Though best remembered for the beautifully raunchy, but oh so catchy tune “The Dirty Song,” Athens, GA’s duo Cars Can Be Blue are back with their strongest full length yet, Trace the Tension. Bringing to mind everyone from The Muffs to The Moldy Peaches, the band is still playful and still irreverent, but a tad more focused with this latest 14-song offering. From the pumped up album opener “You…
Dr. Clive Brooks is Amberfern, and AquaEssence is a collection of tracks that he has created to elicit the sounds and experiences that one has when they are on a beach. From Avon Beach to the disc’s final track, Calm Waters Home, Amberfern has deftly created a release that will elicit memories of days spent on the boardwalk, playing around a swimming hole, or bobbing around in the ocean. At…
The Enchanted Path is the introductory effort on Day of Life. At four and a quarter minutes, the track still seems to go by like a flash. Each note created by Koch fits perfectly and sets the stage for the rest of the album. While Flowers on the Mountain barely reaches the three minute mark, the track is able to dovetail nicely into Morning Silence. The hopeful feelings that are…
Downpour opens up Daytime Dreamer, and it provides listeners with a tremendously dynamic and uptempo feel. While there are not vocals present, the piano line that Akram lays down provides a considerable amount of narrative. The track taps out at a hair over four minutes and leads into Dancing With the Wind. Dancing With the Wind is a softer and more introspective effort, where Akram delves into the corpus…
Cowboys and Indians is an independent film that benefits considerably through the presence of a set of compositions by Henrik Åstrom (who also created the score for 2011’s Jake and Jasper). While the visual component to the film is stellar and will draw viewers in, Åstrom’s 26 compositions for the film do more than highlight what is being shown on the screen. Rather, Åstrom’s work shines brilliantly on its own.…
Via delle Grazie is the latest effort from the Netherlands’ Red to Violet. Waiting for the Sun is a carefully-crafted piece of indie rock. The band is able to open up into a post-modern type of rock that is influenced by 90s alternative rock (Sean Lennon, Hedley) and the more emotive acts of the 00s (Brand New, Dashboard Confessional). The band’s instrumentation is smart, while they maintain an intensity to…
Starting off the disc with an instrumental track, Surrounded moves into the second track, “Exit Serenade” with an almost Richard O’Brien-esque (think “Little Black Dress”) opening. Allowing their music to act as a second set of vocals during some tracks (“Exit Serenade, Diesel Palace”), Surrounded, specifically with Marten’s vocals, spoken out with the most care, act almost as Dylan-esque ornaments on an incredibly rich song. Moving onto an emo-jam type…
“Always Never Again” starts off with “Born Into The World” , a track that has the unique distinction of mixing Flood-era They Might Be Giants with Chromeo. This, coupled with a lush production and a lack of distorted fuzz, is probably what will hook the most individuals. The fact that organi and inorganic provide such a harmony is something that cannot be denigrated; acoustic guitar and bass work perfectly…
Supermodel Suicide is influenced by the geometrically-taken bands that have found their way to fame in the last few years (The Killers, Franz Ferdinand). In fact, the first track on “Might As Well Just Kill Us Now” “1996” has more than a passing similarity to the latter’s “This Fire”. The same general sound dominates during “The Unheard Testimony of Johnny Danger”, even if the audible comparison to other acts…
The flow is great on the first track on “Stand Up”, but the laid-back backing beat is pretty anemic. It may work well with the flow, but the retro sound is just not working for Superiority Complex. Something more intense and faster tempo would work much better for the act. The introduction for “Stand Up”: is just too much to contain; the layering is a good idea in theory…
