Category: Features

Posted on: September 22, 2020 Posted by: Sargeant Comments: 0

Elijah “Raw”

Raw has Elijah slot in really nicely to the sexy, sultry R&B performer style. There’s rapid-fire lyrics laid down here like Trey Songz and Chris Brown while the instrumentation is (like the girl described in the track) flawless. The heartbeat-esque backing beat, the brooding keys, and the ability of the track to rise and fall at all the right points makes this a surefire lock for playlist and radio rotation…

Posted on: September 22, 2020 Posted by: Sargeant Comments: 0

Head Fake “Sucker For Your Ways”

Sucker For Your Ways has Head Fake revisit the Brit-rock of the late 1990s, with hints of Pulp and Blur incorporated into their slinky, fuzzy rock approach. There’re other influences presented here as well; a bit of Depeche Mode at points, some Stabbing Westward at others, which all are brought together into an eclectic sort of sound. There are no two points during Head Fake’s latest single that the act…

Posted on: September 22, 2020 Posted by: Sargeant Comments: 0

Quianna Crute “Anthem”

Anthem is a powerful song of praise that will have listeners following each lyric laid down here by Quianna Crute. There’s double duty being pulled here in that Crute is able to tell a story of personal realization while bolstering the synths and booming beats that comprise the backing instrumentation for the song. The additional presence of Canton Jones during Anthem is the perfect blend of finesse to Quianna’s strong…

Posted on: September 22, 2020 Posted by: Sargeant Comments: 0

The Dead Daisies “30 Days In The Hole”

30 Days In The Hole has The Dead Daisies move into the ballad style of acts link Every Mother’s Nightmare and Cinderella. The tremendous vocals laid down here showcase the intensity of the titular sentence, all while the lightest trappings of the guitar provide a vibrancy to the composition. Touching upon Perry Ferrell and Chris Cornell with this effort, The Dead Daisies are able to marry the past and present…

Posted on: September 22, 2020 Posted by: Sargeant Comments: 0

Sayonne “Hot Sauce”

Hot Sauce has a throwback vibe to it that will get listeners out on the dance floor. The vibrant vocals laid down here by Sayonne are married to sweeping synths and emphatic percussion and claps. What results here during Hot Sauce is an effort that works equally well when played alongside pop, R&B or dance tracks. The bit of echo that Sayonne’s vox are given towards the song’s chorus ensures…

Posted on: September 21, 2020 Posted by: Kim Muncie Comments: 0

Origins – Vocalists And The Songs That Made Me by Jeff Coffey

If I had a voice like Jeff Coffey’s, I would be singing some of music’s biggest hits, too. Origins – Vocalists And The Songs That Made Me, Coffey’s album is a bevy of rock music and some pop rock songs that steal the moment. A former lead singer of legendary band, Chicago, Coffey makes these cover songs his own in a 14-track odyssey. As each track unfolds, the listener gets…

Posted on: September 21, 2020 Posted by: Sargeant Comments: 0

Sharon Hendrix “Believe and Become”

Believe and Become is an effort that draws on the last forty years of the contemporary Christian genre all while Hendrix puts forth her own unique flair into the track. The backing instrumentation pushes Sharon’s voice to a ethereal plateau as it imprints an infectious melody deep into the minds and hearts of fans. Few artists are able to reach the vocal timbre that Hendrix does during Believe and Become,…

Posted on: September 21, 2020 Posted by: Sargeant Comments: 0

The Imaginaries “Walking On A Wire”

Walking On A Wire has some of the most tender instrumentation, matching with the wonderful one-two vocal elements. Together, the constituent elements for the composition are able to deftly maneuver between pop and rock. There’s a timeless sound here that will appease fans of 1990s alt-rock, 2000s country, and modern pop. There’s been considerable evolution in The Imaginaries’ output over the course of the last few years. Walking On a…

Posted on: September 16, 2020 Posted by: Kim Muncie Comments: 0

The Blendification System by Daniel Bruder

There is increasing interest in expanding the purview of what we deem possible in business/corporate design. The ever-expanding range of commercial possibilities thanks to the evolution of technology, among other elements, underline the demands on today’s business leadership to remain innovate or risk obscurity in the modern marketplace. Daniel Bruder’s 360 degree approach to the issue of business leadership today emerges with unquestionable detail in the book The Blendification System: Achieving…

Posted on: September 13, 2020 Posted by: Sargeant Comments: 0

Sun & Flesh “Hell Is People”

Hell is People is a rager of a track, blending together the mid-oughts output of Papa Roach and Disturbed with some straight-forward guitar riffs and furious drum fills. The charismatic vocals that sit at the top of the track unite a number of distinct sections that will bring fans as far afield as System of a Down, Guns and Roses, and even Megadeth. The band’s strongest side during their new…

