Author: Sargeant

Posted on: January 24, 2020 Posted by: Sargeant Comments: 0

Spitten Image – Iconic

On Iconic, Spitten Image is able to lay out some introspective bars as a haunting backing beat adds further gravity to each lyric. There’s a smart tack taken with the production here as each side (vocal / instrumental) recedes a bit to allow the other part ample time to shine. The straight-forward buckshot that Spitten Image fires here is honest and earnest, coming forth as utterly unique in an era…

Posted on: January 23, 2020 Posted by: Sargeant Comments: 0

Death Party Playground – Love & Fidelity / Bright New

Love & Fidelity is the first composition on Death Party Playground’s (DPP) new release, Little Joy. The track benefits from major Barenaked Ladies vibes, uniting a front-forward, confident set of lead vocals with splashy drums and assertive guitar riffs. Immense drum fills provide the head, while the guitars (~1:50 mark) bring the fire. This song will be burying itself in your brains for the foreseeable future. Bright New’s beginning instrumental…

Posted on: January 23, 2020 Posted by: Sargeant Comments: 1

Tex Moonlight – Roll You Up

Roll You Up is a fun track; the latest from Tex Moonlight ties together traditional country with funk, alternative rock, and soul styles. Moonlight’s earnest vocals stretch out over the song, linking together these distinctive section. Tex is able to lay layer after layer to the overall sound of Roll You Up until what results is one of the most epic and engrossing songs that we’ve heard so far this…

Posted on: January 23, 2020 Posted by: Sargeant Comments: 0

SONGBOOK1 by Masaki Hanakata

Tub Go Around is a vibrant beginning composition on Masaki Hanakata’s SONGBOOK1, bringing old fans and new listeners in alike. Hints of traditional Americana and folk styles bubble through. A cohesive statement continues through Open A Season. The presence of a vocal element here adds considerable depth to this composition, making the resulting track resound loudly in listeners’ ears long after the song has ceased to play. Slow Cook is…

Posted on: January 23, 2020 Posted by: Sargeant Comments: 0

Rocklahoma releases 2020 lineup

Dates: Friday, May 22, Saturday, May 23 & Sunday, May 24 At Pryor Creek Music Festival Grounds in Pryor, Oklahoma Early Bird Passes On Sale Friday, January 24 at 10:00 AM CT Rocklahoma is set to take place on Friday, May 22, Saturday, May 23, and Sunday, May 24 at Pryor Creek Music Festival Grounds in Pryor, Oklahoma, just outside of Tulsa. Now in its 14th year, the three-day camping…

Posted on: January 22, 2020 Posted by: Sargeant Comments: 0

Marshall Crenshaw – Miracle Of Science (CD)

This mid-1990s record was Marshall Crenshaw’s first for the indie Razor & Tie and simultaneously marked his move into a more indie mindset. Recorded at least partially at his own home and playing just about all the instruments, its’ also the record that comes closest to Crenshaw’s brilliant 1982 debut. Having regained ownership of his efforts from the Razor & Tie era, Miracle Of Science is the first of four albums Crenshaw…

Posted on: January 21, 2020 Posted by: Sargeant Comments: 0

The Noolands – ‘Too Close’

Too Close represents a major leap forward for Ontario’s The Noolands. The act is immediately able to create a bouncing beat and a memorable set of vocals that cut through the band’s instrumentation. There is a rawness, a ferocity to Too Close that calls back to the earliest days of Foo Fighters and Bloc Party. Of particular note during Too Close has to be the intricate guitar line and the…

Posted on: January 20, 2020 Posted by: Sargeant Comments: 0

Wilma Archer Collaborates with MF Doom on “Last Sniff”

Wilma Archer announces a new album, A Western Circular, due for release on April 3rd. A Western Circular is Will Archer’s debut under his new nom-de-plume, following early EPs and an album under the now-retired Slime moniker. Alongside the announcement, he shares a new track, “Last Sniff”, featuring MF DOOM. The video, directed by Jesse Collett, is available to watch now. Within A Western Circular lies an exciting and varied…

Posted on: January 19, 2020 Posted by: Sargeant Comments: 0

Envoy Pro EX

It is surprisingly exactly how hard drives have changed over the course of the last twenty years. I remember being a teenager and being absolutely shocked at the fact that hard drives were reaching the multiple gigabyte mark. Imagine my surprise when we received a solid state drive that toppled the scales at the 1 TB mark. The Envoy Pro EX is one of those hard drives, and marries together…

Posted on: January 18, 2020 Posted by: Sargeant Comments: 0

V-HAJD Interview

Today, we are speaking with V-HAJD. Can you give us a little background information about yourself? How did you get into music? Alex: Well, my name is Alex and I am the bass player of V-HAJD. My addiction to music began when I was 8 or 10 years old. I was really into AC/DC, and I used to do a good job of imitating Angus Yound in front of my…

Posted on: January 17, 2020 Posted by: Sargeant Comments: 0

of Montreal’s UR FUN album released today (1/17)

