This doc on Sid Vicious is appropriately brief. Considering the second bassist for The Sex Pistols was barely in the band before the group imploded on their first U.S. tour, the fact that this documentary is 80 minutes long is actually pretty impressive.
Free Diamonds are one of many different types of spazz-dance acts out on the market, one of a genre that includes acts as diverse as Fanny Pack, Electric Six, and Gravy Train. However, there seems to be more of an noise (The Locust, Neon Hunk) influence shown by Free Diamonds. “The List of Everyone†mixes the B-52s, Hedwig and the Angry Inch and Devo with a Jets To Brazil meets…
Paula Frazer has been around the music scene for a long period of time. “Now It’s Time†marks eir seventh foray into popular music, and this time spent honing eir sound really shows on each of the disc’s 11 cuts. “August’s Song†starts off the disc, and shows off Frazer’s vocal skills. This is not to say that the rest of Tarnation stands back in the rafters, but rather occupies…
With a sound that starts off “Leave The Sad Things Behind†that really mixes Juice Newton, Petula Clark and Stevie Nicks, Paula Frazer makes a timeless piece of pop that is only made better by the emotive backdrop that surrounds eir. The really nice thing about the dynamic on “Leave The Sad Things Behind†is that Frazer knows exactly when to step back from the microphone and allow the instrumentation…
Jazz standards. Lets see what I could be less well versed in. Christian Zydeco Music? Naked albino yodeling? Actually, I’ve taken a survey course in jazz, and while I can’t say that I am familiar with any of these tracks besides “Maiden Voyageâ€, each track sounds as expertly played and recorded as some of the originals must have been. While each of these tracks have considerably longer run times than…
“Little Wiley Harpe, 1803†is the first track of the disc, and the song seems to blend together the Outlaws with Warren Zevon. The track itself starts with a strong vocal –presence, before the brooding instrumentation comes to a more focal point. Still, the vocals that open the track should be enough of a reason to keep individuals focused in to Frank and Murry. The track is one of the…
Man, does this guy really try to walk the fine line between Billy Joel and Warren Zevon, and like a failed tightrope walker, he fell early. The tracks are relatively innocuous sounding, but have none of the sheer power that Joel has in his pieces or the political message Zevon places in each and every track. If one is just looking for innocuous pop music that is styled after that…
Laidback folk rocker Jack Johnson has been accused of writing the same song over and over again. If nothing else, En Concert, the Hawaiian singer’s live record, goes to show just how diverse he can be. Recorded on his 2008 world tour En Concert is everything a live record should be: expansive (the songs cover all five of his albums) and creative (the arrangements are far from predictable).
While Fragments of Unbecoming have a distinctly sedate style, this is quickly matched by a powerful metal side that will get individuals rocking as hard as they were listening to the previous section of the act. The band a tremendous album to top in “Skywards: A Sylphe’s Ascenionâ€, but I can say that this album matches the previous album blow by blow, and in some case even surpasses the work…
We here at NeuFutur HQ reviewed Sol Skugga’s last album, “Swimming Without Webbed Toesâ€, about a year and a half ago (http://neufutur.com/?p=3814). The album itself was a great introduction to Skugga’s unique form of music, but I see “Fairytales and Lullabies†to be an evolutionary shift for the better. “Burn Her†is a very traditional, almost medieval track that benefits greatly from Skugga’s powerful voice. The vocals clash greatest with…
