Category: Music Reviews

Posted on: November 9, 2017 Posted by: Sargeant Comments: 0

Wyclef Jean “Turn Me Good”

Wyclef Jean has released a video for “Turn Me Good”, his latest single. This slower jam showcases the sultry side of Jean, who is able to use horns, strings, and a blend of 1970s soul and more contemporary sort of beat to make for something that sparkles. Drawing back to an earlier reggae tradition (e.g. Bob Marley, Peter Tosh), Jean makes for a retro hit in Turn Me Good. The…

Posted on: November 9, 2017 Posted by: Sargeant Comments: 1

John Tracy “Silent Night”

John Tracy’s “Silent Night” is a rare cover that both keeps the sound of the traditional composition sacrosanct while impressing his own spirit and inimitable sound onto the performance. The stretched out, slower tempo of Tracy’s take of Silent Night puts a certain gravity to each utterance. The thoughtful sound of this composition will stick with listeners, as does the strumming of the guitar. Set up over the course of six…

Posted on: November 9, 2017 Posted by: Sargeant Comments: 1

Radiator King “The Guns You Pawned”

Radiator King’s “The Guns You Pawned” provides fans with a rich narrative and an impassioned set of vocals. The track works well no matter whether one likes alternative-rock performers like the Counting Crows or the Goo Goo Dolls or country-styled acts like Henry Connick or Wilco. An intense guitar line matches Radiator King’s vocals, making the narrative of The Guns You Pawned shine that much brighter. With an epic sound,…

Posted on: November 9, 2017 Posted by: Sargeant Comments: 0

Eric Johnson – Live From Austin, TX (CD/DVD & Vinyl)

Guitar legend Eric Johnson was made for live albums. The proof is all over the re-release of “Live From Austin, TX,” the latest in the partnership between the PBS show Austin City Limits and New West Records. This re-release, originally out in 2005, is finally on vinyl and also available in a CD/DVD combo.

Posted on: November 8, 2017 Posted by: John B. Moore Comments: 0

Scott Miller – Ladies Auxiliary

Since leaving the V-Boys in the late ‘90s, Scott Miller has forged a career as a solo artist, making waves in the alt country scene, but managing to fly under the radar of most outside the genre. It’s a shame though, as his 10th effort, “Ladies Auxiliary” shows, Miller is a fantastic songwriter.

Posted on: November 7, 2017 Posted by: Sargeant Comments: 0

AKoVA “Headlights”

AKoVA’s “Headlights” is a tremendously close and touching track. Little more is needed during this single than a set of vocals and a softly strumming guitar. As the song continues to play, there is a bit of additional instrumentation entered in. The gradual shift into a more engrossing effort showcases the emotional complexity of the composition. Anyone that has been in love and lost, especially when the person that the previous…

Posted on: November 7, 2017 Posted by: Sargeant Comments: 0

Deeper Feeling – Beaux Cheveux

Deeper Feeling has a retro vibe to it. Bits of Beck and The Breeders can be heard in the airy sound of the vocals and the crunchy sound of the guitar, drums, and bass. The laid-back sound of this effort draws back to an earlier seventies musical tradition. Quirky, fan, and infectious as all get out, Beaux Cheveux’s Deeper Feeling is an effort that will hold up to repeat spins. It…

Posted on: November 7, 2017 Posted by: Sargeant Comments: 0

The Outfit “Soldier Boy”

The hard rock style that The Outfit craft during “Soldier Boy” builds off of the framework of acts like the Foo Fighters and Nickelback. The frenetic energy that is threaded through this single will have listeners on the edges of their seat. Supersonic vocals call forth comparisons to Scott Weiland and David Draiman. An intense, head-bobbing sort of track, fans will be singing along to Soldier Boy each and every time…

Posted on: November 7, 2017 Posted by: Sargeant Comments: 0

Aaron Robinson “365 (Confess His Name)”

Aaron Robinson’s “365 (Confess His Name)” showcases a solid sort of faith with a hard-scrabble, intense sort of rap flow. The beat does does enough to provide a good highlighting for Robinson’s flow. Hints of Wiz Khalifa and Chevy Woods can be heard in Robinson’s vocals, but there is a certain undefinable quality that permeates his output during 365. With an intricate flow that will stand up to repeat plays, Aaron…

Posted on: November 7, 2017 Posted by: Sargeant Comments: 0

Sarah Ragsdale “Next Time”

