The opening strains of “Moving Around” has a very tenuous set of vocals and a much more insistent set of drums. This allows for two distinct strains of style to be present during the early part of “Slingshot Echoes”, and gives the band an ability to blend styles from the eighties , nineties, and the present. The band gets added style points by allowing the bassist to have a very…
The instrumentation that is present during the entirety of Mew’s “And The Glass Handed Kites” is leagues above anything else on the pop radar. There are so many things happening during a Mew track that listeners can play the track on repeat and just pick apart different facets of the dense arrangements that await them. The music that is played is not going to be the next #1 hit on…
The buzz behind Metric is huge, to say the least. The angular sound of tracks like “Glass Ceiling” really draws listeners back to the days of The Breeders (not the washed up version of the band that just released the album, but when they released “Cannonball), while tying itself to the current musical trend of herky-jerky dance-ready rock pioneered by bands like Franz Ferdinand. While the next track “Handshakes” begins…
Mess Up The Mess uses the same font on their album as TBS does during a number of their bumpers. I don’t know why I said that, but it seems to be as random as the band’s output on “You Remind Me Of Summer Vacation”. The first track on this disc is “Lawn Chair Meet Balloon”, and the track seems to blend together classic punk (Ramones), surf music, and hints…
I have to be honest; I had never heard of Merl Saunders before I put on this disc, and the only Greatful Dead song that I was familiar with was “Touch of Grey”. To say that I was a novice when I put this disc on is to give me credit that I do not deserve. On the other hand, I feel as if I am one of the better…
The strong female vocals that start off “Penny jar” are not immediately reconcilable with any other artist on the market. There are hints of Plumb in Merit’s style of music, but nothing that screams “influence”. This bodes well for Merit, as the style of music that they play is a blend of rock and indie, allowing for the band to enjoy success wherever they end up. The guitar progression of…
“Merge is not just a band, it’s a business” is probably the biggest warning sign that I could ever be given before putting this disc in my stereo. I’ve proven time after time that individuals that feel that their act is a business usually spend too much of their time trying to work that angle and allowing their music to suffer as a result. This is what happened with Rawdialect,…
I’ve never heard of either of the bands on this split CD, which is always a good thing. Splits usually have some sort of gimmick to them, either that both bands cover each other’s songs or that there is some third band they are paying tribute to. However, this CD has nothing more than four tracks done by each act, a way to get some sort of idea about the…
With their split with Enemy Rose, Mercy Killers showed that they had something to them that individuals should find attractive. Given the entire space of a CD, would Mercy Killers be able to come up with enough material to stay on the top of a hill? Of course, when the band starts off “Bloodlove”, there are hints of the punkabilly style. “Hollow” is its own track, and while it does…
Mephi – Music for Dead Blondes This is probably the last Israeli band I will have to review unless Useless ID sends me a disc in the near future. This disc has a really lo-fi sound to it,m and I am at a loss of words when I try to classify it as any specific genre. Rather, I would have to say that MEPHI really mixes indie, They Might Be…
The collection of tracks on this album really shows the hard-edge punk sound that Mental Pain has been trying to craft in the Southeastern corner of Ohio for the last five years. One cannot do any better but start off this album with “Together We Stand”, a track that puts Mental Pain alongside The Unseen and The Casualties for pure streetpunk. “Raw and Ruthless” may not have the pure catchiness…
I had tried to ignore reviewing this EP for the longest possible time, because I had no clue how the Men of Gentle Birth (formerly Blacks) were going to be able to re-created their tremendous live act. However, they have been paired up with the best production and mastering, allowing for them to shine in all the right places without necessarily opening up the tracks too far and losing some…
The guitar that opens up a song like “I Wish I Wish” is very traditional sounding, with the female vocals that are paired with the guitar giving the act a more complete approacvh. While the music was created in 2006, there is nothing saying that this type of music – and the band that created it, The Memory Band – could not be from an earlier period. The production is…
The Melvins, I thought, were a metal band. Two things really made me change my mind on that synopsis: first off, the album that Jello Biafra did with these guys, and secondly, this album. “Mangled Demos From 1983” might be from over twenty years ago, but the re-vamped sound of this album (long found as a bootleg) makes the intensity of The Melvins almost as if they were playing for…
Mellowdrone really link the sound of their band during tracks like “C’Mon Try A Little Bit” to their title; the mellow drone of the band in all facets of output (instrumentation or vocals). There is a little electronic/techno edge to “Oh My” which immediately draws a parallel to acts like Nine Inch Nails; the off-kilter sounds of the band that come soon after really distinguish them from the former act.…
There are a number of individuals that have been gone from the popular purview that have released albums in the first quarter of 2007. Kenny Wayne Shepherd and John Mellencamp are two of those individuals. As many know, John Mellencamp was the mastermind behind such rock standards as “Jack and Diane” and “Pink Houses”. Mellencamp would resurface again in 1993 with a cover of the Van Morrison track “Wild Night”,…
Rush and Dream Theatre immediately mix with Weezer to create a current yet aged sound. This “aged” factor, pretty much a reinventing of the shoegazer genre of the mid-nineties, is strengthened through the omnipresent bass by Chad Molter on tracks like “Safe and Sorry”. “Safe and Sorry” benefits from a highly technical guitar arrangement that also recalls the best of sixties rocks like The Kinks. Devin’s vocals, best described as…
Hey, I had no idea that Ed would be doing rap no this EP. To be honest, there was little that told what type of music that the EP had on it on the front cover. The style of the EP’s first track, “Beautiful Friend”, is very Spartan. The only thing that is a constant during that track are the vocals of Mecija. The flow seems a little rushed at…
Sacred 13 is an act that skillfully blends rock with a much harder and grittier sound, immediately inviting listeners in with “Secrets”. Perhaps most interesting has to be the grind the band gets into during the track and how exactly it interacts with the vocals laid down here. “Lifeless” keeps things interesting, with a little bit of electronic noise inserted into the track. What was a more instrumentally-lead band during…
We here at NeuFutur have been lucky enough to snag the earliest tracks that Circledown has released as part of their “Mobius” LP. The album, which is slated to come out in February, 2011, showcases an absolutely intense band. “Re-constitute”, for example, is a track that ties together musical references as diverse as Static-X, Linkin Park, Fear Factory, and even Machine Head in one furious and intricate metal track. The…