Airy Jeanine’s “Everywhere” is a delightful track for August. Powerful vocals and a powerful dance beat vie for dominance. Airy Jeanine’s vocals are deep, drawing well from pop and singer-songwriter traditions. The track hammers home a beat that will bury itself deep into the minds and hearts of leaders. There is a sense that the instrumentation does more than provide highlighting for Airy jeanine’s vocals. Give Everywhere a few additional…
My Silent Bravery’s “Got It Going On” is a bouncy effort that has just a hint of Latin guitar to it. This allows for a more robust backdrop upon Matt (My Silent Bravery). The bit of beatboxing bridges the gap between vocal and instrumental, making for a compelling effort that hangs well with other pop fare. My Silent Bravery is able to make a catchy tune, have thoughtful instrumentation, and…
Tremble’s “Thorns” is amazing. This catchy track is built off a set of vocals that play nicely with Jess Glyne or Ingrid Michaelson. The atmosphere generated by the hazy synths and fuzzy drums imbues Thorns with a mid-1990s sound. There is a crispness to the vocal / music dynamic that works perfectly in 2017. The spontaneity of Thorns further pushes this track to a new plateau. Over the course of…
MRYGLD’s “Cool Kids” is a power-pop / alt-rock song that draws upon The Killers and Franz Ferdinand. The two-part harmonies establish the band from others, while there is a tautness to the instrumentation that stands up to repeat plays. The dynamic between traditional (guitar/bass) and electronic (synth) styles makes for a track that could easily garner airplay through the end of the summer and into the fall. Each element is…
Noel Monk managed Van Halen from 1978 – 1985, the biggest rock band in the world during that run. And while he was ultimately fired from the band and cut out of millions of dollars, he certainly left the gig with a slew of stories, funny, sad and salacious. Thanks to a 30-plus year NDA agreement that has recently run out, he’s now able to channel the best of those…
With a title like that, you kind of know what you’re in for. Spread across two records, this 28-song, 75-minute opus is a pretty bold experiment for the Athens-based indie pop band just three albums into their career. Surprisingly, it pays off handsomely.
Londale is able to tell a complete and engaging story with their new album AM/FM. The album begins with Hey, a rock track that soars on chugging guitars, on point drums, and charismatic vocals. Fans of Cheap Trick, Live, and Alkaline Trio will be able to appreciate what Londale has put forward. Hold Me Down is another unique track that draws upon a varied musical tradition. This means that there are…
Australia’s Eztain has just released his Iconoclast EP, a release that touches upon a number of distinct electronic styles. The first track (and titular effort) on this EP is able to create a cogent narrative while being an instrumental composition. Strong syntheseizer and a shuffling beat build off of the style of artists like Daft Punk and Cassius. There is just enough spontaneity here to the momentum high until the…
The past two years spent on the road have done nothing to dull the sound and ambitions of Nashville, by way of Birmingham’s Banditos. Their 2015 debut was a magnificent mix of ZZ Top and the Georgia Satellites. The follow up, “Visionland,” doubles down on those same ingredients and the result is twice as rewarding.
It would be easy to simply dismiss Sammy Brue’s debut LP “I Am Nice” as little more than a novelty. It’s the work of a 15-year-old, so naturally a raised eyebrow or two can be expected. However, that kind of simplistic thinking is moot just one song into the record as you quickly learn, Brue is a fantastic singer/guitar player and an even better song writer.
Over the years, SideOneDummy has done a yeoman’s job of discovering an eclectic and brilliant collection of indie and punk musicians and bringing them to a larger audience. From Gogol Bordello and Flogging Molly to Gaslight Anthem and the Smith Street Band, the LA-based label has a helluva track record. Add West Virginia’s Rozwell Kid to the list.
My Subconscious starts off in an ominous fashion, providing a bit of world-building before Deaf/Blind/Dumb begin their self-titled EP. Guitar fuzz, a nasty guitar / drum dynamic, and a shuffling beat will get listeners into the release; crust, a bit of thrash, and 1980s hardcore punk can all be heard here. The track picks up speed, with a few seconds of guitar before intense vocals take over. Stud Count is a…
Can you give us a little background information about yourself? We are Trae Byrnes, an Alternative band from the north side of Chicago. We all have are own Influences that we incorporate into our music which makes a nice blend of ear soothing yet hectic music. (Danny Eddz)
Big Star were a tragically underrated band for their time and while they have finally clawed their way up to cult status, thanks in part to a deep love from a slew of influential musicians, sadly there is only one surviving original member of the band left. As this deep cuts-collection from a pre-Big Star Chris Bell shows, the talent was there long before the band was founded.
Last year I had the opportunity and good fortune to be able to see Iron Maiden shows in both Florida and Illinois and when the new US leg of their tour was announced I jumped on the chance to do so again this year. These would be my fourth and fifth Iron Maiden shows and even though knowing ahead of time the set list would be the same at shows…
Simple Minds may best be remembered in this country for their song that played out across the screen during the final shot of The Breakfast Club, but the band has an exhaustively large cannon of music that pre-and post-dates that mid ‘80s gem. And while we may not have fully appreciated the depth of this Scottish band here in the U.S., folks in Europe still hail the band as musical…
Reese and the Bonus Plan’s Sharing Size is a funky, rock-infused track that refreshes the sound of mid-seventies rock with hints of mid-1990s jam band and blues. Hints of Neil Young, .38 Special, and Drive-Thru Truckers can all be heard here. Sharing Size succeeds because of the sheer grit and virtuosic skill exhibited by the drums, bass, and sizzling guitars. A dusty set of vocals unites each of these disparate…
Brandon Stone’s Right Kinda Wrong is a track that could eaisly make it onto pop or R&B radio rotation. The production of the track allows for Stone and Breana Marin’s vocals to shine alone or as part of the greater whole. There are hints of EDM and trap that make themselves known during this track. What results is an effort that stands up to repeat plays, whil;e having enough depth to…
The Day She Left is an intense track that ties together hints of world music, gothic, and ambient styles. There are a number of distinct things that are occurring during this introductory track, which will continue to influence the rest of the tracks on An Orphan’s Dream. A Life so Changed is an interesting addition to the Anwaar Ali corpus, in that it links together a guitar line, vocal elements,…
The Burning Peppermints’ Don’t Try To Lie To Me is a slinky bit of 1970s Detroit rock-infused rock (MC5, Alice Cooper), with hints of 1990s alternative (Siamese Dream-era Smashing Pumpkins). The raw passion and fury that comes forth during this single is hard to top. Every fuzzy guitar line, drum hit, or tortured vocals make this into a fully engaging track. The Burning Peppermints are able to revitalize a style…