Category: Features

Posted on: September 23, 2020 Posted by: Sargeant Comments: 0

T-Klassiq “Overcome”

Overcome has a light and dairy sound to it as hints of pop, R&B, and reggae work to create something absolutely infectious. T-Klassip’s vox here exude charisma and provide fans with a positive sound. The presence of Eedris Abdulkareem to the mix provides listeners with a nice shift to the overall atmosphere of the track. Kevin Boy’s bars towards the end of the single ground the composition and showcase how…

Posted on: September 23, 2020 Posted by: Sargeant Comments: 0

AV Super Sunshine “Baby Goodbye 2020”

AV Super Sunshine has incorporated a stripped-down sort of reggae-infused rock with their Baby Goodbye 2020. The dreamy vocals that come up to prominence during the song’s chorus showcase the band’s ability to stop and turn on a dime. The dynamism of AV Super Sunshine is fantastic; there’s nary a breath lost as the band whips in hints of the Red Hot Chili Peppers and Jane’s Addiction into their output…

Posted on: September 23, 2020 Posted by: Sargeant Comments: 0

Big Lou “Redemption”

Redemption begins with keys and smartly spat-out vox. The narrative quality of Big Lou during this effort is miles beyond the typical track gaining popular attention. The presence of the impassioned female voice during Redemption’s chorus provides nice differentiation between each stanza of Big Lou’s content. The insane speed which Big Lou achieves during his new single places him alongside rap royalty like Twista and Eminem. Putting his city on…

Posted on: September 23, 2020 Posted by: Sargeant Comments: 0

GS11 “Bunkin'”

Bunkin is a supremely confident track that showcases GS11’s swagger. With an assertive rap flows that build upon the work of performers like Rick Ross and I-20, Bunkin’ will be an easy inclusion on urban radio stations and playlists. Dreamy synths blend with punchy percussion to make for a backing beat that is truly larger than life. Taking these two sides together, GS11’s Bunkin ends up being the most memorable…

Posted on: September 22, 2020 Posted by: Sargeant Comments: 1

Chris Waters “Blurry”

Blurry has a crisp sound to it that puts ample highlighting to Chris Waters’ inimitable rap style. A beautiful set of keys allows the track to pick up pop fans, while the song’s hook provide the counterpoint for the punchier rap flow that comprises Blurry’s main body. Fans of Owl City and Tom McDonald will be able to sink their teeth easily into this cut. The production of the track…

Posted on: September 22, 2020 Posted by: Sargeant Comments: 0

Keys FTV “Flexin”

Keys FTV has a fun, laid-back track in his new outing, Flexin. There’s a chill flair to the synths and snap tracks, all while Keys FTV lays out an ode to the latest girl in his life. The song straddles the line between rap and R&B, with enough interesting material hidden in the song’s instrumentation that the track stays poppin’ even five or ten plays straight. Perhaps most interesting about…

Posted on: September 22, 2020 Posted by: Sargeant Comments: 0

Malina Moye “Enough”

Enough is a hopeful track that is a powerful reminder that today’s unique experience can be weathered. The song has an utterly timeless sound to it that is hard to point down. There’s a bit of 1950s R&B, 1960s motown, and more than a bit of traditional rock that is inserted into the mix. With other nods bringing in funk and gospel to the fray, Malina Moye has hit it…

Posted on: September 22, 2020 Posted by: Sargeant Comments: 0

Elijah “Raw”

Raw has Elijah slot in really nicely to the sexy, sultry R&B performer style. There’s rapid-fire lyrics laid down here like Trey Songz and Chris Brown while the instrumentation is (like the girl described in the track) flawless. The heartbeat-esque backing beat, the brooding keys, and the ability of the track to rise and fall at all the right points makes this a surefire lock for playlist and radio rotation…

Posted on: September 22, 2020 Posted by: Sargeant Comments: 0

Head Fake “Sucker For Your Ways”

Sucker For Your Ways has Head Fake revisit the Brit-rock of the late 1990s, with hints of Pulp and Blur incorporated into their slinky, fuzzy rock approach. There’re other influences presented here as well; a bit of Depeche Mode at points, some Stabbing Westward at others, which all are brought together into an eclectic sort of sound. There are no two points during Head Fake’s latest single that the act…

Posted on: September 22, 2020 Posted by: Sargeant Comments: 0

Quianna Crute “Anthem”

Anthem is a powerful song of praise that will have listeners following each lyric laid down here by Quianna Crute. There’s double duty being pulled here in that Crute is able to tell a story of personal realization while bolstering the synths and booming beats that comprise the backing instrumentation for the song. The additional presence of Canton Jones during Anthem is the perfect blend of finesse to Quianna’s strong…