With “Next Time”, Sarah Ragsdale is able to make a very current and contemporary sort of pop track in the vein of Jess Glynne and Meghan Trainor. With a bit of the rye humor of a Shania Twain, Ragsdale is able to make her Next Time into something that a wide swath of fans can appreciate. Particular care has to be taken when focusing on this track as the spirited piano line…

Posted on: November 7, 2017 Posted by: Sargeant Comments: 0

Ori Dagan “Sting of The Cactus”

Ori Dagan’s “Sting of The Cactus” draws upon a much earlier form of twentieth century jazz. The inclusion of vocals is a bold choice, but Dagan’s vocals and bit of scatting here add an entirely new level to this composition. The robust piano and breakneck bass line that comprise Sting of the Cactus have this track going at 100 miles an hour. While each constituent element feels as if it…

Posted on: November 7, 2017 Posted by: Sargeant Comments: 0

Laust Sonne “On The Radio”

Laust Sonne’s “On The Radio” is a catchy pop track that will have listeners singing along after a precious few spins. The bit of echo and electronic infused backing instrumentation for Laust Sonne’s latest distinguishes it from the rest of the fare typically encountered on the radio. Strong vocals, thoughtful instrumentation, and a tempo that gradually increases into a shuffling, intense dance. On The Radio is one of those tracks…

Posted on: November 7, 2017 Posted by: Sargeant Comments: 1

The Naveblues “Possess You”

The Naveblues’ “Possess You” comes forth with a tremendously powerful take on 1970s rock. Imagine the work of bands like Jethro Tull and The Moody Blues. Sections during Possess You will slow things up and make each note resound with fans, while the tempo picks up at other points to whip fans into a frenzy. The guitar and drums are high-water marks for The Naveblues here, while the rapid uptick…

Posted on: November 7, 2017 Posted by: Sargeant Comments: 0

REMZ – Where You Belong

REMZ’ Where You Belong is a power-pop track that deftly ties together synth pop with strong instrumentation. The inimitable vocals which are laid down here soar out over the air, while the synthesizer / guitar dynamic is surprisingly deep. REMZ create a unique style during this single that will resound loudly with listeners long after the single ceases to play.

Posted on: November 6, 2017 Posted by: John B. Moore Comments: 0

Carmaig de Forest – I Shall Be Re-Released

Boasting probably the best album title since someone decided to name Paul Westerberg’s best of album Besterberg, Carmaig de Forest’s I Shall Be Released (christened I Shall Be Re-Released for this collection) gets the full re-release treatment from Omnivore for its 30th anniversary. While de Forest may never have been as popular as the acts he was always grouped with (Violent Femmes, They Might Be Giants), he was one of the smartest,…

Posted on: November 6, 2017 Posted by: Sargeant Comments: 1

“Now That I Have Your Attention” by Seconds Before Landing

After a brief Intro, Seconds Before Landing begin their new album Now That I Have Your Attention with 4 A.M.. This effort brings a tremendous amount of atmosphere to listeners’ ears all while including trapping of 1980s prog metal and thrash genres. The track is something that listeners should focus on multiple times so they may hear every nuance and wrinkle that Seconds Before Landing have included within. The booming…

Posted on: November 2, 2017 Posted by: John B. Moore Comments: 0

Pylon Reenactment Society – Part Time Punk Sessions EP

While technically not a new album from the storied Athens dance post-punk band Pylon, “Part Time Punk Sessions EP” is probably the next best thing. Pylon Reenactment Society started three years ago and is comprised of Pylon’s Vanessa Briscoe Hay and a supergroup of other Athens Indie bands, including members of Big Atomic, Casper & The Cookies, and The Glands.  

Posted on: November 1, 2017 Posted by: John B. Moore Comments: 0

Drivin’ N’ Cryin’ – Mystery Road

In what hopefully kicks off the first of several expanded edition albums from Drivin’ N’ Cryin’, Island and UMe have just re-released “Mystery Road” (on vinyl and CD), with seven demos tacked onto the classic record. Curiously, the re-release started with the band’s third album, though arguable one of their best. Criminally underrated as a group during their initial run in the ‘80s and early ‘90s, “Mystery Road’s” “Honeysuckle Blue”…

Posted on: October 28, 2017 Posted by: Sargeant Comments: 0

Specyal T – Tionne EP

The last time that we covered Ontario’s own Specyal T, it was 2016. Over the course of the next two years, Specyal T has made considerably strides forward in the evolution of her own music. The Tionne EP has tremendous emotional content to it, and the EP’s first single, Side Effects, immediately catches long-time listeners up. The echoing, booming sound of the chorus will ensure that listeners are firmly on the edges of…