As ever, Capsule’s programme has a sense of spectacle at the very heart of it, always aiming to capture the imagination of the audience, and with a friendly, bustling atmosphere to boot, there is little wonder why the festival draws fans, performers and industry folks from across the globe.
First and foremost, we are thrilled to invite back former Supersonic Festival alumni, someone who first appeared at the very first Supersonic in 2003 (he also performed again in 2008 and with King Midas Sound in 2010) we are of course speaking of Kevin Martin aka The Bug. This time, Kevin Martin will be bringing the party vibes accompanied by the world’s fastest rapper and founder of Raggamuffin hip hop Daddy Freddy and Flow Dan (co-founder of UK Grime collective Roll Deep).
What Supersonic Festival line up would be complete without a local hero? For the tenth birthday celebrations, Supersonic are delighted to host the latest project of Nic Bullen, forever pushing and evolving ways of working with sound. With a highly impressive career spanning 35 years having founded Napalm Death and since established himself as sound artist and composer in his own right. Nic Bullen is known for his captivating multimedia performances and his omnipresence will undoubtedly be witnessed across the entire weekend. Stay tuned for more information regarding his involvement soon.
Bringing great diversity and an air of playfulness to the festival are a trio of musicians from the Finnish label Fonal Records. Visual artist and musician Islaja will marvel with her compelling combination of her unique vocal delivery and interweaving of a rainbow of instruments. Lau Nau, the free spirited Finnish artist otherwise known as Laura Naukkarinen playfully and expertly blends ethnic tinged folk songs with curious and intuitive sounds conjured from both familiar and exotic sound sources. And one of the most recognised experimental music makers, Jan Anderzen will perform as Tomoutonttu offering an exuberant cacophony of streams, mutilated voices and found sounds resulting in an all-round ecstatic display of contemporary music.
Over the next few months an exciting programme of film, talks and exhibitions will be revealed, including the unveiling of plans for sonic led dining experiences at the festival. There are still some more musical additions as well, all exploring & celebrating 10 years of adventurous music.
A founding member of Sonic Youth – where she plays bass and guitar and sings, Kim Gordon has also been involved in numerous collaborations with other artists and musicians including Julie Cafritz and Yoshimi in Free Kitten, Mirror/Dash with Thurston Moore and others including Lydia Lunch, Vincent Gallo, and Yoko Ono. With an extensive history in the world of art, both as an artist, writer and curator Gordon has maintained ongoing creative relationships with visual artists such as Dan Graham, Raymond Pettibon, Mike Kelley, Jutta Koether and Richard Prince and exhibited her own installation work across the US, Japan and Europe.
Guitarist Bill Nace has ripped a new black hole in the free rock universe as a constant, energising presence in the Boston area performing with Chris Corsano in Vampire Belt (and together with Jessica Rylan as Vampire Can’t), Thurston Moore in Northampton Wools, x.0.4 with Jake Meginsky & John Truscinski and a coruscating duo with free reed player Paul Flaherty. His collaborations even extended to a short-lived association with Brighton noiseniks Dylan Nyoukis & Karen Constance (aka Blood Stereo) under the Ceylon Mange moniker.
Nace has released LPs on Ecstatic Peace!, 8mm, Ultra Eczema and more…
Bohren & Der Club of Gore
If you enjoy it slow and low, Germany’s Bohren & Der Club Of Gore will very likely do the trick. In fact, with each subsequent release the German quartet’s music grows increasingly refined. Playing together since 1988, that band hint at doom, jazz, drone and contemporary classical with an unparalleled restrain. Live shows are few and far between. We are honoured to host them at Supersonic Festival 2012.
If you prefer old SST label cassette tapes or an early Spaceman 3 cassette you recently found wedged in the back seat of your car to super slick modern day music production, you may dig Carlton Melton. Their music is recorded live inside a geodesic dome, and is entirely improvised.
