There are a number of individuals that have been gone from the popular purview that have released albums in the first quarter of 2007. Kenny Wayne Shepherd and John Mellencamp are two of those individuals. As many know, John Mellencamp was the mastermind behind such rock standards as “Jack and Diane” and “Pink Houses”. Mellencamp would resurface again in 1993 with a cover of the Van Morrison track “Wild Night”,…
Rush and Dream Theatre immediately mix with Weezer to create a current yet aged sound. This “aged” factor, pretty much a reinventing of the shoegazer genre of the mid-nineties, is strengthened through the omnipresent bass by Chad Molter on tracks like “Safe and Sorry”. “Safe and Sorry” benefits from a highly technical guitar arrangement that also recalls the best of sixties rocks like The Kinks. Devin’s vocals, best described as…
Hey, I had no idea that Ed would be doing rap no this EP. To be honest, there was little that told what type of music that the EP had on it on the front cover. The style of the EP’s first track, “Beautiful Friend”, is very Spartan. The only thing that is a constant during that track are the vocals of Mecija. The flow seems a little rushed at…
Sacred 13 is an act that skillfully blends rock with a much harder and grittier sound, immediately inviting listeners in with “Secrets”. Perhaps most interesting has to be the grind the band gets into during the track and how exactly it interacts with the vocals laid down here. “Lifeless” keeps things interesting, with a little bit of electronic noise inserted into the track. What was a more instrumentally-lead band during…
We here at NeuFutur have been lucky enough to snag the earliest tracks that Circledown has released as part of their “Mobius” LP. The album, which is slated to come out in February, 2011, showcases an absolutely intense band. “Re-constitute”, for example, is a track that ties together musical references as diverse as Static-X, Linkin Park, Fear Factory, and even Machine Head in one furious and intricate metal track. The…
“Unnamed” is the first salvo that Downslave shoots at their listeners, and it is pretty immediately that one can hear Papa Roach, old school Megadeth, and even Hellyeah in this straight-forward, intense bit of metal. With a production hat virtually ensures that the band will break it big, “Cost of Freedom” has it all. “Cost of Freedom” varies things up, giving the drums a highlight that properly shows the talent…
This is one of the songs that broke Celine Dion huge in the adult contemporary market here in the United States. It is thus tied to eir, as pretty much anyone that was cognizant and listening to the radio heard eir rendition way too many times. Now, apparently this song was originally written for Meatloaf. I can understand that; “I’ll Do Anything For Love” has the same general type of…
It has been over a decade since Meat Loaf came out with eir last CD. However, it was right around the same amount of time since the first “Bat Out of Hell” CD was released to the world, so I suppose that Meat Loaf has created a trend in eir own right. The first track is “The Monster is Loose”, and it has a harder sound than any of Meat…
Is the style of music that Measles Mumps Rubella play influenced by the current angular sound of bands like Franz Ferdinand or something that seems to have more in common with the dance music of the eighties. Either way, “Algorithm of Desire” is a track that will get individuals on the dance floor. There is a considerable inorganic presence to this track, but the inclusion of breathing and a flawed…
Remember that episode of Family Guy where Lois starts singing cabaret at Peter’s bar in the basement of their house? Larkin McLean tries to add a few songs to Lois’ repertoire with songs that are simultaneously strong and sultry, such as “Do I Still Love You”. The track is influenced by jazz and the entire lounge movement of the fifties and early sixties, while the production value of the disc…
It is really hard to come up with a review of a remix album considering that we have not had the pleasure of hearing the album that was the impetus for these remixes. Still, the tracks can be evaluated on the merit that they alone hold, which means that the opening track “World On Fire”, despite its extended time provides listeners with a solid beat and a compelling use of…
MC Homeless is an artist around the Northeast corner of Ohio. “Chamapgne Wishes” is the first track on the disc, and it starts off with Homeless flowing over a sample from The Smiths (How Soon is Now?). The sample really allows Homeless to shine brighter, as it pushes various phrases and fragments to the forefront while acting like a nest for the weaker sections of the rap. Continuing the delightful…
The shouted-out vocals that start out “2,4,6,8” bode well for Clit 45. The style of punk music that hits listeners’ ears are quick and streetpunk influenced, with guitars that are influenced by the Bad Religion school of music. There are few times that individuals can breathe on this disc, and this is not because Clit 45 is obnoxious, but rather that the band kicks it into high gear whenever they…
Coming out with “Ride the Rings”, Mazing Vids are a two-piece act from New York. However, that is pretty much all I can discern about the band, as this EP is really good at pounding the same general sound into my ears for nearly eighteen minutes. Throughout the entire disc, all instruments morph into one large mass that is virtually impossible to disassemble – including voice. Everything on the disc…
It was a little more than overkill when The Smashing Pumpkins put out their double album in 1995, so the fact that The Paperbacks, a Canadian indie pop band with little recognition outside of the Pitchfork crowd, gave their latest release the double record treatment seems downright ballsy. A two disc, 32 track album in the era of iTunes is a little unheard of in 2010. John B. Moorewww.neufutur.com
Mazarin plays a brand of hygienic synth-pop that actually moves beyond the weaknesses exhibited with the genre and comes up with an intricate and compelling style through their tracks that simply forces people to listen in. Mazarin just does not like sticking in one specific style of music; “For Energy Infinite” moves back to the indie-rock style, replete with jangling guitars that was such a rage during the mid to…
I understand that this album is almost twenty years old and is also a demo, but one should make sure that they look at this disc before putting it on. I know that I was expecting something a little more formal and professional. However, after listening to the disc a few times, the demo is something that is absolutely essential for individuals to begin to get an idea of the…
With a swirling mix of sea sounds, space ships, and a myriad of different settings on one’s sound machine, Maverick starts out their EP “Caught in the Negatives” in a very open sense, inviting all from a cold-winter’s night. The emo-rock of Maverick is a perfect extrapolation of the opening soundscape, “The Annexation”. Heavily influenced by Staind, Tool, and Queens of the Stone Age, the musicianship is beyond intense even…
The first few seconds of “Mary” make Maven sound like a mixture of Nine Inch Nails and Stabbing Westward. The style of music that Maven plays on this extended single is something that took the world by storm about a decade ago, and the goal for Maven here is to try to give this style a whole fresh bit of paint. “The Candidate” starts out in a much more slinky…
“Halloween” starts off “Several Arrows Later”, which is really a very proper track that elcitis comparisons to both older bands like The Appleseed Cast and the newer works of Death Cab For Cutie. Matt Pond’s vocals are of that quality that individuals would sing along even if the music backing them up was not of as high of a quality as is found here. During “Halloween”, the track subtly shifts…