On Smoke Clears, Dylan Clears is able to create a track that successfully looks back to the pop-rock of the 1980s and the alternative rock fare of the 1990s to create something distinct from the other music cluttering the charts. Taylor is able to create some serious hooks with the chorus before moving back into the driving beat of the main sections of Smoke Clears. We’re loving the assertive drums…
Damage is the lead single off of Colm O’Mahony & The Hot Touches Band’ – Damage’s self-titled album, and it provides fans with a wonderful blend of rock, psychedelic, and alternative msic. Building off the tradition of the Counting Crows and Every Mother’s Nightmare, the act’s able to make something that both can garner serious playlist looks while impressing even the most picky of music fans. The dynamic that exists…
Save Your Cry is a hopeful track that works well in the sunny spring days we initially encountered it. This track showcases tremendous charisma and heartfelt vocals in the vein of The Kid Laroi or Mac Miller. The backing guitar work links together 1990s rock acts like Stone Temple Pilots, Incubus and Oasis. Together, these elements create something vibrant and current, a distinctly different sound from anything else that’s currently…
We Feed Alone’s “What Burns Beneath” draws on late 1990s and early 2000s hard rock for influence. The song imparts a dark and brooding sound on listeners, while the angsty, tortured vocals are able to match the drums and guitars beat for beat. Whether Static-X, Nine Inch Nails, or late Nirvana, We Feed Alone are able to distill the spirit of acts that have preceded them into one seriously-awesome track.…
Milwaukee has came into national recognition with J.P.. His new effort Bad Bitty is one of those feel-good tracks that will get people out on the dance floor. Existing in the space between rap and R&B, the song incorporates tremendously catchy lyrical hooks and perfectly-placed percussion. Bad Bitty comes in at a hair under two minutes but will stick with listeners long after it ceases to play. This is one…
Ryck Jane’s “You Gone Learn Today” is a hard-edged track that will get fans’ heads banging. The repetition of the titular phrase in the single’s chorus further hammers this home. Adding a secondary set of vocals to the aforementioned chorus provides a bit of bass, separating it from the main bars. The synth that plays behind these vox is the element that glues everything together. Ryck Jane has a track…
Gold Star is one of those songs that you’ll have to play numerous times before hearing everything that devoN Nickoles has placed inside the composition. While the song works perfectly in the pop paradigm, there’s a thoughtful, indie-infused guitar and drum composition that fills the backing space. It is there where one will find numerous nods to 2000s indie and alternative rock. Gold Star succeeds because Nickoles is able to…
One will immediately be drawn in by the interesting vocal delivery that starts out the new single from AG Gatling, Name It. There’s a drive to his delivery that starts out the song with a splash before settling into a more moderate tempo. The presence of Latice Crawford’s inimtable voice on Name It spins the effort into a bold new direction. It is this desire to keep things dfresh and…
The opening seconds of Ryck Jane’s No Problems is tremendously alluring. There’s a mid-1990s Outkast sound that gets whipped up during the single’s opening that allows a strong lyrical flow to dominate. It is this flow that continues to impress as listeners progress through No Problems, as RJ continually switches things up. One will be firmly locked onto their chairs throughout this cut’s run time. Cutting out at the three…
On Girls Night Out, Jes Marie makes a track that speaks to the last twenty years of pop and country music styles. There’s a supersonic set of vocals that are placed front and center, while the shuffling backing instrumentation will tattoo itself deep into the minds and hearts of listeners. We’re amazed at the vocal range that Jes Marie achieves here. A crystal-clear production makes each element shine singularly while…
Jim Vierra & Friends’ “Just One Touch” is a tremendously hopeful track that will have listeners firmly on the edges of their seats. The swelling instrumentation that washes over the composition provides tremendous emphasis to the lyrics that immediately preceded it. Jim Vierra is able to masterfully utilize tempo changes to constantly refresh Just One Touch. The song will be appreciated by anyone that is a fan of gpsel and…
On God Is Good, Powerhouse Fellowship Soul Choir is able to put forward solid messaging with tremendously compelling instrumental arrangements. The dynamic that is established here provides both the vocal and instrumental sides of the act ample time to shine separately as well as to contribute to a greater whole. The inclusion of Shawn Cottrell’s vox into this mix provides further complexity and depth to the song. The back and…
Slow Wine is the new track from Ohio’s D. Watkins, providing a tremendous introduction to the performer. The cool beat is filled out with a bit of an island sound, while the smooth voice of Watkins is able to achieve a considerable range over the song’s run time. The bit of echo that is placed on these aforementioned vocals do well in tattooing them deeply into the minds and hearts…
Michael V. Doane’s Let’s Go is a hooky track that crosses over a variety of genres and styles during its three-minute run time. There are hints of 2000s country, rock, and even the lightest trappings of pop music that all bubble through at points. Doane’s current single is able to appease music fans through thoughtful compositions, a bombastic production, and a charismatic set of vocals that tie these elements together.…
If You See Eulene is the latest track from NYC’s Porter Block, who creates a timeless composition that links togethers 1960s pop in the vein of The Beach Boys, 1970s album-oriented rock, and alternative acts like Elvis Costello and Weezer. The resulting single will bury its melodies deep into the minds and hearts of listeners. Straight-forward in its composition, If You See Eulene is one of those efforts that ends…
AMF is an amazing refreshing of the Silkk the Shocker classic, all while giving Flau’jae ample opportunity to shine. She’s able to both build upon the melody crafted by the single’s backing beat while incorporating some emphatic bars. The track is a head-banger, and takes a strong step forward when NLE Choppa lends his imitable style to things. What results in AMF is a song that could both hit the…
The Earthly Frames’ Cicatrise Dud is a funk-infused track that builds on the discography of Parliament while whipping in hints of Radiohead and early-oughts Chicago emo. Simply put, this is one of the most eclectic compositions we’ve heard. The deft production of Cicatrise Dud ensures that each element is given ample time to shine while building towards a wonderful conclusion. The dynamic between guitar, drums, and electronically-distorted vocals reaches a…
The sick guitar line that starts out My Baby is something to behold. The call-and-response that starts up a few seconds later is the perfect next step for Duprai Marcel. Adding bass and insistent drums to the mix further hammers home the inimitable melodies deep into a listener’s soul. Every performer executes their role perfectly, making for one of the most cohesive songs we’ve delved into this spring. There’s a…
Somebody is the latest track from Karen Atkins, coming forth in a poppy style that contains some smart instrumental arrangements. The track comes out as something decidedly different from the rest of the music currently choking up the radio charts, a welcome change from the average. The song has hints of pop, world music, EDM, and folk. No two moments of Somebody sound the same, a fact that keeps the…
The Infamous HER’s “Make You Mine” builds off of the framework of performers like The Breeders and The Cardigans. The charismatic vocals bring me back to Ray of Light-era Madonna, albeit done with a much more organic style than Madge. The single’s chorus will bury itself deep into the minds and hearts of listeners, while the slinky bass line that plays at the bottom end of the track keeps things funky.…