On “Machines and Magnets”, Zeroes create a powerful sort of rock that builds off the blueprint laid by acts like Muse and Wolfmother. A more contemplative and thoughtful approach taken by the vocals spin this single out in a bold new direction.
Kristine Mirelle is able to do something special with her latest single, Freakin’ Mess. With a unique, distinctive voice, Mirelle is able to part the seas of female pop performers; Freakin’ Mess links together a doo-wop and 1990s and 2000s R&B (Angie Stone, Amy Winehouse) style to great success.
Half A Billion Miles’ video is an interesting, creative look into a richly emotive indie-rock track. With vocals building off of Ben Gibbard (Death Cab For Cutie) and Morrissey, Vagabond Specter are able to offer an emotionally rich, effecting track.
Jmaxx’s “Sassy Girl” deftly ties together pop and R&B styles, with Jmaxx’s vocals coming across with hints of Enrique Iglesias and Jason Derulo. A catchy synth line and assertive drum beat imbue Sassy Girl with an infectious sound that will bury itself deep into the minds of listeners.
Rock N Roll Queen begins Kym Larsen’s new album Bird of Prey, providing fans with an utterly epic opening to the album. The dynamic that is crafted between the sizzling guitar riffs and a confident set of vocals will resound loudly in listeners’ ears long after the track ceases to play.
To be honest there are a slew of Roy Orbison albums out there packed with “hits” and “best of” tracks, but this latest 26-track offering from Legacy is among the best to date, including his late career tracks and going all the way back to his legendary Sun Records period.
A Little More Country is the latest album from Michael Van and The Movers. Little More Country’s titular effort seamlessly blends together the easy-going rock of the seventies with a current and contemporary country style (exemplified by Florida-Georgia Line and Brad Paisley. The bubbling opening shifts into something pulling from the country and western tradition of the 1960s and 1970s, Gettin Drunk On A Monday. Coming forth with each effort built off…
We last checked in with Violet Night for the release of their I Hope You’re Well, which showcased a wide variety of styles over the course of four tracks. The band has just released a new single, North, which does well to further expand the tool set available to the band while building off of some the influences and styles that made their previous EP so memorable. North is a…
Chip Gibbons’ Billion Dollar Pill begins with the titular single, which will have listeners focused in to Gibbons’ vocals. While the instrumentation provides a deep and intricate sound to the opening point to the EP, there is much greater gravity to the discussion that is weaved by the vocals. Hints of Warren Zevon, Phil Ochs, and Neil Young can be heard alongside Gibbons’ charismatic voice. A solid production unites these two…
It was only a matter of time before The Hickoids, the definition of Texas Cow Punk, put out a covers album features tunes exclusively penned by Lone Star Staters.
Mike Watt has always been a musician’s musician. The go-to-guy who’s always namechecked in discussions on old punk rock influences. Thanks to his groundbreaking work with the Minutemen, fIREHOSE and eventual his solo stuff, he managed to built up a strong cult following as well, but he never really got much attention in the mainstream until his first solo album, the stellar Ball Hog or Tugboat in 1995.
At this point, you pretty much know what you’re getting with a NOFX record. If not, happy belated birthday! I’m assuming you were just born.
Unkle Adams’ The 90s comes forth with a rap flow that links together Macklemore, mc chris, and 3rd Bass. A laid-back song, The 90s is able to smartly bring together nostalgia with a current, contemporary sound. Unkle Adams takes listeners on a journey with this single, an effort that will have fans searching up all the events, pop-culture references, and other allusions that Unkle Adams makes here.
Uncle Frank is able to create a retro-heavy dance track in Fountains that builds off of the funk of the 1970s and the electronic music styles of the 1980s to make something fun and wholly unique. Fountains has the echoing guitars, immaculate production and oozing sexuality of an earlier era; bits of Prince, Frankie Goes To Hollywood and Flock of Seagulls can all be heard here. Fountains is a sly,…
Alessandro Coli’s Flames is a powerful pop track that has just enough of an edge to stand out in bold opposition to much of the music currently garnering radio play.
Sky Katz is the rare example of a rapper that can be young and come forth with a taut flow that easily tattoos itself deep into the mind and hearts of listeners. The production of her original track Party Ain’t A Party provides ample highlighting for Katz’s confident lyrics.
The instrumental-heavy opening to “Choke” showcases the technical skill of HEIRSOUND. Stakes are raised when the back and forth of the band’s vocals interact with a deliberate arrangement to make for something dark, brooding, and tremendously emotive.
Mummy Dance by CHARACULA! is an eclectic track. Hints of Alice Cooper, Machine Head, and HIM represent the blueprint upon which CHARACULA! builds upon. Heavy chugging guitars, intense drums, and a supersonic set of vocals make for an authoritative, brutal single.
The new single by LEL Brothas, “Bad Guy”, is a tremendously hard-hitting track that will burn its way into fans’ brains. Hints of horrorcore (e.g. Tech N9ne, Gravediggaz) can be heard here, but the beauty of Bad Guy has to be the inimitable vocal styles of the act.
HEIRSOUND create an engrossing indie / alternative rock-infused track that combines twinkling instrumentation and a pensive, thoughtful feeling. A lush production allows the dual vocals, drums, synths, and guitars ample opportunity to shine singularly and as a combination of elements.