One by One (Little Things) is the initial effort on PK and the In-Betweens’ recently-released EP, A Lifetime of Almost. Taut playing, charismatic vocals, and a dynamic sound that continues to impress even after multiple plays, this first single builds off of the tradition of 1990s rock and college radio. Hints of Live and Our Lady Peace be heard here. The secondary vocals provide further depth to the composition; listeners…
On Don’t Say, Brandon Hutcheson is able to immediately draw listeners in with emotive and sultry instrumentation. When his vocals kick in, the song gains a fullness that would work perfectly on pop rotation / playlists. The song builds upon the traditions of performers like Trey Songz and early Chris Brown with hints of Justin Timberlake and Justin Bieber. The subtle nod to EDM producers in the song’s backdrop add…
Thought-provoking, Algorhythm’s Slipping effortlessly floats through psychedelic, progressive, and 1970s easy listening and jazz modes. The tautness of the act’s compositions unites these disparate elements. With a bit of electronic haze imbued upon the vocals, Algorhythm is able to seamlessly link together instrumental and vocal sides. The rising movement that marks the 2:35 mark of the track ushers in hints of Santana, Zappa, and Pink Floyd. While Slipping does reach…
Aries In 2021 there’s a focus on creativity and feelings – areas where you may feel that you are held back somehow. Developing a disciplined approach to these things is a must if you are to make any progress at all. Realise that you can’t have it strictly on your own terms, that too much control can wither it away. This is a time during which confidence and self-expression are…
On Sixteenth Summer, Liam Mogan is able to imbue each beat with a charisma that is hard to deny. While the track straddles the line between pop and country, there’s enough of a nod made here to EDM and even rock to jazz up the widest possible swath of fans. The bit of hope and carefree living that is discussed during the single is replicated perfectly by the backing instrumentation.…
RiSE, the latest single from Nadia Vaeh, immediately showcases tremendous vocal talent. The scintillating backing instrumentation links together synth, sequenced drums, and a booming sound that lends a lot to the deep end of the composition. With nature sounds (a “bird chirp” sample) included here, Vaeh is able to make a fulfilling effort that continues to showcase new twists and turns even multiple plays in. The presence of Hazel Rose’s…
During New World, Normal Machine (David Cohen and Amanda Silvera) are able to blend together a dark, industrial sound – imagine KMFDM mixed with Orgy – with supersonic pop-themed vocals. Building off of the sound of Willa Ford and Kittie, Amanda’s vox are able to reach tremendous highs and rich lows. A distortion-laced guitar interacts with splashy drums to establish a grim and gritty backdrop. New World’s combination of voice…
During Lemonade, Good Fella Uno is able to lay out some seriously soulful lyrics. These bars are given further highlighting through a laid-back production that deftly repeats a bit of guitar strum. Marrying the guitar line with booming bass beats, this backdrop provides the perfect counterpoint for GFU’s unmatched voice. The track has just a bit of world-weariness to showcase that the performer has lived all of the perils and…
The first few seconds of Kamilah Shani’s Certified have some of the most rapid-fire deliveries this side of Busta Rhymes or Twista. There’re other influences that bubble up to the surface on this single, as well; hints of Trina and Nicki Minaj can be discerned here. Shani is able to separate herself from the vast mass of rappers due to a crisp patois and tounge-twisting lines that will trip up…
Mix It Up is an extremely catchy effort that builds upon the tradition of performer like Sean Kingston and Nico & Vinz. With rapid shifts through R&B, pop, and rap, iinvad3 is able to call out to a wide swath of listeners. With some soulful vocals leading up to and including the song’s chorus, Mix It Up is one of those earworms that will continue to bounce into listeners’ brains…
Do The Damn THing is a confident, assertive statement laid down by Blondia. With no-nonsense lyrics dropped alongside a brooding and intense backing beat, Blondia immediately draws in listeners’ attentions. There’s a harmony, a cadence which Blondia uses to great effect in this single. The rising and falling movements of the song established a varied sound – no two moments of Do The Damn Thing are the exact thing. Utterly…
On Hotel, A.T.L.D.V. bring a bit of T-Pain, Tyrese, and Public Announcement to the current era. Tremendous vocals, a sexy groove, and a funky production backing the vox combine to make for something that could easily chart on modern R&B and pop stations. There’re a lot of things going on during this track, but A.T.L.D.V. are able to corral everything into a cogent sound that will ring loudly in listeners’…
Someday is a hopeful track that ties together bright vocals and a backing instrumentation that draws heavily from the 1970s soul and funk styles. The jazz-infused drum line adds a bit of spontaneity to Da$Htone’s lately. The flow that is weaved through Someday simultaneously furthers the positive narrative while adding a further layer of complexity to the mix. Bringing in Alma Cook’s vocals to the second half of Someday, Da$Htone…
Thee End has an eclectic sound to it that is united by the inimitable vocal flow of Maribased1; there are calls back to 1990’s California rap, the wavy sound of Kid Cudi, and a nod to the modern approach of performers like Migos and Post Malone. Whipping in a bassier flow from D Menace, Thee End ensures that it has considerable replay value throughout the rest of the summer. With…
You Were Light is the introductory effort on Arielle Silver’s A Thousand Tiny Torches. Rich vocals immediately wash over listeners, as Silver builds upon the tradition of performers like Carole King and Sarah McLachlan. The guitar work calls to a different style, adopting the trappings of 1980s and 1990 country. The rising and falling sections on You Were Light keep fans firmly planted on the edges of their seats. There…
Follow Me Home begins with an atmospheric production that sets the stage for Benny Freestyle’s laid-back approach.A hooky chorus will have listeners singing along; the bit of guitars and percussive elements are more than able to make an alluring backdrop. The narrative that is established here with Benny Freestyle’s lyrics and the hauntingly brilliant female vox imbue the composition with a bit more substance than what is typically encountered on…
Text graciously provided by Solters / Santa Monica Brew Works. Santa Monica Brew Works (SMBW) announces the release of “Spread Love” Juicy IPA, launching Saturday, June 27th. “Spread Love” will be available in 4-packs of 16 oz. cans to-go from the brewery’s Tasting Room in Santa Monica (1920 Colorado Ave.). A portion of the proceeds from the sale of each 4-pack will be donated to Meals On Wheels West, helping…
I Want It Now is a powerful opening to the new album by Sundogs, The Code. With sizzling guitar work and an emotive take on the song’s arrangements, the act is able to bring listeners in by the barrelful. Settling into the seventies style of rock that links together early Ted Nugent with Boston and Bachman-Turner Overdrive with a dollup of 1980s hair metal (e.g. Ratt, Cinderella), Sundogs immediately kick…
Elly Ball’s Control begins with a funky, layered approach that acts as a nice counterpoint for single’s poppy vocals.There’s a nice chiaroscuro exhibited during this composition with Ball’s soft and sly vocals interacting with the bassy synths. These two elements combine to make for an engrossing sound. The slowdown that occurs at around the 2:40 to 2:45 mark allows Ball to move into a vocal approach that draws from traditional…
Jenn Nucum’s Out For Blood hits listeners with introspective guitar work and tender yet strong vocals. With an uncanny ability to create a vibrant landscape with each lyric, Nucum will immediately draw fans into the track. The dynamics established between the guitars and Jenn’s voice pushes each to an entirely higher peak. The deliberate arrangements here are reminiscent of OK Computer-era Radiohead or Bush’s Glycerin. Indie rock and twee are…