Madame Mayhem’s Monster is a powerful hard rock / metal track that utilizes hints of goth and industrial to create something richly emotive. The track deftly blends the bright voice of Madame Mayhem with intricate guitar lines, a thick and ropy bass line, and drum fills for days.
Today, we are speaking with Brooklyn’s Carl Thornton. Can you give us a little background information about yourself? How did you get into music?
Belgium, home to arguably the best waffles, arguably the best beer, and certainly, the best deathgrind band in the world, Aborted. It seems that the Lords of Gore decided to turn the crazy dial to maximum insanity on the 12 track, 43-minute carnivorous abomination that is their newest record, Retrogore.
What’s your story? How’d you fall into rap? I didn’t get into music in the traditional way. Most artists start really young and idolize a lot of different artists. My forte was actually professional wrestling until I was 18. My career in wrestling was cut short due to circumstances beyond my own control and I became a young, angry, and defiant kid. That’s when I discovered music and it saved…
KORR-A’s Cali Love is an eclectic sort of pop track, with KORR-A building off the framework of Lil Mama, Fergie, and Gwen Stefani. A robust set of horns and thick EDM/dubstep beats keep things interesting from beginning to end. KORR-A’s vocals rise and fall, cutting like a knife and caressing listeners’ ears within the space of a few seconds.
Blue Helix creates a tremendously emotive rock track with Aliens, blending together vocals that are inspiring with splashy drums and sizzling guitars. The extended instrumental interlude at the three-minute mark keeps the energy high and listeners on the edges of their seats, giving fans some idea of the power of Blue Helix.
Time to Run is a powerful cross-over track that touches upon R&B, dubstep, indie-rock, and industrial genres. The supersonic vocals laid down here by SONIA stand out, ensuring that the track can stand up to high rotation on radio. The titular effort on the Lucky Stars EP tells a tremendous story, further bolstered by bold synths and picture-perfect percussion. Hints of Morcheeba, Massive Attack, AWOLNATION, and Christina Aguilera; the distinct sides…
You cannot talk about German melodic death metal and metalcore and not mention the two giants, Caliban and Heaven Shall Burn. We are lucky to see stellar new releases from both bands. Gravity by Caliban is already on my lists of must-listen albums, and HSB’s new banger Wanderer proves to be another favorite for a long time to come.
Oh boy, this one yanked me straight back to my high school days. I grew up as a melodic death metal and metalcore fanboy, and the German dudes in Caliban were always a staple on my playlist. To tell you the truth, in my earnest effort to be a trve metalhead, Caliban were one of the unfortunate bands to fall through the cracks, but when I was asked to…
Ed Sterling Stone’s Treat Her Like A Lady is an effort that brings together jazz, R&B, and even a hint of soul and funk into a cohesive entity. This instrumental track showcases a wife array of emotions through Ed’s passionate guitar work.
Today, we are speaking with Baltimore’s C.U.L.T.U.R.E.. How did you get into hip-hop? Hey James first and foremost thank you for taking the time to sit down and speak with me in regards to my artistry and brand.
The overall saison style is something I can get behind. There is typically a good amount of wheat, hay, and pepper that can be discerned. We received Hieroglyphic from Raleigh, North Carolina’s Gizmo BrewWorks a little bit ago and finally had a second to test it out. Hieroglyphic is the first barrel-aged imperial saison we’ve reviewed; the brew needs a few seconds in a glass to properly breathe. When one takes…
Hotel Carcass is the first track on Who’s Listening to Van Gogh’s Ear, the debut album from Jack of None. The track has the dark emotion of The Cure, hints of twee-pop, and bits and bobs of electronic, ambient, and jazz stylings. The sheer depth of this initial composition ensures that listeners will be on the edges of their seats, having no idea where Jack of None will ultimately take them.
of Montreal create a track that looks back to Emotional Rescue-era Rolling Stones, linking the sound with hints of Franz Ferdinand and Momus. The twinkling instrumentation, shuffling beat, and echo is used to great impact.
Jonah Cruzz creates a street-smart, intricate style of rap that builds off of the work of Big K.R.I.T., Kendrick Lamar and Lil’ Wayne. The blend of haunting strings and speedy delivery make this into a perfect smoking song.
DownTown Mystic released their latest release Rock’n’Roll Romantic in late July of 2016. The album begins with Dead End Space, a mid-tempo rock track that builds off of the framework of Warren Zevon while incorporating hints of the Black Crowes, The Eagles, and Foo Fighters. A sizzling guitar line ensures that listeners will eagerly anticipate the rest of the album. Turn Around and Go has a bluesier, more bayou-ified sound that…
Today, we are speaking with New York City’s Maddy Ruff. How did you get into music? I don’t think I really “got into music”. Music has always been a part of my life. My mother was performing 8 shows a week on Broadway in Les Mis up until month 6 of her pregnancy with me! There was no choice to be made, it was something that was already a part…
S.S.P.M’s Sunshine is a powerful track that showcases a major issue with life today. When there are so many incidents leading to deaths of innocents, things need to change. S.S.P.M is able to make a plea to put down the guns and find different ways to deal with conflict. The track itself is a hard-hitting rap track with a production that is styled on the Atlanta and Memphis scenes of the…
Hollow is the first track on New York City-native Maddy Ruff’s latest release, Over It. A down and dirty funk groove and vibrant set of vocals inspires listeners to focus on It’s Alright With Me. The shuffling, instrument-heavy opening to It’s Alright With Me provides proper highlighting of Ruff’s vocals. The effort spins out to a mid-1970s Motown meets modern jazz sound. The smoky production of the track allows these wide-reaching…
Sidelines immediately draws listeners in with a powerful two-part harmony. This smooth sound is further fleshed out with a robust instrumentation, making for an introductory effort that will immediately draw listeners in. Back To You is a slower effort that showcases a different side to The Ormewoods; this more tender track allows for The Ormewoods to build something emotionally effecting. Linking together modern country music with hints of pop and rock…