Category: Music Reviews

Posted on: May 22, 2019 Posted by: Sargeant Comments: 0

Momoh (feat Money Man) “Wraith”

Wraith is an effort that will immediately draw in listeners. The bit of worldly sound that represents the opening instrumentation. What is most impressive to us on Wraith has to be the flow that comes forth in a fashion that is similar to Kevin Gates and I-20. The presence of Money Man along the main focus of Momoh adds further variety to the composition. Taken together, Wraith is the perfect…

Posted on: May 22, 2019 Posted by: Sargeant Comments: 0

Chris James and the Showdowns “Somewhere out in California”

Chris James and the Showdowns call back to the mid-nineties for their track Somewhere out in California. Coming forth with nods to Tesla, Cinderella, and Jane’s Addiction, the act is able to make a song that will dig its hooks deep into listeners’ minds. There is just enough Lynyrd Skynyrd and Blues Traveler whipped into the single to really impart an air of authenticity to this composition. Somewhere out in…

Posted on: May 22, 2019 Posted by: Sargeant Comments: 0

Kid Fre$h feat. Ahmad Collins “Imma Youngstar”

Imma Youngstar has an epic sound that touches upon trap, R&B, and late-oughts rap to make a track that slaps. The sheer range that graces the first minute of the track provides a tremendous introduction to the rapid-fire flow that comes forth shortly after. With the softer and harder sides of rap represented well during Imma Youngstar, it would not be surprising to see the single garner crossover airplay. Hitting…

Posted on: May 21, 2019 Posted by: Sargeant Comments: 0

A Bad Think “Falling Star”

On Falling Star, A Bad Think is able to build upon the framework of U2, The Pixies, and Coldplay. An intense, driving beat represents the backing upon which a cogent narrative is imprinted. Solid bass, emotive guitars, and a contemplative blend of synths and drums set the effort apart from other singles. The interplay between these instruments further increases the replay value of Falling Star, while the gradual increase in…

Posted on: May 21, 2019 Posted by: Sargeant Comments: 0

Jameson & The Conditionals “Wasting Your Love”

The eclectic blend of styles that Jameson & The Conditionals adopt during their new single Wasting Your Love will appease a wide swath of fans. This means that there are nods to funk, early-nineties jam band (e.g. Dave Matthews), and the passionate rock of The Wallflowers and Maroon 5. Uniting these distinct elements is a taut instrumentation that has each member contributing to a cohesive entity. The band can change…

Posted on: May 20, 2019 Posted by: Kim Muncie Comments: 0

Alexis Keegan releases “What Am I Supposed to Do” (single)

URL: https://www.alexiskeegan.com/instagram Using a mild piano melody as a canvas, singer Alexis Keegan gently applies colorful verses that will paint us a brooding picture of her emotions in the all-new single “What Am I Supposed to Do,” which debuts this April 19th. Her vocal extends its warm reach through our stereo speakers without ever breaking an even stride with the glowing keys behind it, and long before the track has…

Posted on: May 20, 2019 Posted by: Sargeant Comments: 0

FKA twigs “Cellophane”

Cellophane is a modern epic; the latest single from FKA twigs gradually grows into something that will have fans hanging on to every note. A sedate opening, drawing on minimalist artists like Massive Attack and Bjork, ever so gradually moves into something bold and engrossing. On FKA twigs’ newest contribution to music, the performer adds considerably to the instrumentation while telling a rich and varied tale. While the song may…

Posted on: May 20, 2019 Posted by: Sargeant Comments: 0

RAINNE – Psycho Killer

On Psycho Killer, RAINNE is able to refresh the pop style of Britney Spears and Gwen Sefani, adding a bit of industrial and hard EDM style to the mix. A strong set of vocals is interlaced through the effort, acting as a counterpoint to the booming bass lines and insistent synths. With a momentum that gradually increases to the chorus, RAINNE is able to draw fans in until the track’s…

Posted on: May 20, 2019 Posted by: Sargeant Comments: 0

Lulise – Read My Hips

Read My Hips is a sultry, alluring R&B-infused track that refreshes the sound of performers like Aaliyah and TLC for the current era. A bit of New Jack Swing’s inimitable backing instrumentation is included here to further separate Lulise’s latest from the rest of today’s music. Another strong suit, Lulise’s vocals are able to rise and fall to provide additional emphasis to the track. Ready My Hips is a song…

Posted on: May 20, 2019 Posted by: Sargeant Comments: 0

KiSMiT – No Turning Back

On No Turning Back, KiSMiT is able to blend together 1990s popular forms of music with a world-meets-funk backdrop. The eclectic style that is presented to listeners during this single may touch upon a variety of genres, but there is a cohesiveness to the composition that ensures that No Turning Back will remain with listeners long after the cut continues to play. The dual vocals presented here provide a further…

