Author: Sargeant

Posted on: September 24, 2019 Posted by: Sargeant Comments: 0

Once Upon A Time In Hollywood: Chances at 2020 Oscars

While a mainstay in the “Best Original Screenplay” category, Quentin Tarantino has yet to win an Oscar for “Best Director” or “Best Picture” in his career. Could this year finally be his chance? Oddsmakers seem to think so in early predictions. “Once Upon a Time in Hollywood” is currently the favorite to win the big Oscar at the 2020 award ceremony. And while a lot of the Oscar bait is…

Posted on: September 23, 2019 Posted by: Sargeant Comments: 0

A look into gaming of the future

The future is already here and it’s sweeping everything in its path. The theory of exponential growth – or accelerating returns, as it’s sometimes known – posits that technology will change in a faster and more profound way than we humans can actually keep up with. That means society and culture are always going to be racing to keep up as technology drags us kicking and screaming into the future.…

Posted on: September 22, 2019 Posted by: Sargeant Comments: 0

Talon “Unique”

Talon’s talent is on display during his newest single, Unique. More than just stringing together lyrics, this performer pulls double duty without breaking a sweat. Where rappers are typically able to be bolstered by their backing flow, Talon’s able to add a further complexity to the laid-back beat that is strung through Unique; having that bit of harmony present during his bars is able to make a more comprehensive overall…

Posted on: September 22, 2019 Posted by: Sargeant Comments: 0

Janine The Machine “Snatched”

Janine The Machine’s Snatched is a tongue in cheek blend of pop in the vein of Nicki Minaj and Cardi B, albeit with a bit more of Taylor Swift and Halsey whipped in. Riding the workout leitmotif to its logical extreme, Janine The Machine is able to work in an infectious melody and booming bass beats deep into one’s cardiac muscle. Vibrant visuals are utilized to tremendous effect on Snatched,…

Posted on: September 22, 2019 Posted by: Sargeant Comments: 0

Judah Holiday “All That I Got Tonight”

All That I Got Tonight is a fantastic EDM/pop effort that showcases the struggle of addiction and the potential for a rosier outlook after one gives up the stuff. The sentiment shared here by Judah Holiday is something that anyone that has struggled with any sort of addiction will be able to understand. At a surface level, the track is a banger. From a slower start to the absolutely sick…

Posted on: September 22, 2019 Posted by: Sargeant Comments: 0

Triple Island “FÊTE”

On FÊTE, Triple Island is able to call back to the late nineties rap style with a synth and clap-heavy backing beat. Upon that canvas, the trio is able to keep things interesting. With a more pop-focused hook, the song is able to whip in a bit of reggae and mid-1990s NYC rap. Taken together, these distinct sides to Triple Island make for a track that is chill and distinct…

Posted on: September 22, 2019 Posted by: Sargeant Comments: 0

Mychael Gabriel “Ghost In The Midnight”

Ghost In The Midnight is a delightful pop track that is able to refresh the mall-pop approach of Tiffany and Tevin Campbell for 2019 and beyond. A cute set of vocals is seconded by a bouncy instrumentation. A gritty guitar line inspired by Jackson’s Dirty Diana is highlighted when compared to sweeping synths and a bit of 1980s funk (e.g. Dazz). Mychael Gabriel inserts a bit of himself into the…

Posted on: September 22, 2019 Posted by: Sargeant Comments: 0

Swimming With Bears “Keep Smiling”

On Keep Smiling, Swimming With Bears are able to craft a charismatic and catchy brand of alt-pop. Taut instrumentation ensures that distinct sections can be masterfully weaved into a cogent narrative. Down and dirty guitars act as the perfect counterpoint for smooth vocals, while the sweeping synths at the top of the song are matched through punctual drum work. There are a surprisingly large amount of things occurring at any…

Posted on: September 19, 2019 Posted by: Sargeant Comments: 0

Drew Chale – ‘Charisma’

Drew Chale’s latest EP begins with Can’t Stop, a song that deftly ties together the sweeping synths of 1980s rock acts like Rush and Journey. The single defies all preconceptions about what music can be. There’s a tightly-wound, funky bass line that plays nicely with Drew’s darkly emotional vocals, a snap and clap track out of 1980s Miami dance music, and the aforementioned nod to arena rock. Where the distinct…

Posted on: September 19, 2019 Posted by: Sargeant Comments: 0

R3NN – ‘Forever’ EP

The titular track for Forever starts things off with a solid momentum and a good amount of dsponaneity. The number of twists and turns that R3NN includes during this introductory track will keep fans interested through a nearly five-minute run time. This effort is vital as it showcases the number of twists and turns listeners will encounter as they move further into the disc. We dig the last minute or…

Posted on: September 19, 2019 Posted by: Sargeant Comments: 1

David Haerle “Everything I Ever Wanted”

