace a CD, seamlessly meshing in classical instruments with jangly guitars the make a truly transcendent disc. Each song is like a Joyce or Pynchon chapter – it may be totally different from any prior piece, but it will have that same type of continuity…
Starting out with fairly simplistic guitar riffs and double-bass pedals for their first track “Lipstick”, Monarch’s lead singer Dan sounds almost too grizzled to be effectual. “Lipstick” is only three and a half minutes long but the only thing that stands out in the slightest for me has to be the guitar noodling that marks the mid-point of the disc. The second chunk of guitar work on “Lipstick” is much…
“All of You” is a track that could easily be enjoyed, regardless of whether the listener was from 1880, 1920, 1950, or today. There is little more to this first track on Sissita’s self-titled disc than vocals, but her chops are such that any fan of music will be happy with what issues forth from their stereo. “Nightmares” continues this train, but gives the backing instrumentation a little more of…
It becomes hard to establish a coherent and cogent sound with an EP. While many acts like coming out with these shorter recordings, I feel that LPs are typically the way to go. VTG looks to change my opinion on the matter with their “Love Is Letting Go”. The disc’s first track, “I Lie Pretty”, defies convention. This is due to the fact that there is a little bit of…
“Tragedy Holds The Hand Of Hope” was not very impressive; Monarch’s new self-titled LP starts out with a tad bit more promise. Dan’s vocals stand a little farther out from the instrumentation, and the instrumentation is a little more varied between tracks. This time there is a certain ability of the band that shows through: the ability to connect with their audience. Monarch’s music, especially the very linear “Apparition” could…
Most acts give listeners a few tracks to properly get their footing and understand where the band is coming from, but Ceramic immediately comes forth with two intense salvos. These tracks, “You Give More Than Enough” and “Who’s Gonna Guide The Night”, are ones that will tattoo themselves on anyone that listens in, and that is primarily due to the intricate musical arrangements that are present. Little more is needed…
Let’s admit it, Moments In Grace’s first EP was pretty weak. However, opening up “Moonlight Survived” with a radio-friendly and intense “Stratus”, the band starts off on a strong foot. Even though the breakdown seems a little too drawn-out and cheese-ball, the chorus meshes well enough with the instrumentation on the track that most mistakes can be forgiven. “The Patient” uses a lot of the same guitar lines that immediately…
Listening to “Taco Blessing’s” first track “Zero Kid” really brings individuals back to the heydays of Gilman St; Modern Machines come through with the intensity of a band like early Descendents while still having a pop-punk edge a la Pinhead Gunpowder and “Blue Room-era” Unwritten Law. The recording might be a little fuzzy, but the sizzling guitars and catchy lyrics of the band still shine through as bright as day.…
Sounding at times like Yellowcard and all of those emo-rock bands that are continually charting in these late days of the genre, Moments in Grace create a palatable sound that yet has little in the way of substance. Jeremy’s voice is remarkably similar to Rivers Cuomo, and in tracks like “Broken Promises”, the guitars swirl around to give the entire track more of a Tool track. While everything seems to…