Left Alone plays a brand of ska-punk that even Tim would be proud of. On “Every Night”, one almost expects Tim’s vocals to come slurring out of the gate. However, hearing something completely different, a bit of punk mixed in with the grit of a Replacements or a Husker Du, makes Left Alone shine amongst all the punk acts of the last few years. This is a catchy track, but…
The interesting thing about dance singers is that most of them, wherever they end up calling home, have an impeccable English accent. This is not the case with Leana. If anything, this different accent makes the tracks on “Faith in Myself” that much more special. However, this does not change the fact that a track like “Faith” is perhaps one of the worst to lead a dance album off with.…
While I have heard of companies purchasing the rights to a song so they can play it on their commercials (car companies and Apple come to mind as groups that do that fairly often), I cannot recall many instances where a company (like Nike) has paid an individual (James Murphy, who is LCD Soundsystem) to create an entire composition for the sheer purpose of promoting said company. The way I…
The slightly-snotty vocals of The Lawrence Arms work well in the restrained-punk of “Cocktails & Dreams”. What really exists as a Social Distortion-lite is a radio-friendly type of emo-influenced punk that comes through during tracks like “Quincentuple Your Money”. Each of the tracks on “Cocktails & Dreams” has that same wall of sound that really allows the smoothness of the vocals to shine; the disjointed compilation of the tracks on…
The singer-songwriter tradition ha a tremendous amount of individuals that really do not contribute anything to the genre or those that tend to cheapen it by just relying on the contributions of others to make it big (Jack Johnson and John Maher from the tradition of Dave Matthews, for example). However, from the opening strains of “God Is My Girlfriend”, a track that has hints of Sean Lennon and Soul…
Besides Desert City Soundtrack, Latterman might be Deep Elm’s best band ever. While they are not related in any way to Desert City Soundtrack beyond being on the same label, both bands share an intensity and impressive nature that cannot be removed from them. It only takes about a minute, and Latterman even bests acts like None More Black and Rise Against with a scratchy set of vocals that recalls…
When the Deep Elm press release said that this album was “classic”, I was a little bit skeptical. Sure, their last album “No Matter Where We Go” was one of the top ten albums released this year, but I assumed that it was created after a great deal of maturation by the band. No insult intended, but the music on “Turn Up The Punk” may just be a bit stronger…
Latterman has an indie-rock feel to them that one can never challenge, but when a track like “Yo, Get Into It” begins to play, one can only think of one of the shining stars of the independent music circuit, Against Me!. There are tracks that are really obtuse and individuals cannot do anything but wonder (the formless “Dear Boys” comes to mind). Latterman shows that Deep Elm is not a…
It is quite rare for an instrumental album to be this deep; from when LaTona puts forth the full sound of “Trinity Suite Part 1”, one can hear parts of Don Henley , jam bands, and Santana all in one. The reason why these tracks work so well without anything in the way of vocals is because of the ability that LaTona has in making the guitar sing with immense…
Each of the songs on “One Shot, One Kill” comes from a mixture of styles that include the Ramones and a number of the Irish punk bands (of which the best known has to be The Dropkick Murphies). “Don’t Shine Your Boots With A Half-Baked Will” is pushed to the end of what can be considered oi music, as “Don’t Shine Your Boots” is repeated no less than twenty times…