Everything I Ever Wanted showcases David Haerle’s ability to weave a compelling story with his instrumentation. Nary a vocal is needed during his latest single to craft a varied and detailed narrative. A focal point to the composition, David’s guitar riffs gradually rise in technical skill and speed before giving the punctual drums and robust bass line ample time to shine. Together, this trio of tools combine to make some…

Posted on: September 19, 2019 Posted by: Sargeant Comments: 0

Natasha Jane Julian “Mechanical Heart”

Mechanical Heart is a tremendous introduction to Natasha Jane Julian. THe song will immediate capture one’s attention due to the linkages that the backing instrumentation has with the rock of the late 1980s (e.g. U2) and female singer-songwriters of the early to mid 1990s (Sinead O’Connor, Natalie Cole). Natasha’s voice is wholly unique when one focuses in; it is this considerable charisma that is given a further veneer with lush…

Posted on: September 19, 2019 Posted by: Sargeant Comments: 0

Velvet Code “Mary Offered Ladybugs and Love Yous”

Velvet Code calls back to the new wave genre of the mid-1980s with his latest track. Deliberate synthesizers and considerable vocal range unite to make a track that gradually gains speed. By the time Mary Offered Ladybugs and Love Yous hits its chorus, it has fans enthralled through a driving beat and heavenly vox. There are so many styles and approaches that are weaved through Velvet Code’s latest; part of…

Posted on: September 19, 2019 Posted by: Sargeant Comments: 0

Vita Chambers “You Should Know”

On You Should Know, Vita Chambers is able to tie together ambient, EDM, and dubstep into a shuffling, bass-thumping track. Vocals call back to Madonna’s early-nineties output. We’re in love with the dynamic established between the vocal and electronic segments of this composition. Where the main body of You Should Know has these working in lockstep, some of the most interesting sections of Vita Chambers’ latest occur when the synths…

Posted on: September 19, 2019 Posted by: Sargeant Comments: 0

Les Stroud “One Giant Farm”

One Giant Farm is the newest effort from Les Stroud. With impressive guitar work laid down here from Slash, One Giant Farm soars. Impassioned vocals in the vein of Jethro Tull meld perfectly with some of the most taut instrumentation you’ve ever heard. Both vocal and instrumental sides are able to turn on a dime, moving the track through emotive guitar licks, intricate drum / bass dynamics, and a melding…

Posted on: September 19, 2019 Posted by: Sargeant Comments: 0

Josie Cotton “Ukrainian Cowboy”

On Ukrainian Cowboy, Josie Cotton is able to craft a track that calls back to the strong female country & western tradition of performers like Patsy Cline and Nancy Sinatra. On-point guitars and additional vocal layers make this track dense; fans will be able to find different twists and turns even after they have spun this single multiple times. The walking bass line is matched with a bit of oompah-like…

Posted on: September 19, 2019 Posted by: Sargeant Comments: 1

Belle Vex “Cool”

Cool is an infectious pop song that has just enough of EDM-infused synths playing at the bottom of the single that fans can’t help but to be swept onto the dance floor. The blending of vox and keys during the chorus is reminiscent of Owl City and The Rocket Summer. Considerable charisma is brought to bear here; the rising and falling of Belle Vex’s voice here will have fans sitting…

Posted on: September 19, 2019 Posted by: Sargeant Comments: 0

Down The Lees “Antiseptic Heart”

Antiseptic Heart begins with a dark and brooding guitar line before incorporating mournful vocals shortly after. With a nod made to OK Computer-era Radiohead complete, the band is able to boldly forge forward with their own taut blend of alternative and rock styles. Pulling double duty, the voice is able to weave a cogent narrative while providing further depth to the song’s instrumentation. Antiseptic Heart shifts to a heavy, chunky…

Posted on: September 13, 2019 Posted by: Sargeant Comments: 0

Chris Mardini – Retrospective Outlook

On Retrospective Outlook, Chris Mardini is able to blend easy-going pop vocals with a musically intricate, intense sort of composition. With assertive guitars, booming drums, and a spotless production, Retrospective Outlook’s arrangement will stick with listeners long after the song ceases to play. Mardini’s vocals are a part Asher Roth, a part Cake, and (during the chorus) a bit Jonas. With this eclectic approach, Chris is able to make a…

Posted on: September 13, 2019 Posted by: Sargeant Comments: 0

Michael Costantini – ‘All Because of You’

On All Because of You, Michael Costantini is able to recreate the crunchy alt-rock sound of the 1990s. The song succeeds with charismatic lead vocals forged out of the Rivers Cuomo mold and a fuzzy set of guitars that will appease fans of Soul Asylum and Belly. Michael hits some high notes during his latest single, a move that further increases the depth of the track while showcasing some serious…