Category: Features

Posted on: February 2, 2020 Posted by: Sargeant Comments: 0

AM Clouds – Tune Me In

During Tune Me In, AM Clouds are able to refresh the alternative rock sounds of acts like Soul Asylum and the Goo Goo Dolls into a vibrant and taut experience. The band is able to link together fuzzy guitars, thick bass, and charismatic vocals into a song that will stick with fans long after the song ceases to play. Particular kudos have to be given to the extended instrumental section…

Posted on: February 2, 2020 Posted by: Kim Muncie Comments: 0

The Keymakers Interview

Welcome! We are excited to get to chat with you! We saw that you posted recently after your show in New York and you said that it was the best stage you have played. What made it so amazing? Red: There’s nothing really quite like New York, so we were super excited to be a part of the nightlife in that city. But all things considered, it was definitely all…

Posted on: February 1, 2020 Posted by: Kim Muncie Comments: 0

Kings County are living up to the buzz

Critics have been getting excited about rockers Kings County since the 2019 release of their eponymous debut, and for good reason – riddled with strong-armed, rhythmic hard rock elements that their peers have mostly abandoned, the group’s sound follows the beat of its own drum both literally and figuratively, frequently bringing to mind some of the greatest entities in the history of the genre. Their guitar parts are studded with…

Posted on: February 1, 2020 Posted by: Sargeant Comments: 0

Ready, Steady, Die! “Woebetide”

Woebetide, the new effort from Ready, Steady, Die! is glorious in how it captures listeners’ attention. Beautiful vocals play at the front of the track while the instrumentation gradually reaches a creschendo. Breaking over the song like a weave, the synths and guitars push the aforementioned vocals into a higher plateau. Working towards the same goals, these distinct elements combine into a perfectly-polished piece of drama. The track’s final minute…

Posted on: February 1, 2020 Posted by: Sargeant Comments: 1

Lila Blue “Half of It”

On Half Of It, Lila Blue is able to call back to the days of performers like Joni Mitchell and Carole King. Strong vocals are matched through confident pianos. While there is a passing nod to the pop of the 1960s and 1970s, a look forward to the work of Fiona Apple and Ani DiFranco will draw fans in by the barrelful. Fans will be on the edges of their…

Posted on: February 1, 2020 Posted by: Sargeant Comments: 0

A Permanent Shadow – Radical Change

On Radical Change, A Permanent Shadow is able to blend together new wave and 1980s ska styles into something bold and refreshing. Assertive vocals hand off the reins to Flock of Seagulls-inspired guitar work and luxurious synths. Most stunning of this composition has to be the masterful use of tempo; the slower section in the song’s middle allows for A Permanent Shadow to gradually build things back up into a…

Posted on: January 31, 2020 Posted by: Sargeant Comments: 0

Fredersdorfer (Seedstock Brewery)

Pouring with a orange-brown to mahogany coloration, Seedstock (Denver)’s Fredersdorker immediately yields hints of grain and wheat in its initial bouquet. The Fredersdorfer style is a call back to the first half of the 19th century; this German style links together sweetness (from molasses) with a bit of a spicy, peppery hop bite. Hitting at a 7.5% ABV, this brew will keep one warm during the last vestiges of winter…

Posted on: January 31, 2020 Posted by: Kim Muncie Comments: 0

Ruark Inman releases When You Coming Home

Gusty grooves adorn the string balladry of “Never Apart.” Discordant minor-key harmonies make merry with a happy-go-lucky swing beat in “Never Miss.” Ruark seduce us with a glowing melody in “Naturally,” the staggering “Sick of It,” “Time Wouldn’t Waste Away” and the title track of their new album When You Coming Home with as much ease as they do when provoking thoughts unique to every listener in a contemplative “Sweet Senseless World,”…

Posted on: January 31, 2020 Posted by: Sargeant Comments: 2

Ryan Black – Wake Me Up

During Wake Me Up, Ryan Black is able to call back to the alt-rock of the 1990s. With nods to the Goo Goo Dolls and The Wallflowers, Black will interest listeners; a fuzzy guitar lays bold strokes down while the on-point drumming keeps the composition moving at a solid pace. Ryan’s voice is special here in that it tells an emotion-packed narrative while blending in well with the guitar lines.…

Posted on: January 30, 2020 Posted by: John B. Moore Comments: 0

The Real Impossibles – It’s About Time

While The Raspberries and Big Star are almost always the first bands namechecked in any discussion about Power Pop, there were a slew of remarkably brilliant U.S. bands throughout the early-, mid-1980s who picked up that flag and carried it on for a while before getting drowned out by synth pop and hair metal on the radio. Groups like The Plimsouls, The Romantics and Dramarama created some remarkably addictive songs…

