I Am Legend’s “Top Of The World” has a bouncing beat and tremendous vocal charisma immediately presented to listeners. With I Am Legend’s vocals pulling double duty in ferrying lyrical content as well as providing fans with further harmonies, there’s every chance in the world that the song will make it onto playlist. What results in Top Of The World is one of those tracks that would easily make it…
V ROY has Pesh Milli lay down some bars with tremendous quickness. There’s a harmony here that is established through the backing beat and contributed to by Pesh Milli. While the song itself is short, it has just enough time to showcase all sides of this performer. The song is able to stand head and shoulders above other rap music that’s currently garnering popular attention. Check out the video for…
The Dead Daisies’s “Radiance” has a slinky, Velvet Revolver means Seether approach. While the band has continually innovated their style with previous efforts we’ve covered, there’s a confidence with their latest track that far outstrips anything that we have heard before. Each element is able to work together, whether it be those supersonic vocals, the booming drums, or the RATM-infused guitar line that cuts wide swaths through the song. The…
On “They Don’t Love You”, 8Ball and MJG show they’re still producing hard-hitting music. The song is a missive for anyone that has had someone sneak into their life with ill intentions. There’re always individuals that will glom onto individuals the second they gain any hype, and this track lays out how the plan works. The kernel of They Don’t Love You is one of self-improvement. Individuals need to have…
Teenear’s “Ain’t Mine” is an airy R&B track that is utterly cohesive in its execution. This means that Teenear’s vocals mesh flawlessly with the booming bass beat and drumline. There’s a slower tempo that provides ample time to let each lyric shine. Ain’t Mine is an effort that will be appreciated by anyone that has had to navigate dating and love-based relationships. Timeless in how it sounds, Ain’t Mine is…
Raybans In The Rain begins with confident guitar work and drums, showing a spotlight on Rebecca DawgGoneDavis’s vocals. With the contributions of Chago Williams, DGD is able to make a song that both catches attention while keeping fans focused in. The dynamic here is interesting, with both DGD and Williams providing their own special sound. What results is engrossing and ultimately something that shines amongst the mass of music being…
On Million Dollar Space, Nonstop to Cairo cover a considerable space between rock, reggae, and funk. There’re nods here to acts like Sublime and Jane’s Addiction, but the richness of the band’s sound here separate them from other acts attempting to garner airplay. The horns that take over after the vocals step back allow the single to be spun off in a bold fashion. The rapid-fire twists and turns that…
Nate Paladino’s “Problems In Bed” is a timeless alt-rock track that links together Death Cab For Cutie and Bright Eyes with the modern rock styles of Bruce Hornsby. There’s such a compelling set of vocals that immediately issue further during the single’s first thirty seconds. The instrumentation of Problems in Bed is robust, with each constituent elements able to shine separately as they generate a coherent, booming entity as the…
Paul Nourigat has released his third album Slightly Serious. Couth and Truth is a powerful piece of Americana-tinged rock, replete with wind-swept guitars mixing in their lot with splashy drums. The tautness of this single’s instrumentation is matched by Paul’s vox here. With nods to artists as widely-flung as Roy Orbison, Warren Zevon, and Chris Isaac, Nourigat’s voice will be able to bring in a slew of listeners. We’re particularly…
On Welsh Avenue’s new single “Come Back Home”, a tremendously introspective journey into the musicians’ heart ends up showcasing some of the most honest and earnest music we’ve heard. There’s a fun blending of acoustic and electric here as Welsh Avenue brings in hints of Owl City, Oliver Tree, and Sean Lennon. Come Back Home reaches its pinnacle as the guitars, drums, and vox unite to make one fulfilling effort.…
On FLOAT, Denise Marsa is able to blend together a poppy set of vocals with an absolutely entrancing instrumentation. With a thick bass line, finesse-full guitar work and perfectly planned percussion, FLOAT is one of those efforts that will have toes tapping. Marsa’s charisma is on full display here; there’s a level of confidence that is weaved throughout the composition. Truly the glue that unites these distinct elements, Denise’s voice…
Vanity Wyze’s Stayed Down will immediately bury itself deeply into the minds and hearts of listeners. The introduction works well in the pop groove, while the quicker pitter-patter of the lyrical flow that enters into the equation shortly after keeps listeners firmly planted on the edges of their seats. Including Sonny King’s inimitable patois into the mix accomplishes two distinct goals. Firstly, the frenetic momentum of Stayed Down is maintained…
Two Dogs & a Rat, the latest composition by Michelle A. Jones, starts with a warm guitar line and a strong narrative component. With nods to 1990s alternative and college rock, the single contains more than enough for adult listeners. Children will be able to sing along after a few plays of the song. Two Dogs & a Rat is a multimedia effort in that the attached video (below) provides…
On The Roughhousers’ new single “Toenail Soup”, Grey is able to call back to 50s and 60s pop country music with hints of Dolly Parton, Johnny Cash and Nancy Sinatra. The charisma exuded here by DeLisle will have people tapping their toes, while the instrumentation has its time in the sun. The walking bass-style arrangement is given a sparkle with Eddie’s vibrant guitar work. The video for Toenail Soup has…
Michael Dean Hall’s new single It Really Sucks Getting Old bemoans the aging process with a tremendously bouncy beat and an overall style that ties together 1990s country with 1980s rock. The taut instrumentation experienced during the track ensures that the single will remain fresh long after one’s first experience with it. It Really Sucks Getting Old is one of those efforts that anyone will be able to appreciate no…
Seal Party’s “Maison” is a diverse track that effortlessly slides through funk, gospel, R&B and funk. The eclectic approach taken here ensures that fans of the widest swath of artists will be able to find something that they can appreciate it. The charisma of the vox cannot be denied, given a perfect counterpoint with the assertive horns that peek through at points. The cohesive entity that is Maison will stick…
At first exposure, the ethereal “Scars,” by Savarre, sounds like it’s tailor mode to be the soundtrack to the next Bond film. New York based, Savarre is something of a hybrid act, with a number of what some would call, exotic influences. The group is fronted by Shannon Denise Evans, who exudes a natural mystique and inner magnetism. Evans, who counts novelist and playwright among her job titles, co-wrote the…
guUs’ “Moonhangin Man” has a Sinatra meets Crosby sort of sound as the track links together blues, jazz, and 1950s cool. A deliberate walking bass line presents itself through much of the track, while the Spanish-meets-surf style of the guitar work transforms the song into something that would play well during a Connery-era Bond movie. As the vocals gradually fade at the three-minute mark, fans will be floored by the…
Najjah Calibur’s “I’m Good” is a song that refreshes the new wave sound of the 1980s with a frenetic sort of energy. Imagine if you blended together The Psychedelic Furs with Fall Out Boy and Walk the Moon and you’ll get some semblance of idea about what Calibur is cooking up here. Assertive drum beats and a haunting backing chorus bubble up during I’m Good’s middle third, giving fans a…
On his new cut, B. West is able to bear the standard of those like Nas and Freeway who preceded him. The Narrative is a sparkling track, one that succeeds not only through the impressive bars dropped by B. West but the fantastic beat that plays throughout. There’s a bit of the classic Chicago sound here, interspersed with monolithic keys to make something that simultaneously whets the appetites of old…