The Sidekicks have justifiably been praised by fans and critics alike for writing some of the best pop punk songs to come out of the Midwest in the past decade. But while the band was winning over city after city of supporters, guitarist Matt Scheuermann was quietly working on his much more reserved side project American War. The result is a collection of strikingly beautiful records, the latest being the…
Man, sometimes CDs have a look that is completely unlike the style or substance of the band that resides inside. This is the case with Zero To Sixty Never who come out with this EP in a black and white CD slipcover, and then proceed to come out with “My Julia Roberts Cameo”. In the vein of Unwritten law or New Found Glory, albeit with a twinge of more…
The scratching and sampling of the beginning moments of “You Oughta Know” should remind individuals of artists like The Avalanches and Kid Koala; the sultry vocals that come soon after are a direct blend of Portishead and The Propellerheads. Of course, this is a cover of Alanis Morrisette’s original track, and the vocals pretty much stick to the blueprint that Morrisette created in the original; where the two tracks do…
The one thing that I wonder about Zozobra is how they were able to get on Hydra Head. The style of music that they play on tracks like “The Blessing” is pure stoner meets gruinge rock. One hears hints of early Tool, Alice in Chains, and Temple of the Dog in “Harmonic Tremors”. This is not a bad thing by any stretch of the imagination, but the approachability of…
With four releases in four consecutive years, Oregon Punk Bluegrass collective Larry & His Flask are not fucking around. They’re on a mission to spread their banjo/mandolin-fused punk rock from city to city and while no album to date has been able to quite capture their amazing live show, By the Lamplight is the closest so far. Since the band’s grand re-opening in 2008, when they went from being a more traditional…
Adam Zwig is a musician that has been putting in work for a number of years; Visions Of The Shimmering Night is his fifth album, and was produced by Stuart Sikes (Modest Mouse) and David Bianco (Tom Petty). Everybody Love is a tremendous opening effort for Zwig. During this introductory track, Adam is able to provide listeners with directions for where he’ll ultimately go on the album. These thematic touches…
Living Proof is the first introduction that listeners will likely have for Perala’s music, and it allows listeners to be entranced by her inimitable style. The track soars on plinking pianos and a vocal style that takes on hints of Sheryl Crow and Stevie Nicks. While Perala’s vocals are front and center, the instrumental arrangements present here provide a very thoughtful backdrop. Fine uses an interesting differentiation between the vocal…
The Wear introduces listeners to the Straw Dogs’ latest effort, No Dividing Line. This soft, alternative take on rock is led by an emotive and alluring set of vocals. The lush arrangements laid down by the drums and guitars make for a track that will stick with listeners long after it ends. High Horses speeds things up, inserting a Tom Petty meets Soul Asylum feel into the mix. No Dividing…
Walk begins Chances, and it immediately provides listeners with a heavy dose of emotional intensity and bombastic instrumentation. The band touches upon Brand New and Taking Back Sunday, but improves on the formula with the inclusion of a beefiness that will resound with listeners long after the disc ends. Downin’ straddles the line between pop-punk and emo-rock, while remaining eminently approachable for fans of rock and metal alike. While there…
A Return to The Cool (Album review of Tim Easton’s, Not Cool) by Owen M.S. Coughlin, Jr. In the world of music and art as a whole, there is, for whatever reason, a tendency to try to put artists into a certain kind of box, based on the perceived genre under which their work falls. It’s sort of like, “well these guys rock hard but they are very emo,…