Posted on: May 20, 2019 Posted by: Sargeant Comments: 0

Wes Mason – “I Want Your Love”

Wes Mason is able to infuse a fair amount of reggae into pop music. With the additional assistance of Kofi Black, Mason is able to craft a track that will bury its melodies deep into listeners’ minds. The deliberate beat and insistent vocals ensure that fans will make it out onto the dance floor, while the backing instrumentation keeps the momentum of I Want Your Love high. Keeping things bouncy…

Posted on: May 18, 2019 Posted by: Sargeant Comments: 0

David Anderson, Lake Placid Blue

Charline Arthur is a refreshing take by David Anderson on traditional rock and country & western styles. While the song itself is an easy-going effort, sharp-eared listeners will be able to hear considerable depth in the composition. The guitars, drums, and vocals combine to make something deep and detailed, continually providing further layers as listeners continue to play the track. Mystic Knights of the Folk-Rock Wars is a tremendously introspective…

Posted on: May 18, 2019 Posted by: Kim Muncie Comments: 0

Cwiredband’s Angel Circuit Engaged

Juicy riffs come oozing through our headphones as we encounter the beastly “Angels Are Not Afraid of the Dark” in track number five of Cwiredband’s Angel Circuit Engaged, which was released late last year. In this song, Cwiredband prove to be as much about the texture of their musicality as they are inspired lyricism, and though it’s admittedly one of the only conventional tracks that we’ll find in this all-new…

Posted on: May 17, 2019 Posted by: Sargeant Comments: 0

Tritonal “Hard Pass” (ft. Ryann) and “Diamonds” (ft. Rosie Darling)

Hard Pass is a perfect blend of intense synth beats and sultry vocals laid down by Ryann. Together, the track will get listeners out on the dance floor while having just enough complexity to it to appease even the most jaded of music fans. Fat beats work as a great backdrop for Ryann’s inimitable style. Diamonds is the second new effort from Tritonal. In this cut, Rosie Darling provides the…

Posted on: May 17, 2019 Posted by: Sargeant Comments: 0

KC “Zero Gravity”

Zero Gravity is an effort that pushes pop music into a bold new direction. While there is a strong, sensual set of vocals that sits at the front of the track, the backing instrumentation is considerably beyond what is typically present. Ebbing and flowing, this synth-infused composition is part Linkin Park, part Avicii, and is punctuated quite nicely through a set of lightly-distorted vocals. Taken together, these disparate elements combine…

Posted on: May 17, 2019 Posted by: Sargeant Comments: 0

Tremble “What Is Anything”

What Is Anything is a track that defies convention. It has the vocals adding considerably to the overall harmonies achieved by the track, and the sweeping synths do a heck of a job approximating a narrative. A complex dynamic is established over the course of three minutes, one that feels considerably more engrossing than the song’s run time may indicate. Mixing in hints of 1990s EDM, industrial, alternative, and even…

Posted on: May 17, 2019 Posted by: Sargeant Comments: 0

The Stolen “Millennial”

Millennial is a powerful pop-punk track that calls back to acts as diverse as Plus-44, Taking Back Sunday, and The Rocket Summer. With synths layered over Cure-infused guitars, The Stolen carves out their own unique place in music. The extended instrumental interlude that hits fans at about the 2:15 mark refreshes things, allowing the act the ability to start a-new. Millennial ends in as emphatic of a fashion as it…

Posted on: May 17, 2019 Posted by: Sargeant Comments: 0

Sebastian Mikael “Acid PT II”

On Acid PT II, Sebastian Mikael is able to bring back the halcyon days of 1970s funk and infuse it with hints of Kendrick Lamar and Childish Gambino. The track is replete with luxurious synths and numerous vocal and instrumental levels. Fans will be able to pick out new twists and turns even five or ten plays in to Acid PT II. Boldly forging through music with a style that…

Posted on: May 17, 2019 Posted by: Sargeant Comments: 0

MARIBASED1 “Score’n”

Score’n is a track that refreshes the swag style of F.L.Y. and Soulja Boi. With echoing vocals and a taut, machine gun-like backing beat, Score’n is immediately able to capture listeners’ attentions. The vox laid down by MARIBASED1 is able to do more than provide fans with a story. In addition, these vocals pull double duty in adding a further layer of harmony to the snap / clap-heavy backing beat.…

Posted on: May 17, 2019 Posted by: Sargeant Comments: 0

Raised On TV “Smog City”

Smog City is a trippy effort that includes stark angular guitars, more contemplative arrangements, and charismatic vocals that sit at the top of the track. With so many things occurring over the course of 3:20, one may worry about cohesive. Raised On TV is able to expertly link these different elements together into a modern-day epic; the different section here showcase the strengths of the act without introducing any weaknesses.…