The Bloody Hollies come through on “If Footmen Tire You…†with a loud, obnoxious brand of rock that takes more than its fair share of influence from the rockabilly style. Tracks are fleeting and really do not allow enough time for individuals to become tired; this style of looking-back rock works better when the band isn’t self-absorbed (think The White Stripes) or just suckling at the teet of predecessor bands…
Everything on this EP is so perfectly constructed that it becomes hard to believe that a set of humans could come up with it; songs like “In Flames†elicit the perfect amount of emotions and fury while looking back to the middle nineties for influence. This retro sound is done much better than many of the other acts out now; the innovation done here actually goes farther in that there…
British band with very complexly mixed arrangements. Blocko is a pop-punk band with a slight hind of indy rock, with very speedy driving drumbeats and heavy bass use .In fact, all bases are equally covered by the band, as one second there is a bass solo, the next a killer drum beat. The songs are very catchy, as the bass lines are the most enjoyable part of the album, next…
Blivit comes through as a band on “Unhand the World†that is tremendously influenced by the seventies, specifically the arena rock that took over as the dominant musical style for a couple of years. However, much like “Blinded By The Lightâ€, Blivit doesn’t use a guitar but rather a keyboard to make all sorts of nutty songs. At moments, the keyboard is virtually indistinguishable from a guitar line, but just…
Hey, it’s like the B-52s lost about fifteen years and were thrown together as Bling Kong. The same eclectic instrumental sound mixes with a quirky male set of vocals and deepish female vocals. The only thing that one can possibly distinguish the two bands from each other has to to be the stronger instrumentation that Bling Kong has. The disc’s first track “I Want More†benefits from a strong bass…
“Death Is Never Permitted†has a moment of uncertainty present before Blinded Black start. While they come forth a very hard-hitting pop-punk meets emo and rock sound, this bit of confusion showed that the band is human. “Death Is Never Permanent†is a typical emo track, but does throw in something a little bit new. This time, Blinded Black place a synthesizer into the mix that hearkens back to all…
An example of poor graphic design hits purchasers of this album right after they unwrap this album. The black text on lighter black backdrop means that individuals will not be able to see who produces the track unless they get about two inches away from the disc. This problem is lessened when individuals put the disc into the player, as the production is really clean for a smaller-market rapper. The…
From “Can’t Help You Thereâ€, which cribs the guitar line from a seventies song (which is on the tip of my tongue but can’t come forth any farther), Bleeding Kansas shows that a return the basics should be a welcome thing. Most of the tracks on “Dead Under Décor†do not follow that ethos, and as such Bleeding Kansas’ music does not move beyond the new style of hardcore that…
“This Girl Has A Gun†is the first song (not counting introductions) on The Bleeding Alarm’s “Beauty in Destructionâ€. The band comes to this track in an interesting way; the band vacillates between a harder rock style and the much more emotive rock style that ultimately takes the day by the end of the track. The band starts out their album in strong fashion, but there seems to be something…
While most of the Christian music scene is often referred to as being relatively stale, having bands emulate the style of what is successful in the secular market instead of going their own way, Bleach simply doesn’t fit into that stereotype. Moving from punk to hard rock to introspective, Beatle-esque piano-rock in “Patienceâ€, Bleach really is not happy driving themselves in a rut track in and track out. While “Patience 
Okay, I think everyone understands that President Bush is an idiot. I am fairly sure that individuals are familiar with most of the sound bites taken from “Emancipationâ€, so to devote a few minutes to this fact seems a little excessive. “Dishonest†is really where The Boy Anvil needs to be; the backing instrumentation really reflects an interest in late eighties electropop (think New Order or some earlier Depeche Mode)…
Blivit comes through as a band on “Unhand the World†that is tremendously influenced by the seventies, specifically the arena rock that took over as the dominant musical style for a couple of years. However, much like “Blinded By The Lightâ€, Blivit doesn’t use a guitar but rather a keyboard to make all sorts of nutty songs. At moments, the keyboard is virtually indistinguishable from a guitar line, but just…
Hey, it’s like the B-52s lost about fifteen years and were thrown together as Bling Kong. The same eclectic instrumental sound mixes with a quirky male set of vocals and deepish female vocals. The only thing that one can possibly distinguish the two bands from each other has to to be the stronger instrumentation that Bling Kong has. The disc’s first track “I Want More†benefits from a strong bass…
An example of poor graphic design hits purchasers of this album right after they unwrap this album. The black text on lighter black backdrop means that individuals will not be able to see who produces the track unless they get about two inches away from the disc. This problem is lessened when individuals put the disc into the player, as the production is really clean for a smaller-market rapper. The…
From “Can’t Help You Thereâ€, which cribs the guitar line from a seventies song (which is on the tip of my tongue but can’t come forth any farther), Bleeding Kansas shows that a return the basics should be a welcome thing. Most of the tracks on “Dead Under Décor†do not follow that ethos, and as such Bleeding Kansas’ music does not move beyond the new style of hardcore that…
The self-assured, serpentine melodies, liquid-glass harmonies and literate, cutting lyrics almost render their name ironic: for a group whose name implies struggle and nascent growth, Cocoon seemed to appear out of thin air, fully-formed.
“This Girl Has A Gun†is the first song (not counting introductions) on The Bleeding Alarm’s “Beauty in Destructionâ€. The band comes to this track in an interesting way; the band vacillates between a harder rock style and the much more emotive rock style that ultimately takes the day by the end of the track. The band starts out their album in strong fashion, but there seems to be something…
Starting out with the same type of singer-songwriter vibe that numerous bands from Matthew West to The Majestic Twelve have, Blake Rainey goes through “Appetizer Sickness†with the same earthy tone that Brandon Patton was not able to completely tame. However, while Brandon tries to oversaturate the disc with a number of different instruments, Blake goes the other route and creates a Spartan atmosphere that really is not hospitable to…
Shortly after the release of their latest album “Pureâ€, undoubtedly one of the most noteworthy prog-rock releases of the year 2008, the legendary Pendragon for once more visited the WyspiaÅ„ski Theater in Katowice, Poland, to celebrate the band’s 30th anniversary. With their outstanding performance, and with their line-up strengthened by the addition of a new drummer Scott Higham (also known from his past cooperation with Clive Nolan on the project…
The acoustic-heavy opening to “Treadmarks†is the “We Didn’t Start The Fireâ€-inspired “One Planet – One Utopia – One Helmetâ€. The phrasing of the lyrics during the track is at least as random as the aforementioned Billy Joel song, without the interesting piano work to divert a critical eye from this randomness. The guitar lines, while maintaining a certain cohesion tend to break down after tremendous repetition; Johnny J Blair…