On Nah, Zāna is able to blend equal parts Jennifer Lopez and Shakira into a song of female self empowerment, all while blending in an international flair to pop music. The track is able to establish a chiaroscuro of loud / quiet in a fashion to successfully capture the attention of listeners. The backing beat is on-point, providing a formidable canvas upon which Zāna is able to add her own unparalleled vocals and charisma to. Nah is a track that works as well in 2019 as it would have in 1999; this timeless sound is a fantastic way to get familiarized with the performer. What do you think about Nah?
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