Coral Creek released their self-titled album, which begins with Way Back. Way Back is a folk-styled piece of rock that brings hints of blues, Neil Young, and country to make something wholly unique. Coral Creek is a tremendous band; the dynamic crafted here by the band nearly overwhelms the two vocals; Way Back is a track that could easily garner radio rotation.
Down to Memphis is the titular (and opening) song from Scott Smith’s latest release. The track has a luscious production that allows Smith’s vocals to reside front and center. The narrative content of this introductory effort immediately catches fans (both old and new) up on Scott’s back story and intent for this release.
Blind Man Drivin’ starts off Six String Soldier, an intense track that brings equal amount Santana-esque guitars, blues, and lounge music together with flair and raw skill. The amount of narrative that Stuckey’s guitar brings to the mix cannot be ignored; the different nods to The Dools and Jimi Hendrix make this opening one of the more memorable we’ve experienced.
When The Earth Was Still Flat by Brother Spellbinder begins with Speed of Sound, a deliberate track that builds upon the folk and sixties/seventies pop-country of Nancy Sinatra and Patsy Cline. A very honest and timeless sound acts as the backdrop for these vocals to rest upon.
Grinder was proof that network television channels are capable of creating original, smart comedies; That witty sitcoms were no longer just meant for cable stations. Then again, Grinder was also proof that network channels are also clueless enough to kill a great thing after just one season.
Hailing from Brooklyn, New York, Flower Girl lack the pretentiousness that sometimes comes to mind when thinking of bands from that scene. In fact, this unassuming band sounds completely sincere and opposite of any self-consciousness. They have a knack for sounding “sweet” without sounding too “twee.” The syrupy pop hooks would be accessible to elementary-school students (save for a few references to things like like marijuana), yet not so precious…
We have reviewed a number of different vaporizers over the years, and there has been a wide range of build qualities, functions, and inclusions. While the DaVinci Ascent was one of our favorites a few years back, we just received the company’s latest product, the IQ. The ability to have a replaceable battery (the IQ uses the 18650) is not a function that we have previously seen, but DaVinci’s desire to increase…
Chuck Murphy’s “Peace Be With You” is a timeless piece of Americana, tying together the smoothed-out sounds of seventies’ rock, country guitar, and a whole heap of charisma to make for a delightful outing. Murphy’s vocals are unparalleled, possessing a familiarity while being wholly unique.
Reyna Roberts’ “I’m Coming For Ya” is a track that would absolutely be at home on pop radio stations. This R&B meets trap sound takes up equal amounts of the 2000s and 2010s to make for a track that will stick with listeners long after it concludes.
Bassett’s Ghost Hwy is a contemplative piece of indie-rock that has Bassett take listeners on a lyrical and musical journey. Listeners can discern hints of Cherub Rock-era Smashing Pumpkin and Joseph Arthur. The track continues to build with strings and windswept instrumentation, imparting a more ethereal sound to the single.
Dobolo’s able to create a very tropical sort of rap / R&B. Thick bass lines and smooth, Akon and Sean Kingston-inspired vocals make for a hooky, catchy experience. The backing beat works here; it fades a bit into the periphery when Dobolo is vocalizing and moves into a more intense role when Dobolo steps back.
Hello, Joseph. What’s happening musically in New Jersey this December? A: December has been quite enjoyable so far. I’ve had some low-key gigs around my hometown, performing in front of a lot of family and friends, which is always nice. With the the cold weather moving in, it’s been nice motivation to stay indoors where it’s warm and work on some new material. Something about cold weather and acoustic guitars…
Pablo Embon immediately starts off Funky Side of the Road with Is That You, a track that deftly unites 1990s jazz with the more experimental modern (1950s/1960s) and fusion jazz styles. The narrative that is weaved through this track needs no vocals; Embon’s arrangements and dynamics (percussion / guitar, piano/ bass) make a fairly lighthearted opening something substantially more intricate than it seems.
John Vincent Curry’s Still The Same is an honest and touching folk-infused pop music. Curry’s Americana approach and poignant subject material will make fans out of listeners. The production of Still The Same is fantastic, capturing a considerable increase in the momentum while allowing the track to have a close and cozy sound.
The Dead Daisies’ new track Song And A Prayer is a powerful piece of hard rock that succeeds due to confident vocals and a stronger instrumentation. The dynamic that is created between the guitars and drums makes for a perfect backdrop for the vocals.
Walking Through The Night immediately begins with a sizzling guitar line and authoritative drums. Iggy Pop’s lyrics provide the perfect sort of wizened and tempered sound to the more fiery instrumentation on the single.
Doggy Filter, the latest cut from Boston’s J Roy Champion does much to reinvigorate the rap of performers like T-Pain and Soulja Boy. A bit of vocal effects on J Roy Champion’s flow, and the song feels destined to be included on rap rotation.
Inner Call’s Gravity is a fascinating track that ties together hints of pop, rock, and industrial music. Gravity has so many distinct elements that are able to coalesce into a cohesive format.
Hello, Thomas. What’s happening musically in Norway this December? Hey, here in Norway new great music are made about every day. We got great musicians here in Norway. I make around 2 songs a week, and I have a lot of ideas in the future.
Bad Reed craft a fun brand of rock that brings in hints of electronic, industrial, and even a bit of metal during their latest single Stained Glass. The supersonic vocals are the highlight of Stained Glass, but fans will hear some seriously heady instrumental arrangements that are interspersed at the bottom of the composition.