Raybans In The Rain begins with confident guitar work and drums, showing a spotlight on Rebecca DawgGoneDavis’s vocals. With the contributions of Chago Williams, DGD is able to make a song that both catches attention while keeping fans focused in. The dynamic here is interesting, with both DGD and Williams providing their own special sound. What results is engrossing and ultimately something that shines amongst the mass of music being…
On Million Dollar Space, Nonstop to Cairo cover a considerable space between rock, reggae, and funk. There’re nods here to acts like Sublime and Jane’s Addiction, but the richness of the band’s sound here separate them from other acts attempting to garner airplay. The horns that take over after the vocals step back allow the single to be spun off in a bold fashion. The rapid-fire twists and turns that…
Francesca Beghe has tasted success. She’s seen her face and name flash across television screens and in magazines from Rolling Stone, People Magazine, and the New Yorker. She’s performed on some of entertainment’s biggest stages. Her new album Francesca Beghe Live features fourteen tracks culled from her three 2019/2020 shows, her first with a full-band backing in over two decades, and reveals her as an artist with nothing left to…
Actor Linda Collins isn’t one for lying fallow. There’s something restless and yearning about her obvious constant involvement in one project or another, centering on film or music, that distinguishes her and others like Collins from mere entertainers. Make no mistake – the capacity to entertain the masses, even in part, is a blessing and increasingly so in the midst of the modern world’s struggles. We need respite, safe harbor,…
Using size and sonic depth to tell us a story is nothing new in alternative rock, as the shoegaze movement has been teaching us for the better part of the last thirty-five years, but this isn’t to say that Panda Riot’s new album Extra Cosmic is lacking in profoundness – quite the contrary, truth be told. Where a lot of other alternative acts have abandoned indulgence in favor of a…
Nate Paladino’s “Problems In Bed” is a timeless alt-rock track that links together Death Cab For Cutie and Bright Eyes with the modern rock styles of Bruce Hornsby. There’s such a compelling set of vocals that immediately issue further during the single’s first thirty seconds. The instrumentation of Problems in Bed is robust, with each constituent elements able to shine separately as they generate a coherent, booming entity as the…
Paul Nourigat has released his third album Slightly Serious. Couth and Truth is a powerful piece of Americana-tinged rock, replete with wind-swept guitars mixing in their lot with splashy drums. The tautness of this single’s instrumentation is matched by Paul’s vox here. With nods to artists as widely-flung as Roy Orbison, Warren Zevon, and Chris Isaac, Nourigat’s voice will be able to bring in a slew of listeners. We’re particularly…
On Welsh Avenue’s new single “Come Back Home”, a tremendously introspective journey into the musicians’ heart ends up showcasing some of the most honest and earnest music we’ve heard. There’s a fun blending of acoustic and electric here as Welsh Avenue brings in hints of Owl City, Oliver Tree, and Sean Lennon. Come Back Home reaches its pinnacle as the guitars, drums, and vox unite to make one fulfilling effort.…
Psychedelic themes became a prominent part of Leland and the Silver Wells’ sound with the release of their third studio album back in 2018, and through their new LP Straight to Your Town, they’re expanding on these themes in a manner that might surprise a lot of their listeners and critics the same. With songs like “The Blue Sea” and “What Comes Around,” they abandon the old school psych-rock model for…
On FLOAT, Denise Marsa is able to blend together a poppy set of vocals with an absolutely entrancing instrumentation. With a thick bass line, finesse-full guitar work and perfectly planned percussion, FLOAT is one of those efforts that will have toes tapping. Marsa’s charisma is on full display here; there’s a level of confidence that is weaved throughout the composition. Truly the glue that unites these distinct elements, Denise’s voice…
Vanity Wyze’s Stayed Down will immediately bury itself deeply into the minds and hearts of listeners. The introduction works well in the pop groove, while the quicker pitter-patter of the lyrical flow that enters into the equation shortly after keeps listeners firmly planted on the edges of their seats. Including Sonny King’s inimitable patois into the mix accomplishes two distinct goals. Firstly, the frenetic momentum of Stayed Down is maintained…
How do your prior years and experiences in the entertainment industry shape The Roughhousers releases? What brought the two of you together for this rockabilly duo? I think the lockdown brought out the weirdo in all of us! I was writing a bunch of songs after a long hiatus from my music career because I was suddenly homeschooling my 3 kids and trying to keep them entertained during “Mama’s Music…
Two Dogs & a Rat, the latest composition by Michelle A. Jones, starts with a warm guitar line and a strong narrative component. With nods to 1990s alternative and college rock, the single contains more than enough for adult listeners. Children will be able to sing along after a few plays of the song. Two Dogs & a Rat is a multimedia effort in that the attached video (below) provides…
On The Roughhousers’ new single “Toenail Soup”, Grey is able to call back to 50s and 60s pop country music with hints of Dolly Parton, Johnny Cash and Nancy Sinatra. The charisma exuded here by DeLisle will have people tapping their toes, while the instrumentation has its time in the sun. The walking bass-style arrangement is given a sparkle with Eddie’s vibrant guitar work. The video for Toenail Soup has…
Michael Dean Hall’s new single It Really Sucks Getting Old bemoans the aging process with a tremendously bouncy beat and an overall style that ties together 1990s country with 1980s rock. The taut instrumentation experienced during the track ensures that the single will remain fresh long after one’s first experience with it. It Really Sucks Getting Old is one of those efforts that anyone will be able to appreciate no…
Seal Party’s “Maison” is a diverse track that effortlessly slides through funk, gospel, R&B and funk. The eclectic approach taken here ensures that fans of the widest swath of artists will be able to find something that they can appreciate it. The charisma of the vox cannot be denied, given a perfect counterpoint with the assertive horns that peek through at points. The cohesive entity that is Maison will stick…
At first exposure, the ethereal “Scars,” by Savarre, sounds like it’s tailor mode to be the soundtrack to the next Bond film. New York based, Savarre is something of a hybrid act, with a number of what some would call, exotic influences. The group is fronted by Shannon Denise Evans, who exudes a natural mystique and inner magnetism. Evans, who counts novelist and playwright among her job titles, co-wrote the…
Little Wretches are part of a larger musical movement, indie folk-rock, but they don’t imitate anyone. Their embrace of retro songwriting styles, traditional instrumentation, and imagery common to such music isn’t pastiche but, instead, transmutes their individual experiences through a recognizable and time-tested vehicle. There’s a lot you’ll hear over the course of Red Beets & Horseradish’s thirteen songs that will remind you of other bands, artists, and singers. If you…
guUs’ “Moonhangin Man” has a Sinatra meets Crosby sort of sound as the track links together blues, jazz, and 1950s cool. A deliberate walking bass line presents itself through much of the track, while the Spanish-meets-surf style of the guitar work transforms the song into something that would play well during a Connery-era Bond movie. As the vocals gradually fade at the three-minute mark, fans will be floored by the…
Najjah Calibur’s “I’m Good” is a song that refreshes the new wave sound of the 1980s with a frenetic sort of energy. Imagine if you blended together The Psychedelic Furs with Fall Out Boy and Walk the Moon and you’ll get some semblance of idea about what Calibur is cooking up here. Assertive drum beats and a haunting backing chorus bubble up during I’m Good’s middle third, giving fans a…