â€œMalachai are a stand-alone Bristol sensationâ€ – 4/5 Mojo
“Malachai mix Love-style garage psychedelia and trippy samples with modern production savvy. The result is catchy, off-kilter backdrops for vocals that are a clear tribute to Horace Andy. Think Mellow Gold-era Beck crossed with the Kinks.” — The Observer
â€œOutsider pop that’s unlikely to remain out in the cold for longâ€ 4/5 â€“ Q
“Like a hyperactive DJ spinning between a nuggets boxset” – 4/5 Uncut
â€œMalachai are into everyone from Public Image Ltd to Tricky; from Morricone to UNKLE; and from Bushkiller to Boards of Canada – which is possibly why everyone from Annie Mac to Gilles Peterson are into Malachaiâ€ â€“ The Guardian
Malachai is Hebrew for â€˜angel.’ It was also the name of the red-haired bloke from Children Of The Corn. From which the band’s name is derived, we’re not exactly sure and neither are they. Strictly speaking, Malachai’s a duo. There’s a mysterious figure lurking in the background supplying beats and tunes. But he’s a shy sort, preferring the music do the talking, happy to let Gee, the outspoken front person, take the limelight.
Malachai’s origins are in Bristol, on the West Coast of England in Briston and are indicative of the kind of artists that originate from Bristol: dubstep running through their bones, hip hop in the fingers, â€˜60s psychedelia in the heart. It’s only right, then, that Portishead mastermind Geoff Barrow has a thumb in this project. Barrow’s a kind of a mentor for Malachai and released the album on his own Invada imprint earlier this year. â€œThere’s no Bristol â€˜scene’ as such but there’s a lot of people making music here so heads know to produce something unique, â€ says Gee. â€œIn this industry, you’re supposed to choose your weapon and keep in your lane, but the last thing I want to do is repeat myself.â€
There’s certainly no repetition here. At times, the album sounds like a Jamaican garage rock band. Elsewhere it sounds like Merseybeat if the beats were supplied by RZA. Or Dick Dale surfing the River Severn. Malachai loves psychedelic music too, â€œthe colour, the innocence and optimism of it all, â€ but he’s â€œmore of a two minute and out man.â€ That’s why some of it sounds like an ADHD kid flicking through the Nuggets box set. At other times, Malachai’s music sounds like the apocalypse itself. One track, â€œFading World,â€ was written after watching a news report on Hurricane Katrina. â€œI suppose I was taken aback by just how much at the mercy of the elements we are, but mostly at the plums who run things and where their priorities lay, â€ says Gee.
You can hear that track and three more on in the Film Four sci-fi flick Franklyn (starring Sam Riley and directed by Gerald McMorrow) â€“ a suitably apocalyptic usage., Malachai are film buff themselves. One track heavily samples cult movie The Warriors. Which one is obvious really. â€œThat film has everything you need: afros, flares, subway trains and spraycans,â€ Gee says.
Malachai’s also closely connected to the Bristol art scene and from whence the mysterious Banksy has sprung. They’ve commissioned lots of their buddies to produce the artwork for the album, including the more than up and coming Nick Walker, Paris, Marc Bessant, Johnny O, 2Keen, FLX, Eko, K148, Dave Stansbie, Milk, Acer, Naomi Sisson, Mr. Jago and Andy Council. The album’s closing track, â€œSimple Song,â€ namechecks an odd cast of characters, including Judy Finnigan, Bella Emberg, Cheryl Tweedy and Lord Charles. â€œI just put â€˜em all together like sticklebricks, â€ says Gee, whose British cultural touchpoints fit his wider feelings about Blighty.
If the image of Gee posing with the cross of St. George in his press shots is provocative, it’s meant to be â€“ but not in that way. The pictures are a direct reference to famous shots of cult Frank Zappa associate Larry â€˜Wildman’ Fischer, â€œone of the most natural and incredible talents ever, â€ according to Malachai. â€œMy generation grew up under a flag that had been hijacked by all the wrong people, but during my lifetime I’ve seen much to be proud of and it needs to be reclaimed, â€ says Gee. â€œEngland is The Beatles, The Kinks, Del boy and roast dinners but it’s also The Specials, Asian Dub Foundation, Desmonds, The Kumars and chicken tikka masala.â€ A spin of the album tells you all you need to know: Malachai’s thrown the rule book away. â€œIt excites me to think where I’ll go musically, â€ says Gee. â€œIt’s not about cherrypicking, it’s more about how â€˜it’ fits into me rather than how I fit into â€˜it’.â€
Ugly Side Of Love
Only For You
Lay Down Stay Down