On JFK, Head Fake create a compelling track that blend together slinky late-1990s rock (e.g. Stabbing Westward, U2, Pulp) with a gritty set of vocals that build upon the tradition of Tom Waits and late-era Johnny Cash. The production on JFK ensures these numerous sections are able to shine alone or as part of the greater whole. The bass line, keys, and splashy drums establish a vibrant soundscape upon which…
2020 marks the third time that Anchor Brewing and San Franpsycho have teamed up to create an India Pale Ale that exemplifies the spirit of the city. This time around, the duo have released an IPA that utilizes apricots and peaches to give a little tartness to the oftentimes sweeter juicy IPA style. The brew pours with a darker yellow / goldenrod coloration and a little less than a finger’s…
Today, we are speaking with Chicago pop/punk act Dead Freddie. Can you give us a little background information about yourselves? The current members of the band are: Gintas Buinevicius on Drums, Guitar and Backing Vocals, Gary Vacha on Guitar and Backing Vocals, Karl Sperling on Bass Guitar and Backing Vocals, Sam Steagerman on Trombone and backing vocals and Donatas Ramanauskas on Lead Vocals and the occasional Punk Accordion. Gintas, Gary,…
MC Homeless & HaplogroupX (Transplant and Bernichus) released their Duress EP in late May. First off is Disarray, a single that utilizes a backing beat that calls back to 1970s folk rock. Taking turns tackling the track with disparate styles, listeners can pick up hints of mid-1990s NYC and a bit of the Digital Underground in the triad’s vox. The extended instrumental interlude (beginning at 1:30) gives listeners a second…
Silence Is Violence has some sick synths interlaced into the track. The message that Sanya N’Kanta impress upon the track is timely and showcases the need to provide consistent pressure on one’s oppressors. Guitar riffs punctuate the different segments of the single, making for a delicious blend of instruments when considered alongside a bass line playing at the bottom of the track. Silence Is Violence is a track that should…
Change My Life is a dance / pop track that blends together confident and positive vocals with sweeping synth lines to make for something easy to bop along with. The track has a message that anyone that has ever fallen in love will be able to understand. The backing instrumentation is simultaneously familiar and interesting; rising and falling to properly bolster Kolette’s vox, it represents Change My Life’s backbone. Kolette’s…
The Light, Forrest Isn’t Dead’s newest single calls back to eighties-pop rock and modern emo music. Charismatic vocals link together Brendon Urie and Jakob Dylan, while the instrumentation ties together hauntingly beautiful guitars and an insistent synth beat. The production of The Light keeps each element separate, joining together the riffs, synth lines, and calming vocals for the chorus. The song is so unlike anything currently out on Spotify playlists;…
Klassy is a hard-hitting track that brings a ton of lyrical fire even as listeners are brought into a scintillating musical backdrop. Touching upon issues of racism in the music industry, the cut is able to put a spotlight on a behavior that can be traced back over 100 years. Touching upon R&B, Dr. Dre’s 1990s production and even a bit of trap, Klassy just works. Where there’s a number…
To say that April has been an exceptionally good month for indie musicians and their fans just might be too big an understatement to make. With new releases coming from across the underground spectrum, it can be difficult to keep up with the true cream of the crop – but among those I’ve personally reviewed lately, Lily Vakili Band definitely shines above the rest. Vakili’s new song, “Facial Recognition Technology,”…
On Stay, JamLive are able to bring in hints of Muse and Radiohead to something that is tremendously emotional and alluring from its onset. The care in which JamLive takes to create this soundscape is nothing less than incredible; both the vocal and instrumental sides contribute to a greater whole. The usage of white space here is nothing less than impressive; the act can move from quiet sections to something…
On My Phone is Trying to Kill Me, The Aces are able to create a song that not only has a good pop-rock groove, but also contains one of the most infectious chorus we’ve heard so far this year. Charismatic vocals in the vein of Paramore or Taylor Swift unite with lush synth lines and a bit of contemplative guitar work to make something larger than life. Truly a multimedia…
Bored has Sun & Flesh create a track that will bury its melodies deep into fans’ hearts. There’s sizzling guitar riffs, splashing drums, and a tautness to the arrangements that ensure that the band’s latest will stand up to repeat plays. Fans of the Deftones, The Eels, or Fear Factory will find something to dig into here. The band’s vocal melodies that play at the top of Bored add a…
As if the album title weren’t hint enough, the opening line to the opening track off of Teddy Thompson’s latest begins, “Here’s the thing/You don’t love me anymore.” What follows is an album’s worth of heartbreak (as advertised). Sometimes maudlin, sometimes oddly optimistic in the acceptance of the end, Thompson deftly creates an impressively infectious modern day break up record. In recent press materials, Thompson admits to growing up in…
On his new single Floatin‘, Pomona’s own Overlord Gruff is able to craft a hard-hitting track that calls back both to gangster rap as well as the dirtiest bars of performers like Freddie Gibbs and Surve. The production of Floatin‘ is another solid piece of the puzzle, going back to the mid-1990s California scene and the mid-oughts Atlanta sound. Add just a dash of Organize Minds-styled ethereal synths at the…
Box Food begins Specyal T’s new LP, A Specyal Remedy. The track is able to effortlessly straddle the line between R&B and funk, blending thick bassy lines with ever so cool jazz keys. This initial track expands upon the tradition of performers like Angie Stone and Sade while sounding fresh and current. Yorkshire Pudding is a sultry and sexy effort that succeeds due to Specyal T’s vox and a bit…
It’s All Over Now, Baby Blue starts off Vargen’s collection of Bob Dylan covers. Immediately showcasing his ability to transform vital parts of Dylan’s corpus, this introduction is heartfelt, emotive, and well-polished. With such a distance between the original and Vargen’s version, fans will be locked in to see what the performer does with the rest of these compositions. I Threw It All Away keeps hitting listeners in the feels…
As someone that grew up with Star Trek DS9 and Voyager in my childhood, I was a bit disappointed in the lack of Star Trek on the small screen from about the end of Enterprise until Star Trek: Discovery kicked off. Imagine my surprise at the deluge of shows and materials that would be released by CBS in the last few years. This DVD set collects the entirety of the…
“Fly With You” an experimental dance -pop track from Canadian poet/mind bender Lailien feat. vocalist Ruby Perl. Out now via his sophomore album, TA-DA!, “Fly With You” surpasses any expectations the listener might have for songs with the word ‘fly’ in its title. Lailien, the offbeat recording name of Toronto’s Brad Shubat, seals the gaps between pop/electro fusion and a bevy of remarkable tones and beats. Lyrically, “Fly With You”…
Tom Tikka and the Missing Hubcaps come out of their corner swinging on the three song EP Working Class Voodoo with the title song “Working Class Voodoo”. The rock leanings of this track are pushed in just the right way; it isn’t Tikka’s style to bulldoze listeners with a guitar blitzkrieg. Nuance is the word of the day here. Tikka and his band achieve a specific stylistic approach early on in this…
Making that quintessential rookie release stick with fans is definitely no easy feat, but for Canadian hard rock band Walker’s Cay, they’re making it look pretty simple this May. Taking the world by storm via their first two singles, “Tell Me” and “Why Oh Why,” Toronto’s Walker’s Cay do more than introduce us to their sound in these songs – they lob a piece of their artistic identity in our…