While we haven’t been fortunate enough to review Crystal Nicole before, we have experienced her contributions to Lecrae’s Anomaly. It’s fantastic to see Lecrae return the favor on Won’t Stop, Crystal’s new single. The track immediately primes the pump through the inclusion of a stomping element. Hints of 2000s R&B showcasing tremendous vocal range. The percussive elemnts tattoo the bottom of the track, keying listeners in to what Crystal Nicole…
Long Ride Home, the newest effort by the Ghost Hounds, is marked by rich vocals, hopeful guitar work, and an absolutely beautiful output. The act is able to blend lyrical and musical into an honest and earnest effort that defly moves between country, blues, and pop music. Long Ride Home has a truly timeless feeling, containing enough viscera for fans of the widest scope to eagerly devour. Patty Griffin’s contribution…
Nya’s “Beauty Comes From Pain” is a hautning effort that immediately showcases her vocal skills. There’s a bit of late-1990s Massive Attack meets Bjork sort of sound, albeit with a modern production that gives both instrumental and vocal sides ample times to shine. THe guitar line that is weaved through Beauty Comes From Pain is fascinating, as is the presence of an emotive and ropey bass line. The dichotomy between…
Secret Wish’s “Melody Of The Music Man” is a single that takes up the standard of all eras of dance music. There’s a bit of the 1970s Rasputin groove mixed alongside the late 90s / early 2000s “Infinity” remixes. With sweeping synths and booming bass, Secret Wish are able to make a song that is a must-include in the playlists of any DJs currently setting up their New Year’s set.…
VanMilli’s “Mary Jane” is a heartfelt ode to the herb, a track that showcases the central role of the herb in the pefroemr’s life. This is a love letter that a great many around the world can understand. While the song cuts off quickly, the patter of VanMilli will stick with fans long after the single ceases to play. There’s a bit of R&B, some rap, and a bit of…
V. Contreras’s “Done Playing Small” is a powerful, hopeful effort that blends pop, soul, and EDM styles into one cohesive effort. The vocal skills brought to the composition are amazing. Fans will be firmly planted on the edges of their seat as V. Contreras continues to weave this story. The percussion and synths encountered during “Done Playing Small” are given a new lease on life as a gospel-styled chorus starts…
Me And My Nightmare’s “Devil Inside” is a track that works mastrerfully the late-1990s output of acts like KMFDM and Assemblage 23. The sharp synths, a driving beat, and intense vocals unite to make Devil Inside’s melodies bury deep into listeners’ psyche. The chorus of the titular phrase acts as a rapid ramping up of the momentum before slowing things down to a more dark soundscape. Echoing vocals are absolutely…
“When I Fall”, the latest song from Diane Arkenstone, recalls the work of performers like Jewel and Natalie Cole. Little more is needed to wholly engage listeners than Diane’s vocals and a lightly-strummed guitar. The narrative built up during “When I Fall” will have one firmly on the edges of their seat. The gradual increase in instrumentation and tempo keep things interesting. Setting up the stage for a truly epic…
America’s Sweetheart’s “Girl Down” is a fun track that fdeels like some long-lost cut from early 1990s alternative music. There are very carefully-performed vocals that are included alongside a richly emotive guitar and drum arrangement. The decidedly lo-fi approach allows Girl Down to shine among other contemporary tracks. The production is the glue that holds these disparate segments together, making for a track that we’ll be playing here at NeuFutur…
Hula Hoop has a bouncy, fun vibe that will immediately command listeners’ attention. This latest effort from The Infamous HER deftly blends together rock and pop in a way that is unique. The assertive guitars comprise the meat of the single, while the vocals show supreme confidence and intensity. While there are nods to the late 1990s rock scene, the tautness of the composition ensures that Hula Hoop is a…
Birdie Nichols’ debut album, Into The West, captures a dusty, desert-tinged nostalgia for the raw, unvarnished roots of Western Americana. The music is gritty, personal, and reflects a sense of place that feels untouched by modern polish. Birdie, just 17, emerges as a storyteller whose voice and lyrics resonate with a rugged authenticity that recalls old-time country, yet avoids leaning into predictable pop-country stereotypes. Her album isn’t a slick Nashville…
Faithless Town’s “California Come Home” is a call-back to the 1990s alt-rock of the Gin Blossoms, Counting Crows, and Dishwalla. The vocals sit above the guitar fuzz and contemplative arrangements of the song. The repetition of California Come Home acts as a way for Faithless Town to change up their output. Keeping fans firmly planted on the edges of their seats until the single ends, Faithless Town showcases both their…
Adrianna Freeman’s “HALO” is a single that will immediately draw in listeners. The very traditional arrangement of the guitars, drums, and bass imbue HALO with a 1990s country vibe, while Freeman’s vocals recall a Jo Dee Messina, Carrie Underwood or Shania Twain. The sizzling guitar solo that acts as HALO’s bridge is something special, showcasing an intricatre arrangement that rises up just as much as Adrianna’s inimitable vocals. The bit…
On VIBEZ, Hailey Newman is able to craft an alluring style of pop music that touches upon the early work of Taylor Swift and Deana Carter. The rich vocals are given a boost through catchy guitar licks and on-point drumming. Each constituent element encountered during VIBEZ works together to make a track that stands up to repeat plays and would feel right on pop and modern country radio stations and…
On Takin’ It Easy, Kelsey and Lisa are able to call back to the island style of Jimmy Buffett and the more lighthearted fare of The Carpenters and Maria Muldaur. The instrumentation is warm and inviting, with guitar, bass, and percussion uniting to make a toe-tappingly-fun backing beat upon which the titular pair can present their vocals. The production of Takin’ It Easy ensures that there are ample opportunities for…
Cruel World is a touching, intimate song that immediately will draw fans in with alluring voals and thoughtful instrumentation. Porter Block’s latest single has an absolutely timeless approach threaded throughout, drawing in the widest possible swath of listeners. It’s hard to pigeonhole Cruel World; there are nods to 1980s pop-rock, 1990s alternative, and even bits of 1970s easy listening throughout its run time. With each subsequent single, Porter Block is…
Shipyard Brewing’s Pumpkinhead Ale is a quintessential fall seasonal release, known for capturing the spirit of autumn in a bottle. Available only during the cooler months, Pumpkinhead is usually released in early September, making it a highly anticipated seasonal favorite. Its limited availability heightens the anticipation for many beer enthusiasts who eagerly await its return each year. The pour of Pumpkinhead Ale is light amber, almost golden, with a slight…
Pouring old wine into new bottles, as an ongoing musical concern, isn’t as easy as it sounds. This is especially true when we’re discussing genres such as bluegrass. Bluegrass’ stylistic kingdom, like other territories of Americana, is relatively narrow; there’s only so much you can do before you aren’t playing bluegrass anymore. You’re doing something else. URL: https://rockheartsbluegrass.com/ Inventive bands seize upon hybridization. This means they pick their shots with…
feel like we used to, the current track from Zimmer90, is a delightful lo-fi alt/pop effort. This could easily garner attention on XMU or other curated playlist. Dreamy vocals interact with sweeping synths to tattoo the single’s harmonies deep into listeners’ gray matter. There’s a timeless sound built throughout this composition that will draw in a huge swath of music fans. feel like we used to is the perfect song…
Fading is a touching effort that is able to impact listeners with little more than Ron Brunk’s vocals and guitars. The careful touch that is placed on the composition will ensure the song resounds with listeners long after it ceases to play. I find there’s a lot of commonality with Fading and My Ride’s Here-era Warren Zevon. There’s a sedate and serene look at his situation, an honesty that is…