Posted on: September 13, 2020 Posted by: Sargeant Comments: 0

Ready, Steady, Die! “Deep”

Deep has Ready, Steady, Die! create a slinky, intense effort that links together Garbage and Nine Inch Nails. There’s a bit of modern EDM wobble incorporated here, paired alongside some seriously traditional / classical arrangements. The track is so eclectic that fans of practically any genre will find something that they can appreciate here. However disjointed the song may seem at the surface, the act is able to create a…

Posted on: September 13, 2020 Posted by: Sargeant Comments: 0

The Forevers “Frederique” and “Rockets Fly”

Frederique has an airy sound that seems like an evolutionary step forward from Carole King and The Carpenters. Technically proficient instrumentation work masterfully in providing just enough highlighting to the vocals. Fans of yacht rock or Sade-style R&B will find something they can sink their teeth into. The Forevers have the uncanny ability to transform older musical styles into something that speaks volumes to modern music fans. Rockets Fly calls…

Posted on: September 13, 2020 Posted by: Sargeant Comments: 0

Faizan feat. Amadeus “Aether”

Aether is an engrossing effort that links together ethereal performers like Black Tape For A Blue Girl with world music and classical genres. While the track does not include a vocal element, the strings and percussion unite to tell a rich tale. The brooding, bold elements that are approached during the single’s first half gradually move into something more airy and tender. Fans should strap on their headphones to hear…

Posted on: September 13, 2020 Posted by: Sargeant Comments: 0

A-Lister “Groove-A”

A-Lister has released Groove-A, a poppy track that has a timeless feel to it. With a charismatic set of vocals and a bouncy backing beat, the track will easily bury itself deep into listeners’ brains. There are a few nice changes to the track’s tempo that will keep listeners firmly on the edges of their seats. It is this ability to move through styles and sounds that provide ample replay…

Posted on: September 13, 2020 Posted by: Sargeant Comments: 0

Samar “Stop Killing Us”

On Stop Killing Us, Samar is able to make a tremendously catchy and hard-hitting effort. With nods to The Game and Freeway in his verbal flow, Samar is able to make something familiar yet wholly unique in rap music. The backing beat has a hit of DJ Premier and J Dilla. Shifting to a dreamier lead out toward the final minute of the track, Samar attempts to showcase how dangerous…

Posted on: September 13, 2020 Posted by: Sargeant Comments: 0

Young Rich Kidz “Amber Alert”

Amber Alert, the latest single from Young Rich Kidz, has some intense wordplay that builds off the work of Tyler the Creator and Wiz Khalifa. Utilizing the titular alter as the cut’s backing beat, YRK ensure that listeners will immediately be locked into what the act is laying out here. There’s literally no time to take a breath here as the group keeps hitting fans with intricate lyrical content and…

Posted on: September 13, 2020 Posted by: Sargeant Comments: 0

The Wheelblocks “Aces High”

Injecting a bit of additional frenetic energy to the Iron Maiden classic, the combination of heavy metal royalty that comprise The Wheelblocks are able to put their impression deep. The video showcases that the music can stay as pure as all get out even if the performers are hundreds (if not thousands) of miles away. Of particular note during this version has to be the sizzling guitar riffs laid down…

Posted on: September 6, 2020 Posted by: Sargeant Comments: 0

Shaheed & DJ Supreme “1 Time 2 Many”

1 Time 2 Many is a poignant track showcasing the continual problem of policing in the United States’ baked-in sort of racism. The stories of disproportionate force being utilized by police departments towards African-Americans has been a sad reality of the last 100+ years; Shaheed’s smart repetition of the titular phrase has the effect of hammering home this fact into the minds of anyone listening to the track. The track’s…

Posted on: September 6, 2020 Posted by: Sargeant Comments: 0

Tkay Maidza “You Sad”

You Sad has Tkay Maidza crafting an airy, confident pop-themed track. With nods to mid-1990s performers like Natalie Cole and Sheryl Crow, the effort is able to forge boldly forth with a unique flair. The vocals are placed front and center, with the backing instrumentation of synth and guitar acting as the perfect compliment for Tkay’s lyrics. You Sad simultaneously showcases the worth of the individual and the ability to…

Posted on: September 3, 2020 Posted by: Kim Muncie Comments: 0

“If Money Talks (It Ain’t Sayin’ Much to Me)” by Brandyn Cross

You can’t hold down Brandyn Cross. After a devastating train accident that changed his world, Cross has emerged a solo artist years later. His new single, If Money Talks (It Ain’t on Speakin’ Terms With Me) co-written by Daryl Stevenett.is a prosperous tale of a hardworking man that can’t seem to cash-in. The all-too-relatable tale is bolstered through the slide guitar and a forlorn violin. Cross’ new track is bankable…