Posted on: September 22, 2020 Posted by: Sargeant Comments: 0

The Dead Daisies “30 Days In The Hole”

30 Days In The Hole has The Dead Daisies move into the ballad style of acts link Every Mother’s Nightmare and Cinderella. The tremendous vocals laid down here showcase the intensity of the titular sentence, all while the lightest trappings of the guitar provide a vibrancy to the composition. Touching upon Perry Ferrell and Chris Cornell with this effort, The Dead Daisies are able to marry the past and present…

Posted on: September 22, 2020 Posted by: Sargeant Comments: 0

Sayonne “Hot Sauce”

Hot Sauce has a throwback vibe to it that will get listeners out on the dance floor. The vibrant vocals laid down here by Sayonne are married to sweeping synths and emphatic percussion and claps. What results here during Hot Sauce is an effort that works equally well when played alongside pop, R&B or dance tracks. The bit of echo that Sayonne’s vox are given towards the song’s chorus ensures…

Posted on: September 21, 2020 Posted by: Kim Muncie Comments: 0

Origins – Vocalists And The Songs That Made Me by Jeff Coffey

If I had a voice like Jeff Coffey’s, I would be singing some of music’s biggest hits, too. Origins – Vocalists And The Songs That Made Me, Coffey’s album is a bevy of rock music and some pop rock songs that steal the moment. A former lead singer of legendary band, Chicago, Coffey makes these cover songs his own in a 14-track odyssey. As each track unfolds, the listener gets…

Posted on: September 21, 2020 Posted by: Sargeant Comments: 0

Sharon Hendrix “Believe and Become”

Believe and Become is an effort that draws on the last forty years of the contemporary Christian genre all while Hendrix puts forth her own unique flair into the track. The backing instrumentation pushes Sharon’s voice to a ethereal plateau as it imprints an infectious melody deep into the minds and hearts of fans. Few artists are able to reach the vocal timbre that Hendrix does during Believe and Become,…

Posted on: September 21, 2020 Posted by: Sargeant Comments: 0

The Imaginaries “Walking On A Wire”

Walking On A Wire has some of the most tender instrumentation, matching with the wonderful one-two vocal elements. Together, the constituent elements for the composition are able to deftly maneuver between pop and rock. There’s a timeless sound here that will appease fans of 1990s alt-rock, 2000s country, and modern pop. There’s been considerable evolution in The Imaginaries’ output over the course of the last few years. Walking On a…

Posted on: September 16, 2020 Posted by: Kim Muncie Comments: 0

The Blendification System by Daniel Bruder

There is increasing interest in expanding the purview of what we deem possible in business/corporate design. The ever-expanding range of commercial possibilities thanks to the evolution of technology, among other elements, underline the demands on today’s business leadership to remain innovate or risk obscurity in the modern marketplace. Daniel Bruder’s 360 degree approach to the issue of business leadership today emerges with unquestionable detail in the book The Blendification System: Achieving…

Posted on: September 13, 2020 Posted by: Sargeant Comments: 0

Sun & Flesh “Hell Is People”

Hell is People is a rager of a track, blending together the mid-oughts output of Papa Roach and Disturbed with some straight-forward guitar riffs and furious drum fills. The charismatic vocals that sit at the top of the track unite a number of distinct sections that will bring fans as far afield as System of a Down, Guns and Roses, and even Megadeth. The band’s strongest side during their new…

Posted on: September 13, 2020 Posted by: Sargeant Comments: 0

Ready, Steady, Die! “Deep”

Deep has Ready, Steady, Die! create a slinky, intense effort that links together Garbage and Nine Inch Nails. There’s a bit of modern EDM wobble incorporated here, paired alongside some seriously traditional / classical arrangements. The track is so eclectic that fans of practically any genre will find something that they can appreciate here. However disjointed the song may seem at the surface, the act is able to create a…

Posted on: September 13, 2020 Posted by: Sargeant Comments: 0

The Forevers “Frederique” and “Rockets Fly”

Frederique has an airy sound that seems like an evolutionary step forward from Carole King and The Carpenters. Technically proficient instrumentation work masterfully in providing just enough highlighting to the vocals. Fans of yacht rock or Sade-style R&B will find something they can sink their teeth into. The Forevers have the uncanny ability to transform older musical styles into something that speaks volumes to modern music fans. Rockets Fly calls…

Posted on: September 13, 2020 Posted by: Sargeant Comments: 0

Faizan feat. Amadeus “Aether”

Aether is an engrossing effort that links together ethereal performers like Black Tape For A Blue Girl with world music and classical genres. While the track does not include a vocal element, the strings and percussion unite to tell a rich tale. The brooding, bold elements that are approached during the single’s first half gradually move into something more airy and tender. Fans should strap on their headphones to hear…