Intangible – Elevate / 2005 Larkin Music / 4 Tracks / http://www.intangiblemusic.com / http://www.larkiomusic.com / Reviewed 22 March 2005 Intangible begins their EP with “Release”, a track that explores fully the indie-rock influences of the members of the band, allowing a high-flying Creed-like guitar-solo (which looks back to the rock of the sixties) to dominate the bridges on the track. The drums are still the highest part of the disc,…
In Stereo – Death Before Emo / 2005 New School / 6 Tracks / http://www.instereomusic.com / http://www.newschoolrecords.com / Reviewed 23 August 2005 The pop-punk played by In Stereo really is amazing considering that the current band has only been around for four months. Everything sounds smoothed out and mature, not quite unlike a better version of Unwritten Law. “Always And Forever” is reliant on repetitive guitar riffs in the vein…
Instant Camera – Alive On Departure / 2005 Wall To Wall / 10 Tracks / [email protected] / [email protected] / Reviewed 14 July 2005 The opening track “Beyond Infinity” starts off with a mixture of different style, taking equal parts from Radiohead and Coldplay just as from the dream-pop movement from the mid-nineties. The rockabilly approach to “Dr. Glass” mixes with Modern English to have Instant Camera attack with a new…
Innaway – S/T / 2005 Some / 10 Tracks / http://www.innawaymusic.com / http://www.some.com / Reviewed 11 May 2005 The dreamy fuzz of “Threat Hawk” hides a great appreciation for harder rock, and the driving guitar line that threads its way through the first track makes me expec that the band will just break out in true rock-fashion. When the band brings finesse to their general sound (“The Strings of North…
InMemory – In So Many Words / 2004 Doughmain / 12 Tracks / http://www.inmemorymusic.com / http://www.doughmainrecords.com / Reviewed 02 June 2005 InMemory plays the same brand of emo that is so present uin every high school and music scene through the United States. InMemory’s hook is that they have a greater ear for arrangement and have a better general sound than 99% of the bands currently out on the scene.…
Inner Surge – Matrika / 7 Tracks / http://www.funender.com/music/bands/40/ / [email protected] / Reviewed 17 April 2004 Starting out their CD with “Driven”, sounding like a mix of Tool and Damage Plan, Inner Surge really are a heavy rock band that knows what they are doing. While the recording on “Matrika” may not be the best, the musical talent of the band shows through, even if their originality is not as…
In Ink Please & The Foliage – How To Make Better Love (Split) / 2004 Fall Records / 10 Tracks / http://www.ininkplease.com / http://www.fallrecords.com /the_foliage / Reviewed 19 September 2004 Another two-piece band, In Ink Please enjoys a rich instrumentation and willingness to experiment that keeps individuals listening. The split starts off with “AQ75#3”, led by by Vanessa’s strong voice and a slightly-jangly acoustic guitar. Assaulting and pushing the track…
Infliction – The Silence / 2005 Cruz Del Sur / 11 Tracks / http://www.infliction.it / http://www.cruzdelsurmusic.com / Reviewed 16 January 2006 This is an interesting mix; Italy’s Infliction mix together the most deep and heavy black metal with a goth/synthpop type of vocals that are first shown during a track like “Eyeseeblack”. Three styles of vocals dominate during “The Silence”; the gothic, slower style, the more thrashy, screamed out vocals…
Indifference – Born To Be A War Machine / 2003 Self-Released / 5 Tracks / http://www.indifferencemusic.co.uk / Reviewed 07 July 2005 Indifference’s EP came out in 2003, but immediately it becomes obvious that the music is still vital and worthwhile. The time that this disc has been sitting on the shelf has really given Indifference the time to age well, like a fine well. What follows on “Born To Be…
In Civilian Clothing – We Made A Killing, We Made A Mess / 2006 Right Place / 11 Tracks / http://www.incivilianclothing.com / http://www.rightplace.tv / Reviewed 21 January 2007 In Civilian Clothing does not give individuals much of an idea what they will eventually sound like at the beginning of “Poets of the Great Salvation”. The style is sedate and the vocal style is quite and does not become powerful until…
