I had heard a lot about The Juliet Dagger, but did not have the ability to review them until I received this single in the mail. This single (which I am not sure if it will be released to the public) has as its’ A-side “Saturday Morning”. This track is very synth led, and will remind individuals of the shoegazer pop of acts like The Red Hot Valentines, although blended…
Juggernott is another of the Greencastle band that really are more intense and impressive in a live session. The mastering and recording on “Necessary Evil” is top-shelf, but even it is not able to proper re-create the fury that Juggernott brings to each venue they play. The guitars, laid down by Barry Bollinger, are given an equal stake in the process, something that really is hidden at times in the…
There is a certain type of rest-filled sound to Kaddisfly; everything is not done with the burning intensity that is present in many other emo bands. However, there seems to be some syncretism with more sedate, “stoner” types of rock (Pink Floyd, Sublime) to create a sound that comes closer to At The Drive In and 311 than anything. The one thing that this change of style really does for…
“Not Long For This World” is a track that showcases the eclectic nature of “Cole Porter’s Blues”, with a number of distinct genres and musical styles broached in the course of four minutes. With listeners properly prepped for what is to come on “Cole Porter’s Blues”, Michel Ackermann creates a more expansive and slower tempoed track in “How Long?” The vocals and instruments here unite to create something ethereal, airy,…
“Whiskey & Cocaine” is the first track that listeners will sink their teeth into when they get their copy of Thee Nosebleeds’ self-titled release. This is an absolutely balls to the wall type of track that comes forth from the early eighties heavy rock / metal style of Iron Maiden, onward through the thrash-laden riffs of speed bands like Anthrax, and even comes forth to the current brutality preferred by…
Eighties synthpop, ambient, dance, modern classical music – these are all different words that fit appropriately to how Me, Three begin their “The Space Race”. Despite the act’s unique sound, the act is able to create a lively narrative in this track that will have listeners following the songs out to its post-four minute end. The band is able to avoid the pitfalls that a number of more experimental acts…
There is a lot present in JR Ewing’s style that I feel has its precedent in other famed acted. The first track on “Maelstrom” matches with the title of the album perfectly. The brutal guitar and drum interaction that happens during the average second of this track is nothing to scoff at; the inclusion of an acoustic guitar at points bring the band into an At The Drive-In meets Fugazi…
For J+J+J, think a more spastic version of Junior Senior, tempered by the electro-buzz of Lolita Storm. The music has been completed in toto by electronic instruments, with tracks like “Skeeball Vs. The Mall” working its club magic with nothing more than a drum machine and a synthesizer The sound of the entirety of “They Hump While We Go Nuts” is very cohesive, as a casual listener will be hard-pressed…
J. Page’s sound, specifically in the vocals has a comparable sound to Columbus’ own Rise and Shine. The use of guitar lines that seem drawn from the early nineties, especially during “Dying staying Here” really gives the band a timelessness to their sound that ensures that dated-ness of their music will not happen. The wall of sound present on the aforementioned “Dying Staying Here” gives a perfect backdrop for J.…
Joy Zipper, on their “American Whip” plays a dreamy brand of alt, indie-rock that draws heavily from the mod scene as well as later rockers like Matthew Sweet. While a track like “Baby You Should Know” contains a quick and peppy beat, the much nuanced “33x” has a subtle and incredibly catchy style to it that is only furthered by the inclusion of a sound that is very ambient-based. The…
