Author: Sargeant

Posted on: September 7, 2018 Posted by: Sargeant Comments: 0

Dating Websites and How to Choose the Best One

Dating game has gone long ways since a few decades ago. Today you are no longer required to go out in order to meet someone interesting. Thanks to the modern times and development of technology, now all you have to do is just go online and get in touch with someone interesting. There are plenty of specialized websites where you can read people`s personal information and learn more about them.…

Posted on: September 6, 2018 Posted by: Sargeant Comments: 0

Darn Good Yarn Reviews: The Best Yarn Swifts To Purchase And Use

So, if you have just gotten into knitting and have never heard of a yarn swift, then this is the article for you – as we will not only explain what a yard swift is but give you an idea of the best yarn swifts out in the market at the moment. SargeantJohn Sargeant, writing on NeuFutur as Sargeant, is the founder and editor-in-chief of NeuFutur Magazine, where he has…

Posted on: September 6, 2018 Posted by: Sargeant Comments: 0

Choosing a Game by the Size of your Bankroll

Bankroll your mind as the old casino saying goes. Whether you prefer a good poker hand to a few slotting rounds or set hard near Blackjack tables, it is not the strategies to outrun casinos that come first. The first thing to start with for any punter is to develop the ability to tactically allocate funds to attach to games. The truth is the majority of gamblers prioritize to have…

Posted on: September 4, 2018 Posted by: Sargeant Comments: 0

Leland and the Silver Wells release LP

I don’t think that culture changes just because of a single artist or any record they might release, but the buzz surrounding the eponymous new album by Leland and the Silver Wells definitely has the potential to move the needle of at least one element of the music world in a direction significantly different than anything we’ve witnessed before. Normally I’m hesitant to get on these kinds of bandwagons, but…

Posted on: September 4, 2018 Posted by: Sargeant Comments: 0

The Confidence Routine to Help You Nail Your Next Job Interview

Interviews are nerve-racking. They force you to appeal to recruiters in a short period of time. Your qualifications, after all, are not the only factors being considered. Hiring a diverse but complementary workforce is for the betterment of every company. This means that if they think you won’t mesh well with their other employees, or if you cannot showcase your confidence and ability in that brief interview, you won’t get…

Posted on: September 4, 2018 Posted by: Sargeant Comments: 0

SPiN “What’s It Gonna Take”

SPiN’s “What’s It Gonna Take” is a bouncy, hopeful rock track in the tradition of All-American Rejects or early Maroon 5. A blend of pop, rock, and even a little bit of funk ensures that SPiN’s latest is something that will bury its way deep into the minds of anyone listening in. A robust production makes it easy for the band to make a cogent statement with their latest effort.…

Posted on: September 4, 2018 Posted by: Sargeant Comments: 0

The Silver Snails “Dancing With The Stars”

The Silver Snails’s “Dancing With The Stars” is an effort that boldly crafts an entirely new style. There are nods to classic rock, pop, new wave, and indie rock during thie five-plus minute composition, but the children’s chorus and haunting lead vocals allow The Silver Snails to make a track that will stick with listeners long after the release ceases to play. With a distinct visual palette for the single’s…

Posted on: September 4, 2018 Posted by: Sargeant Comments: 0

SadGirl “Breakfast For 2″

SadGirl’s “Breakfast For 2″ is a dreamy track that draws from early 1960s pop. The whole experience feels drawn from a teen romance movie from the era. Sedate, touching lyrics lay leisurely on classic guitar riffs and on-point percussion. The most delicious part of this track has to be the guitar solo laid down a bit before the two-minute mark. There is a certain fresh sound to Breakfast For 2…

Posted on: September 4, 2018 Posted by: Sargeant Comments: 0

Death Valley Girls “Disaster (Is What We’re After)”

The Death Valley Girls have released a new track, “Disaster (Is What We’re After)”. The effort is a stripped-down, dirty sort of rock in the veins of The Runaways or early Ramones. There is a bit of industrial fuzz and ska that is interspersed here to keep things interesting. The completeness of the instrumentation is such that one will need to play Disaster multiple times before hearing each and every…

Posted on: September 3, 2018 Posted by: Sargeant Comments: 0

Tancred “Something Else”

Tancred’s “Something Else” ties together the pop-punk of The Donnas with the fuzz and distortion of Hole during their new single, Something Else. The vocals bounce back and forth from being coy and shy and being bold and brash. Rising and falling from prim alt-rock to raw rock, Tancred is able to keep listeners’ feet tapping through every point of their new single. A brief instrumental interlude immediately precedes the…

Posted on: September 3, 2018 Posted by: Sargeant Comments: 0

NYA – Southland EP

NYA’s Southland EP begins with Shallow. The vocal-heavy track calls back to the jazz tradition of the 1920s and 1930s, with a bass and a bit of guitars filling in the gaps for NYA. Hints of Angie Stone and Corinne Bailey Rae can be heard here. Hollywood Hills is an ambient / EDM-tinged track that adds a good amount of distortion to blur the distinction between vocals and instrumentation. The…

