Fall has MkX use a hard-hitting synth and drum backdrop to highlight his considerable vocal range. Deftly blending rap, R&B and pop, MkX makes a play for considerable crossover opportunities. The hint of EDM that makes its way into Fall provides further nuance to this effort. No two seconds end up the same on Fall, granting the single ample replay value. The ability of MkX to turn on a dime…
Quarantine Dream is one dreamy track. Hints of surf, indie, and performers as wide-reaching as Rufus Wainwright and Nick Cave can be picked up here. Heck, the beginning of the track shares the same psychic space as “The Joker”. No matter how compelling and radio-friendly Quarantine Dream may be, Papi Shiitake has ensured that the instrumentation that plays behind his vocals is thoughtful and immaculately arranged. Few artists are able…
A Little Bit of Love has Kate Tucker call back to the nineties with nods to both Sheryl Crow and The Breeders. An infectious vocal harmony is boosted up through a clap / snap backing beat. Synths peek through the backdrop at points, adding a bit off 1980s mall to the mix. Funky, fun, and with just enough edge to differentiate itself from the rest of the pop fare on…
Bustle and Flow is some of the most polished music we’ve ever received from The Dead Daisies. With a style this time around that blends together the supersonic vocals of Scott Weiland with confident instrumentation of a Whitesnake or Winger, The Dead Daisies know precisely how to make a perfect rock track. Of particular note during Bustle and Flow have to be the sizzling guitar work, with riffs that act…
We Need You is an assertive track that showcases the need for women to make their voice heard. On this 100th anniversary of women getting their franchise, there is still a sense that the overall representation lags behind women’s proportion of the population. To bolster turnout is a perniciously difficult thing, and this track works under the assertion that a catchy song can change the world. Women Get Out The…
Everybody’s Calling is a hopeful track by The Fortune tellerz that shines with a 1960s / 1970s pop-rock approach. Charismatic vocals blend nicely with bouncy keys and guitars with just the lightest hint of distortion. The lyrical content of Everybody’s Calling is similarly happy, providing listeners with a sense that things will be better. The guitar and synth section that start at around the three-minute mark build up the dramatic…
Playing Both Sides is a wonderful blend of R&B and ethereal, EDM-infused backing beats. The more heavenly backing sysnths are a solid counterpoint for the pointed lyrical flow of the track’s main stanzas. The dreamier vox show considerable collaboration between these voices and the instrumental side if the composition. The most surprising thing about Playing Both Sides here has to be how much matewrial is placed into a 2:30 space.…
Back TO Me has a smooth, compassionate sound that is provided by Will Jordan’s silken vocals. The thick, bassy beat that plays at the bottom of the track is coupled with the lightest trapping of guitar to create something that highlights Will’s voice at all the right points. Back To Me has a timeless feel, bringing in hints of 1990s and early oughts R&B even as Will’s vocals resound perfectly…
Nas is able to keep a consistent sound in his latest effort, Spicy. Where artists sometimes seek to adopt the latest trends, Nas is able to keep walloping people with his timeless approach. The inclusion of Fivio Foreign and A$AP Ferg into the mix has the same effect – expanding his music to a wider population – but Nas is able to keep his inimitable flow at 100% for the…
Phosphenes is an instrumentally complex effort that has some of the same emotive arrangements of early The Police and Cure. Ruby Ryan’s vocals are touching and heartfelt here; anyone that has had to go through the expression of young love will be able to understand the leitmotif of the track. The inclusion of synths to the mix bring in a hint of acts like Walk The Moon and OK Go.…
The sick bass line that begins Disaster will immediately draw in listeners, while the additional layers of guitars and drums makes for an infectious track that builds off of the post-grunge work of acts like Bush and Stabbing Westward. The vocals come forth with equal parts Dave Grohl and Billy Corgan as the lack gradually moves into the wall of fuzz of acts like At The Drive-In and Converge. The…
In his new single and music video “Explode,” Canadian pop singer/songwriter Chris Ning gets as brutally honest as he’s ever been with his lyricism, unleashing what could be one of the more personal tracks of its kind this season. A crushingly intimate ballad that touches on suicide and self-awareness in a raw, unfiltered manner, “Explode” doesn’t attempt to hide the vulnerabilities of its lead singer in any way, shape or…
Can’t Keep Up, the latest effort from Keldamuzik, straddles the line between R&B and rap. The vocals laid down here are beautiful, while the stanzas showcases some hard-hitting lyrical flow. The synth lines and rapid-fire percussive elements create a vibrant backdrop upon which each side of Keldamuzik’s output is able to shine. There’s a considerable amount of different sounds and styles that reach prominence during this cut, ensuring Can’t Keep…
Stacy Gabel showcases the modern way of life with her new single, Stir Crazy. The sound builds up a catchy, infectious set of vocals from Stacy utilizing a guitar riff that is steeped in the Spanish guitar tradition. Confidence issues forth from this track in droves, even if the subject material in Stir Crazy showcases the considerable amount of uncertainty that we have all had to experience during this pandemic.…
A visual journey that feels increasingly dreamy with every frame it presents us with, the music video for Sébastien Lacombe’s new track “My Thousand Dollar Car” is every bit the encapsulation of identity a lead single should be. There’s a sense of exposure that bleeds from the lyricism into the imagery here and doesn’t leave us alone for the duration of the video’s running time, and similarly, most everything on…
Money Dance is a perfect blend of R&B, rap, and just enough EDM to get listeners out onto the dance floor. The charisma exhibited during Money Dance is palpable. MaxKaella is able to craft something familiar yet completely distinct from the rest of what’s garnering airplay here in the United States. The complex arrangements that play in the background in the lead-up to the single’s chorus further increases Money Dance’s…
Naked Love has the vocal flair of mid-1990s Natalie Cole or Tori Amos. The first minute or so of The Orange Apples.’s new single is soft and sedate, while the track begins to incorporate keys and a bit of distortion shortly after. These two sections battle for dominance during the effort, making for something absolutely engrossing. Each note feels deliberately placed with a greater consideration of its impact than much…
Joint and a Jukebox, the latest single from Lousiville’s Joey Phantom, is a sublimely chill smoking track. The laidback flow presented during the song’s first minute by JP is gradually increased in speed until his flow reaches a blinding speed. The backing instrumentation is fantastic, blending together the 1970s-inspired approach of J Dilla before screwing and chopping the beat in the cut’s final minute. There’s a lot of things occurring…
All Nights is a booming reggae track that has Snypa bringing vocals in the vein of Sean Kingston while incorporating more traditional drum beats. The resulting track is a fantastic blend of old and new, cutting-edge and timeless, making for a song that will grab fans attention from the drop. We love the sea change that occurs in the second half of All Night, as the more leisurely tempo of…
Messed Up World has Greg Hoy blend confident guitar riffs with dreamy 1970s pop-rock vocals. The timeless approach that is adopted here is given other accoutrements (a bit of 1990s alt here, some prog-rock guitars / keys there), making for a fulfilling track that will impress jaded music aficionados as well as people that are all-in with something they can vibe to. Greg’s charismatic vocals are the cherry on top…