Clifford Torus is Anders Hana (Moha!, Ultralyd & Noxagt) on drums & electronics & Leon Barnett (Horacio Pollard) on guitar & vocals. Heavy, hypnotic, drenched in feedback and driven by a super charged rhythm, Clifford Torus deliver a mesmerising multi-layered rhombus harsh noise.
You know who these men are. They have been other men. Who they were before does not matter. What matters most is who they are now. These men, with two menacing guitars, violent drums, and wild words will fill that void in you. Born from the ashes of Arab on Radar, Doomsday Student come from that untouchable tradition of noise rock from Providence, Rhode Island.
Primal hardcore thrash vibes from the lovely brothers of Baltimore. Dope Body are road doggies, funsters, and gleeful pummellers of basement and attic parties alike, wide-eyed fanatics of the craft that the more reasonable among us might mistake for insanity (it isn’t entirely so). Dope Body is a spasm of styles and directions, showering sparks from a half-melted thickness. They writhe under their own influences and experiments, swinging and swaying from guttural chugging to charming riffs n licks within the confines of a single tune. Promoting their brand new album, Natural History, Dope Body are in possession of what might be their most COMMERCIALLY ACCESSIBLE album ever – especially if your idea of “commercially accessible” is Half- Machine Lips Moves/Psychic, Powerless…/or “Salad Days”-era punk. They have well and truly honed their own off-kilter sound, replete with heavy walls of rhythm, raw electronics and vocals that grunt and yelp with an animalistic ferocity. Lock up your daughters, your boyfriends, your kids – keep your own body in check – no one body’s the same, but everybody’s body is sure to get weird when it comes into contact with Dope Body!
Drunk in Hell
BORO SCUM PUNK INFLUENCED By BOOZE, DRUGS, SEX, VIOLENCE, VIOLENT SEX, PORN, ANXIETY AND DEPRESSION HELL, PERSONALITY DISORDERS, INSOMNIA, PARANOIA, HANGING AROUND WAITING TO SCORE, SCORING SHIT GEAR, SHIT NIGHTS OUT, HANGOVERS, COMEDOWNS, MALNUTRITION, BOREDOM, THE DOLE, SHIT 9-5 JOBS, PUBLIC TRANSPORT, BEING FUCKING BROKE, RELIGION (ESPECIALLY ROMAN CATHOLICISM), CRAZY EX-GIRLFRIENDS, SERIAL KILLERS, LANDLORD CUNTS, ARSEHOLE ‘FRIENDS’, DEAD FRIENDS, SUICIDE, DEATH, MURDER AND PARMOS.
Legendary Earth guitarist Dylan Carlson recently set out to pursue a solo endeavour, up to now he has released a cassette as drcarlsonalbion but there still remains an air of mystery and much anticipation as to what direction this solo musical endeavour will go next. For Supersonic, he will be teaming up with a number of other musicians including Teresa Colamonaco on vocals, Michael York on bagpipes, and Rogier Small on snare drum.
As a powerful and loud guitar/drum duo, Lightning Bolt comparisons come cheap….the Flower-Corsano Duo are something else – more like a white-punk-jazz-trash Konono No.1 or an Eastern sound, opiate-fixated Harry Pussy. As a duo they have that special power to elevate through noise, rhythm and primal harmonix. An exhilarating sight/sound that shudders the body and cleanses the mind. Obsessive stuff.
A collective who hail from a small and very remote village in deepest, darkest Sweden, Goat produce heavy, afro psych punk, with absorbing percussion. Old tales of voodoo and curses from their village Korpolombolo inspires their music. One to watch!
“Hey Colossus are the closest thing the UK has to inheritors of the crown of the Butthole Surfers…. like the whole Texas Chainsaw Massacre family drunkenly shouting along to Neu! and Loop during Ragnarök” Stool Pigeon
Hookworms fling themselves headlong into classic 80’s/90’s psych-rock
like they’re trying to break something. Hailing from Leeds and
cramming themselves giddily within the well established formal
properties of the genre, they walk the scorched road behind Loop,
Spectrum, and any other titan of two-chord songs who’s ever slowly
wah-ed a chord until they saw colors.” – Cameron Stallones (Sun