Watch: “Coming Like A Hurricane” video via YouTube .
Danish-duo Death Has No Dominion’s self-titled album is out now on SQE. The New York Times T Magazine chatted with the band about the new album, their roles at the Danish clothing brand Libertine-Libertine, and the making of their new video for “Coming Like A Hurricane.” In addition to The New York Times T Magazine premiere, the video for “Coming Like A Hurricane” which was directed by Dan Elhadad is available to post and share via YouTube. Last week The AV Club ran an exclusive album stream and said, “Fans of Dungen and The Tallest Man On Earth might like Death Has No Dominion…Tracks like “Harvest” and “Poughkeepsie Exit” are emotional and dramatic, telling the story of the band’s journey through both aural space and to the Rubber House, a New York building once owned by Willem Dafoe.” Wondering Sound described “Coming Like A Hurricane” as, “a stark, chilly acoustic folk number pulled along by soft, ethereal vocals and a drifting, ghostly melody. It’s the kind of thing you might hear drifting in the breeze through a forest in the middle of the night – spectral, soothing and ominous at the same time.” Death Has No Dominion is available now on CD in the SQE online store and digitally via iTunes.
Rasmus Bak and Bjarke Niemann are the two musicians. They have known each other for a certain amount of time. They are both from the same place, but the exact location of that place is not relevant to this story. In the fall, some time ago, the two musicians went to upstate New York to stay in a black house once owned by Willem Dafoe. It is called the Rubber House and among its many strange features is a gigantic dance room. Rasmus and Bjarke drank a lot of wine in the house and they made a lot of music.
On the first night they wrote a song called “Poughkeepsie Exit,” a delicate, acoustic number that reveals a moody, intimate vibe. It opened their eyes to what this partnership could yield. They wrote more songs. They were interested in how a pair of ukuleles could manifest a soaring, quietly significant sound so unlike the instrument’s usual aesthetic. There are very few preconceived notions about the ukulele. The musicians felt liberated from prescribed ways of playing and creating. There was nothing in their minds except the collaboration founded in each new moment. They were centered on the idea of a new dawn. It is an idea that found its way into everything they made after that. Things were not the same when Rasmus and Bjarke came back from that place.
During some future time, over the course of a certain number of months, the duo met regularly in the studio, writing a new song every time they came together. There were many songs, recorded in Los Angeles, Copenhagen and New York. Some of the songs became an album they named after themselves. The first track, “Harvest,”
set the tone for what followed, and each song constructed a visceral atmosphere of sound infused with emotive resonance. “Coming Like A Hurricane,” a propulsive, ambient number, opened the possibilities of that sound space. Those two numbers, along with “Poughkeepsie Exit,” are the key elements of the story.
Death Has No Dominion is a new dawn itself, in some ways. It represents a new means of artistic creation, of going with the flow and accepting whatever emerges. It is about a pureness of energy and an emphasis on the significance simplicity can yield. It is something you can hear in every note that is played, and it is also something that is present in the silent spaces between the notes. That is the story of the band. You must listen to fully understand it.
Harvest Track List:
2. Monkey Island
3. Reaching The Shore
4. Uproar In Heaven
5. Poughkeepsie Exit
6. May Your House Be Safe From Tigers
7. Coming Like A Hurricane (stream)
8. Out Of Your Mind
9. No Return
10. Daybreak Olympics