While the world is inches away from plunging into Armageddon, Rum Bar Records and a brilliant Italian four-piece punk band are offering a glorious soundtrack to our end days. Boston-based Rum Bar continues their re-release series of albums by the Peawees with Walking The Walk, initially released 13 years ago (Wild Honey is putting it out on vinyl). The band’s fourth album, it also happens to be one of their…
F$O Dinero has a laid back style on Talk To Me that showcases considerable finesse. While the backing beat rises and falls in all of the right spaces, F$O Dinero’s vox are what really make the effort. Skillful usage of multiple vocal layers give the song a deeper, more fulfilling approach. With a fun dynamic between the aforementioned vox and keys leading out Talk To Me, there’s no doubt in…
On The Mountain, Bruce Sudano is able to build upon the tradition of performers like Warren Zevon and Tom Petty. A powerful narrative is presented here as contained here, bolstered through smart piano lines, Jackson Browne-infused guitars, and an ear for the single’s overall arrangement that is unparalleled. The Mountain spins off in a bold new direction at the 2 minute mark. Everything – Bruce’s vocals, the bass, and guitars…
All That I Am links together 1970s funk with mid-1990s Tori Amos to make something raucous and alluring. A bit of guitar fuzz calls out the pop-rock of the 1970s. The multiple layers that exist during Sunny Ozell’s latest single make for a much more complete sort of track; fans will delight in dissecting each taut bass liune, horns, and haunting choral element that the track has to offer. The…
Love Is The Weapon has a fun blend of styles from more middle eastern / Indian to reggae and even bits of rap. Elephant Heart’s new composition is confident and assertive in its sound, inserting itself quite nicely into listeners’ brains with an inimitable backing beat. An extended instrumental section provides a distinct middle to the single; when the vocals start back in, there’s a considerable boost to the momentum.…
What changes have occurred in your life since we last sat down? Not that much, mostly a lot of learning and experimenting with new gear and music ideas! You’ve had a busy 2019; what sort of events do you have planned for 2020? With the exception of some gigs, I would love to get 2-3 singles out with their own videos and maybe do one as well for Surrounding Me…
Malou Beauvoir’s Papa Damballah draws upon considerable tradition in its overall sound and subject material. Key to the song’s success has to be the crystal-clear vox contributed by Beauvoir. The focused drums and guitars imbue the composition with a classic sound that fans of modern jazz and flamenco will appreciate. Stunning visuals add a further layer of complexity to the composition. Fans ought to strap on a pair of headphones…
Grown Bones is a furious, eclectic track that showcases a performer in Lila Blue that has no parallel. With rapid shifts through vocal stylings, emotional states, and a set of continually shifting musical influences, Blue’s latest defies convention. There are some seriously head instrumental arrangements that build off the gnarly riffs of early Tool, while the vocals traipse from Bjork to Ani DiFranco and Janis Joplin. No two seconds of…
It has been a moment since we last checked in on Justina Valentine, but we were floored when Strawberry Soda crossed our desk. The thick, bass synths immediately draw in fans, while Valentine’s vocals refresh the time-tried approach of performers like Trina and Lil Kim. The unity of Justina’s bars and the hypnotic backing beat separates this cut from the rest of songs charting on the Billboard rap parts. The…
On The Moon, Natalie Major is able to weave an honest and earnest narrative with some of the most impressive vocals we’ve heard so far in 2020. Standing at the intersection of pop and the timeless singer-songwriter tradition, Major will have listeners firmly on the edges of their seat by the time that the first minute concludes. The dynamic established between the piano and the aforementioned vox is fantastic, pushing…
Benjamin Went Fishing, the latest track from Frogbelly and Symphony, has some of the most interesting time signatures we’ve heard this years. There is a fascinating pacing of the vocals that provides a more contemplative, introspective flair on the laid-back 1970s California folk rock sound. Multiple vocals included into the mix at points during Benjamin Went Fishing add further complexity to an already heady effort. The dynamic established between the…
Darling is a fun, retro-infused track that calls back to the days of A Flock of Seagulls and Duran Duran. The sweeping synths work well with the hopeful, heart-melting vox. There is a robustness to the single’s production – rather than redlining each constituent element of the song, Heartracer uses a gradient of loudness to make for a fully fleshed-out soundscape. Darling will appease fans of Walk the Moon and…
Indie reggae artist Jonathan Emile has been quietly building up quite the solid reputation in the last few years, cutting a handful of sleeper hits in the mid-2010s that included a collaboration with arguably the most important rapper of the last decade in Kendrick Lamar (2015’s “Heaven Help Dem”), and now in 2020, he’s back with some of his best content to see widespread release so far in Spaces-in-Between. Made-up of…
It’s pretty surprising to have the band bio included in your press materials written by The Old 97’s Rhett Miller. It’s even more surprising once you realize John Dufilho, frontman and songwriter behind the decidedly punk rock band Clifffs, has also worked for years with Miller, who’s Americana band sounds absolutely nothing like Clifffs. And that’s part of the beauty of this Texas band’s LP, Panic Attack, it really sounds…
In their fourth studio album, titled Kingdom Illusion, Oakland psychedelic rockers Whiskerman offer up what is arguably their most progressive and involved effort yet while staying true to the aesthetical foundations that gave them their start, and while its eight songs – which collectively run about 44 minutes in total – don’t necessarily break the mold when it comes to modern psych concepts, they’re easily some of the most captivating indie…
Naughty Jenny has Project213 calling back to the late 1980s and early 1990s. There are hints of the Sisters of Mercy, The Smiths and Midnight Oil. With an assertive set of vocals and luxurious instrumentation, Jared is able to make a song ring out loudly among a mountain of generic music. There is particular care taken into the creation of an aesthetic for Naughty Jenny. The slinky, stripped-down style of…
To say that it isn’t easy to make an original country album that resonates with generations young and old in 2020 would be too great an understatement for any self-respecting music critic to make, but in the case of Carlos Washington’s Steel Horse Swing and their new album Little Bit of Texas, the process looks and sounds all too simple. It’s debatable whether or not we’ve ever seen an era quite…
With a rollicking groove and a bouncy acoustic guitar harmony to lead the way, White Owl Red’s “Out of the Waters” comes swinging out of the shadows hard and clears a path for the trademark vocal of one Josef McManus in this cut off of his latest LP, Afterglow. In Afterglow, McManus’ White Owl Red project is sounding as warm and embracive as ever, and arguably putting down some of their most…
Into The Ground has a deep and dark sound to it that really allows the brooding vocals of Wettworker to shine. This means that there are nods to rap just as there are to darkwave and industrial. A head-nodding groove issues forth from this single; piano lines out of the Black Tape for a Blue Girl playbook imbue the composition with a timeless sound. Human and electronic elements couldn’t be…
I remember absolutely trashing my voice trying to reach the notes that Tom Keifer would hit during Cinderella’s hits back in the day. I was pleasantly surprised that his supersonic skills have not diminished after thirty years. On Hype, his latest track, there’s a very intense style of hard rock that fits Tom’s vox perfectly. This means that are bits of sludge rock and post-grunge that are incorporated here to…