On I gotta be with you, Joe Lington is able to go back to the R&B and pop-rap styles of the late 1990s and early 200s. An assertive beat and paired vocals (Bryan G features here) ensures that the melody of this single is buried deep into the minds and hearts of listeners. For fans of early Ne*yo, Nelly, and R. Kelly, I gotta be with you is able to refresh…
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On World Void Web’s latest single, We, The Fragmented, visual and audio elements combine to make something heady and impactful. With strong usage of black and white to put additional oomph to the piano and traditional percussive elements, World Void Web will keep fans focused in through the song’s nearly seven-minute run time. Make sure to keep an eye on the flashes of color that are interspersed here; the presence…
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Inner Call has released a new single, Times Change. The single effortlessly blends EDM with a haunting rock style. The Drooid Remix of the song ramps up the energy nicely, while listeners will be amazed at the passion and range of the vocals. The track is able to reach an entirely new plateau when it hits the 2:30 mark, as the energy and dynamic between the vocals and synths are…
Stay With Me, the latest single from the ‘Mark Ian Rocket Man’ Project features Sabrina Purdy. The single is able to successfully build upon the pop and rock styles of the late 1990s and early 2000s. Purdy’s vocals are the perfect counterpoint for the guitar / drum dynamic. The crispness of the composition ensures that each element is able to shine alone or as a greater entity. Engrossing, engaging, and…
IBRU’s “War and Violence” is a touching effort that showcases the reality of life in the world. It showcases what actually happens when someone in the formative years of their life passes on or decides to join a gang. While IBRU’s vocals are beautiful and War and Violence is catchy enough to imprint its melodies deep into the minds of listeners, the message here may be the most important takeaway.…
A.Def begins their new single OP8 of the Masses with intricate word flow influenced by Tech N9ne, The Lonely Island and Twiztid. The intensity of the rap is paralleled nicely with the sultry vocals of Ava Del Cielo and a set of strings and booming drums that play behind the vox. OP8 of the Masses is a banger that stands up to repeat plays. The lyrical content works in the content of…
Couch Jackets’ “Don’t Think Just Breathe” is a very dense and detailed effort. This means that at any moment during the band’s new single, there are a number of threads that a listener can focus on. For example, there is a dreamy sort of pop that the guitars and vocals further, while hints of psychedelic, 1960s pop, and psychedelic can all be picked out. Complex time signature and a penchant…
Mary Bue’s “The Shit I Left In Duluth” is a favorite for us this month, as the track is able to refresh the alternative rock of the 1980s and 1990s. There are nods here to The Replacements, The Breeders, and Blondie. Dreamy vocals are matched perfectly with confident guitar riffs and a ropy, intense bass line. The narrative of Mary Bue will have listeners focusing on in, while subsequent listens will…
MkX’s “One Sided Love” is a track that draws upon the rich pop vocal tradition of performers like Justin Timberlake and Niall Horan while working in hints of 5 Seconds of Summer and Jason Derulo. The backing beat that represents the canvas upon which MkX can shine is utilitarian, rising and falling in opposition to the vocals. Taken together, these elements make One Sided Love a hooky effort that fans…
Gitty’s Karaoke is an exquisite track replete with a soulful backing beat and smooth females laid down by Rose Gold. The addition of Trinidad James to the track is fun as his flow straddles the illuminated styles of the 1990s with a current and contemporary sound. Where much has been made of the electrofunk of performers like Chromeo, I think the blending of passionate vocals with intricate guitar works represents…
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Oskar Blues has constantly helped our beer review section grow over the years, allowing us to enjoy a variety of their brews, including their IPA, Chubna, Death By Coconut, Hotbox Coffee Porter and Pinner. We were able to stop in to their new location during our trip to the Denver area. As soon as we walked in the door, we marveled at the decorations and polish of the bar, tables,…
Wai Lana’s “Colors” is a track that builds upon the pop genre of the early 1980s. A bouncy beat and sunny sound works perfectly with the soft vocals of Wai Lana. A secondary (male) set of vox ensures that the track stays fresh from its initial note to concluding second. A bit of horns are interspersed through Colors that match perfectly through a bold bass and booming drums. With so…
S.J. Armstrong’s “Some Restful Day” is a piece of dreamy atmospheric indie rock that will stick with listeners long after the single ceases to play. There is a very deliberate approach that is taken during the song that gradually builds to something intense. Wholly engrossing from the onset, it is not a surprise that the track’s four-plus minute run time goes by quickly. Coming forth with a new tack on…
Les Stroud’s cover of “Big Yellow Taxi” is punctuated with a soulful blend of harmonica and country-tinged guitar work. The passion and charisma laid down by Stroud here is unparalleled. A crystal-clear production ensures that each constituent element is able to shine alone or in tandem with the rest of the contributing elements on Big Yellow Taxi. The brooding instrumentation that plays in the backdrop stands in for the unquenchable…
Kyla Imani’s “Sitting Up In My Room” is a track that has roots in the powerful R&B singer style of the 1990s. The arrangement playing in the background pulls a bit from trap and EDM style, making for a fun new effort that will have listeners sitting on the edges of their seats. The presence of Jay Critch in Sitting Up In My Room keeps things vibrant while spinning the…
The Dead Daisies’s new single “Dead and Gone” may just be the hardest effort that we have heard from the band. The act is able to build upon the hair metal tradition with nods to Joe Perry (Aerosmith) and Motorhead. Sizzling guitar lines at points build upon AC/DC and Slash, while there is a raw passion to the vocals that would make this an easy inclusion on any hard rock…
Big Sam’s Funky Nation’s “Pokechop” is a track that is dripping with the spirit of the blues, mid-1970s, drill, and hip-hop styles. This varied approach is able to cull together the styles of the last fifty years into something that will tattoo itself deep into the minds and hearts of listeners. With nods to DJ Jimi and a bit of Flashlight interspersed throughout Pokechop, the unique flair of the act…