Posted on: January 29, 2020 Posted by: Sargeant Comments: 0

tAngerinecAt “Roses from Blood”

Roses From Blood is an effort that looks back to the high-water mark of 1990s-goth, with hints of Black Tape for a Blue Girl and Apocalyptica meshing well alongisde breakneck industrial / electronic composition. This track hurtles along in a deceptively fast fashion. Smart usage of similar string lines establish a soundscape that could easily fill in for your favrotie cyberpunk novel. By linking these styles to a traditional /…

Posted on: January 29, 2020 Posted by: Sargeant Comments: 0

Keldamuzik “Magic”

On Magic, Keldamuzik is able to blend together a bit of funk and 1990s R&B into a modern form of EDM. These calls to disparate musical styles are coordinated into a cohesive entity, ensuring that fans are out representing the performer on the dance floor. Keldamuzik is able to pull double duty in telling a cogent story as well as bolstering the sequenced beats and authoritative percussion that peek through…

Posted on: January 29, 2020 Posted by: Kim Muncie Comments: 2

“Every Dog Has Its Day” (LP) by Flat River Band

When it comes to getting personal in a song, there aren’t a whole lot of country groups as adept and skillful as Flat River Band are in most every song they record, and in their fifth studio album, the retrospective Every Dog Has Its Day, they impart one provocative country tale after another as though we were sitting with the power trio around a blazing flame in the wilderness. The fireside…

Posted on: January 28, 2020 Posted by: Sargeant Comments: 0

Kēvens “World Is Burning”

World is Burning is a fun blend of styles. Hints of reggae and drum n bass unite to make something eclectic. The number of distinct shifts in tempo and genres incorporated here will immediately draw attention to both the musical and lyrical sides of the track. The number of current events that spell doom for the world – global warming and pollution are but a few – are given bold…

Posted on: January 28, 2020 Posted by: Sargeant Comments: 1

Greg Hoy & The Boys “Green”

On Green, Greg Hoy & The Boys create a straight-forward rock track that incorporates hints of 1960s Merseybeat, The Descendents, and Franz Ferdinand Vocals echo boldly out at the top of the song, while the chorus brings infectious vocals alongside taut instrumentation. The bass / drum interactions are punctuated quite nicely through sizzling guitar work. These instruments are able to ratchet up the song’s momentum, ensuring that listeners are firmly…

Posted on: January 28, 2020 Posted by: Sargeant Comments: 0

Hollis Brown “Go For It”

Go For It is a timeless rock track that takes up hints of U2, 1990s British alternative rock, and hints of acts like The Black Crowes for inspiration. Tying together these disparate elements are Hollis’s inimitable vocals, exuding charisma while pulling double duty as another source of harmony for this track. Holistic in its approach, Go For It is one of those efforts that will have listeners singing along long…

Posted on: January 28, 2020 Posted by: Sargeant Comments: 0

Rockie Brown “Soul Sister Retribution”

Soul Sister Revolution, the latest effort from Rockie Brown has a solid blend of 1990s-infused rock and assertive vocals. A rich emotion is weaved through this composition; the guitar / drum dynamic lays a solid foundation upon which Rockie’s vocals can soar. The bit of gospel chorus that is presented here adds further replay value to the composition. Rockie Brown’s bright sound and confidence separates Soul Sister Revolution from other…

Posted on: January 28, 2020 Posted by: Kim Muncie Comments: 0

Rob Alexander’s “Friend of Mine (Elton’s Epic)”

A gentle percussion and a gorgeous piano dance back and forth with one another as we listen in on the first few bars of Rob Alexander’s “Friend of Mine (Elton’s Epic),” and with the sway of every beat, we find a little bit more color within the growing melody before us. Alexander starts to sing, and even though his initial attack is as soft and decadent as the rhythm of…

Posted on: January 28, 2020 Posted by: Saif Shaikh Comments: 0

Roniit – XIXI

Dark pop is a niche genre at best, but thanks to a few indie artists, the genre whispers on in the shadows. Colorado-raised California-resident Roniit is no stranger to the undercurrents of the indie electropop and darkpop scene, and her newest record “XIXI” is less of a music album and more a contiguous journey through the wilderness of her subconscious. The crickets overlaying the introduction to opening track “Noumenia” is…

Posted on: January 28, 2020 Posted by: Sargeant Comments: 0

Mike Bertini – ‘Thing Called Life’

Joe, the first track on Mike Bertini’s new extended play Thing Called Life is a fun effort that calls back to the college rock of the middle 1990s. This means that there are hints of Keller Williams and Dave Matthews that can be discerned here; tremendously amount of soul and positive vibes issue forth here as Mike creates a thoughtful composition. There’s a bit of material here for those that…