All That I Am links together 1970s funk with mid-1990s Tori Amos to make something raucous and alluring. A bit of guitar fuzz calls out the pop-rock of the 1970s. The multiple layers that exist during Sunny Ozell’s latest single make for a much more complete sort of track; fans will delight in dissecting each taut bass liune, horns, and haunting choral element that the track has to offer. The sizzling guitar section that begins the 2 minute mark jazzes things up considerably, allowing All That I Am a considerable boost to its momentum. As a result, Sunny is able to ride out the track with as much zazz as she began it.
Sunny Ozell “All That I Am” / Domain /