Today, of Montreal released their new album UR FUN via Polyvinyl Record Co. prior to release, they shared electro-pop protest song “Peace to All Freaks,” the pet-friendly video for “Polyanuerism” and the intimate, “You’ve Had Me Everywhere” giving us a taste for ten concise electro-pop songs to follow. It’s a collection that exposes the depths of Kevin Barnes’ current life, his private thoughts—both optimistic and brooding— and his passionate relationship…

Posted on: January 17, 2020 Posted by: Sargeant Comments: 0

Altuz “Bitchin'” and “Altuz Baby”

Altuz Baby! showcases a backing beat and rap flow that are immediately at 100. A piano line tracing back to 1970s rock is married to a bold and confident flow that refreshes the 1990s NYC scene like no other. The high-water mark of Altuz Baby! hits right before the end, as the rapper effortlessly lays down some of the most complex lyrics we’ve heard. Bitchin’ has a tremendous backing beat…

Posted on: January 17, 2020 Posted by: Sargeant Comments: 1

Nuke The Soup “Feed The Fire”

Nuke The Soup have just cut their Feed The Fire. This sizzling track defies all genre conventions. This means there are nods to reggae, funk, soul, and progressive music. Easy-going on its surface, there’s no denying that Nuke The Soup can create some heady instrumentation here. The track moves into Police-level of intricacy between the drums, bass, and guitar lines. Vocals drip with charisma here while a sizzling horn line…

Posted on: January 17, 2020 Posted by: Sargeant Comments: 0

Snypa “That’s It”

That’s It has Snypa coming forth hard as head. With nods to Migos and Lil Wayne in his vocal flow, Snypa is given a further boost through a booming backing beat that is part trap, part Hypnotize Minds. A distorted, echoing drum beat cuts through the silence between Snypa’s bars, adding a hint of urgency to the composition. Wrapping up things with a nice bow at the 2:30 mark, Snypa…

Posted on: January 17, 2020 Posted by: Sargeant Comments: 0

Habitz “Cadillac Dippin”

Habitz goes back to the mid-1990s with his latest effort, Cadillac Dippin. With luxurious synths representing the backdrop, the soulful vox that issue forth shortly after delve into the funk of Zapp & Roger. Including Knitwit and Trazel into the mix, Habitz are able to refresh the style of a Too $hort or an E-40. The duo are able to approach their flows in a distinctly different fashion, ensuring that…

Posted on: January 17, 2020 Posted by: Sargeant Comments: 0

bree “Broken”

Broken is a fun pop-rock track that marries confident vocals with straight-foward guitars and splashy drums. The back and forth between the insistent vox of bree and the sizzling guitar riffs that follow immediately afterward calls back to performers like Kelly Clarkson and Bif Naked. Broken takes a strong turn at the two-minute mark to allow the guitar, bass, and drum to craft one seriously heavy instrumental interlude. Bree’s latest…

Posted on: January 17, 2020 Posted by: Sargeant Comments: 0

Broke Royals “Love & Tatters”

Love & Tatters look back to the synth-popo of the mid-1980s for inspiration during their new single, Love & Tatters. The alluring vocals, synth sequences, and hard-hitting choruses ensure that this track will have legs for days. The band reaches a higher plateau with a multi-part vocal harmony. Touching upon Walk The Moon and Dave Grohl’s vocal stylings, Broke Royals are able to bring fans in while crafting their own…

Posted on: January 17, 2020 Posted by: Sargeant Comments: 0

Raven Salve’ – CoCo Brown (Remix)

Raven Salve’s CoCo Brown is a sultry, slow R&B track that immediately showcases Salve’s vocals like no other. Raven is able to pull double duty during this track as she’s able to weave a cogent story alongside building up the fat beats and Childish Gambino-esque guitar lines playing in the background. The effort is timeless in its execution, drawing from the late 1990s and early oughts rhythmic style just as…

Posted on: January 17, 2020 Posted by: Sargeant Comments: 0

Marquee Grand – Self-Titled EP

Lost Cause is a taut track that provides Buffalo band Marquee Grand with a good amount of positive vibes as the band begins their new extended play. The track builds upon the framework of The All-American Rejects and Yellowcard, marrying charismatic vocals with intense bass line and jangly guitar work. The song even touches upon The Killers and Goo Goo Dolls, easily ensuring that it could garner playlist and radio…

Posted on: January 16, 2020 Posted by: Sargeant Comments: 0

Phast Phreddie & Thee Precisions Release Deluxe Version of Limbo 1/31

For a period of time in the early-to-mid ’80s, Phast Phreddie & Thee Precisions were one of the hippest bands in the Los Angeles. So hip that members of such acclaimed L.A. bands as X, Los Lobos, the Gun Club, The Plimsouls and The Blasters lent their talents to their recordings and live shows. So hip that the brilliance of Phast Phreddie & Thee Precisions was largely unknown apart from…