Posted on: September 3, 2018 Posted by: Sargeant Comments: 0

Kurt Vile – “Loading Zone”

Kurt Vile’s “Loading Zone” starts off with a wistful alt-rock sound that allows the guitar, bass, and drums to shine. When Kurt’s vocals begin, listeners will love the slinky, retro/1970s approach that he takes. The clear delivery of vocals ensures that listeners can enjoy the narrative that Kurt intersperses through his latest tracks. All sides are able to shine here, with the vox and instrumentation each getting time during this…

Posted on: September 3, 2018 Posted by: Sargeant Comments: 1

Dulcie Taylor “Halfway To Jesus”

Dulcie Taylor’s “Halfway To Jesus” is touching. The effort looks back to 1990s country artists like Reba McEntire and The Judds.  An assertive set of vocals is matched perfectly with strong vocals and punctual drumming. A strong environmental message is weaved throughout Halfway to Jesus. We’re particularly fond of the additional vocals that push Taylor’s voice to a higher plateau. Additional elements – the absolutely amazing scene setting of the…

Posted on: September 3, 2018 Posted by: Sargeant Comments: 0

Emmy Law “Fairyland”

Emmy Law’s “Fairyland” is a modern pop / alternative track that builds upon the framework of performers like Natalie Cole, Paramore, and Natalia Imbruglia. Law’s vocals pull double duty in that their breathy vocals weave a rich narrative while the overall harmonies laid down by the vox work perfectly with the larger instrumental complex. By adding her own unique style into the mid-1990s approach that is taken here, Emmy Law…

Posted on: September 3, 2018 Posted by: Sargeant Comments: 1

Water District “Dream With Your Eyes Open”

Water District’s “Dream With Your Eyes Open” is an engrossing emo / rock effort that builds off of Alkaline Trio, Taking Back Sundae, and Brookside. Wistful, hopeful, and absolutely beautiful in its execution, Dream With Your Eyes Open is able to showcase the technical side of the guitars, bass, and drums. SargeantJohn Sargeant, writing on NeuFutur as Sargeant, is the founder and editor-in-chief of NeuFutur Magazine, where he has covered…

Posted on: September 3, 2018 Posted by: Sargeant Comments: 1

David Haerle “Do You Know Surrender?”

David Haerle’s “Do You Know Surrender?” is an effort that immediately adopts interesting time signatures and additional instruments beyond the traditional guitar/drum dynamics. A waltz-like set of strings immediately varies things, while Haerle’s vocals brings up hints of prog-rock. There is considerable charisma to each lyric in Do you Know Surrender?, while the middle bridge is perhaps the song’s high-water mark. The dynamic between both guitars, bass, drums, and strings is…

Posted on: September 3, 2018 Posted by: Sargeant Comments: 0

Brandon Tory “Seriously”

Brandon Tory’s “Seriously” is a soulful composition. Dreamy vocals and echoing production make for a thoughtful track that exists at the nexus between R&B, rap, and EDM. Tory is able to exude raw sex with his vocals, while the booming synths and drums do a tremendous job as simultaneously mimicking a heartbeat and raw passion. Seriously is a track that fits in perfectly on modern radio; this is not the…

Posted on: September 3, 2018 Posted by: Sargeant Comments: 1

Rhys Tranter – Sometimes

Rhys Tranter’s Sometimes is a slower, more pensive effort that ties together Morrissey with Mick Jagger. SargeantJohn Sargeant, writing on NeuFutur as Sargeant, is the founder and editor-in-chief of NeuFutur Magazine, where he has covered independent music, PC hardware, consumer tech, and gaming culture since 1998. With over 25 years of continuous digital publishing experience, he has written thousands of hands-on game and record reviews, conducted in-depth hardware field testing,…

Posted on: September 3, 2018 Posted by: Sargeant Comments: 0

My Silent Bravery “Everyday Is The Weekend”

My Silent Bravery’s “Everyday Is The Weekend” is an effort that ties together the rock of Bon Jovi with hints of surf rock and a bit of alternative. A sunny sound, ample bass riffs, and a charismatic set of vocals work together to make for a single that will stick with listeners long after the effort has ceased to play. We like the wide array of styles that are broached…

Posted on: September 3, 2018 Posted by: Sargeant Comments: 0

Markus Schulz feat. Sebu (Capital Cities) “Upon My Shoulders”

Markus Schulz’s “Upon My Shoulders”is an effort that builds upon the synth pop of the 1980s while having an assertive beat that is interlaid amongst the effort. Together with Sebu (from Capital Cities), Schulz is able to make a track that will keep listeners focused in until the final note. Masterful synth work flutters at the top of the track, acting as a perfect counterpoint for the booming percussive elements.…