Megadeth Release “Dystopia” 1/22/16
MEGADETH will kick off the new year with the release of their 15(th)studio album Dystopia on Universal Music Enterprises January 22, 2016.
MEGADETH will kick off the new year with the release of their 15(th)studio album Dystopia on Universal Music Enterprises January 22, 2016.
Five Fingertips released their self-titled album a few months back; the album begins with The Lines. This initial salvo establishes a catchy style of pop-rock that links together a confident set of vocals with a delectable guitar/drum backdrop. The effort takes on equal amounts of Chris Cornell with a rich country-rock tradition. Time is Tasteless inserts a fuzzier guitar into the mix, making for a timeless track that feels ready…
Rocket to Space begins with an expansive guitar line and smaller amount of instrumentation that will ensure listeners are focused in on what New Jersey’s Undercover Rabbis will ultimately do on their latest album, Electric Sand. The anger and fury, the indie meets stoner rock fuzz that the band creates during this initial track is spun a hundred different ways, but the talent of the act is what keeps each…
That’s Why is the introductory effort on St. Louis’ Bud Summers new album, The Way. This first track does well to showcase Summers’ eclectic blend of styles. Hints of rock, blues, jazz and pop can all be discerned with this first track; the rich musical backdrop that Bud crafts here will ring in listeners’ ears long after The Way has ceased playing.
Shelia Moore Piper hits off her latest release Are You Ready Chapter 2 with Get Excited, a soulful effort that turns up the tempo considerably with hopeful vocals, inspired brass, and an on-point percussive element. What a Friend (feat. Gene Moore Jr., Derrick Leon & Tachina Danielle) is a tremendously complex track; the contribution of each element during this composition makes for a varied and deep arrangement that stands up…
The weather has been a little on the wonky side the last few days, but the Jacobs Pavilion is covered and spirits could not be higher for Zedd’s True Colors Tour date Wednesday, September 30th. Current weather seems to portend a normal autumn northeast Ohio night, with 20% chance of rain and a high of 63. The venue is going to run a lot hotter tomorrow night.
Los Angeles’ Ted West has released a new track, Bittersweet Descent. This effort is slinky, soulful, and builds off of the work of Placebo and Stabbing Westward. There is a dichotomy of electronic and windswept desert, a complexity that is given further depth with tribal drums and jazzy brass. At the center of the single are West’s vocals, dripping with charisma.
The Black Tears’ La Ghooste is modern rock that is darkly emotive and rich in instrumentation. The layered approach that The Black Tears take during this effort will require a number of spins to hear everything that has been inserted into the composition.
Andy Evans begins his Miracle with a brief introduction before moving into the eponymous track. The soulful rock that Evans creates here links together John Mayer, Rob Thomas, and Jack Johnson. This track is single-worthy as Evans crafts a dense instrumentation that will stick with listeners long after the track has concluded. A Santana-esque guitar solo adds a sizzle to the track, keeping listeners on the edges of their seats.
You’d think being the son of a famous musician would unlock a ton of doors. And it might, but it also usually puts a ton of unnecessary pressure on the offspring to live up to the wildly unrealistic expectations.
The timeless Scorpions are celebrating their 50th anniversary as a band and have been performing throughout the United States in a blaze of hard rock, pulling out classics and deep cuts alike for their World Tour. This 50th Anniversary tour hits up the Jacobs Pavilion in Cleveland, Ohio tomorrow night at 7:30 PM. Queensryche will also be performing at the concert, ensuring that anyone attempting will be rocked for a solid…
Hobbsy begins their Risen From The Dead with Second Coming, a brief introduction to the sounds and approaches that Hobbsy will present during the EP. The haunting arrangement, echoing guitar work, and deliberate pacing ensures that listeners will keep focused in to the rest of the album’s 7 tracks. The Few and the Many is a furious hard-rock track that leads off with solid guitar riff and a tortured, impassioned…
Play Me is the latest track by London’s Alex Woburn, and it is able to bridge the gap between power-pop, rock, and dance in an unparalleled fashion. The hooky style in which Woburn singles will bury itself deep into the mind and psyche of listeners, while there is a retro 80s / early 90s vibe that is reminiscent of performers like George Michael and Fine Young Cannibals.
Brazilian guitarist Celso Salim is a rare example of a performer that can effortlessly cross genre boundaries to create something that is personal, compelling, and extremely intricate. His music takes on a bevy of genres, from blues to jazz, soul, honky-tonk and classic rock. Over the course of the last decade, Salim has expanded his repertoire considerably. 2001 marks Salim’s first album “Lucky Boy”, the beginning of a rapid-fire approach…
Lost Song showcases the powerful vocals of Ellen Wade, highlighted by the lightest of instrumentation. The depth of these vocals, each low and high experience will ensure that listeners are firmly ensconced into her music.
Sydney, Australia’s own Sasha Leonov has crafted a unique style of music that has been continually evolved since the 2009 release of his first album Accolades For Days of Sunshine. Moving from piano compositions to a fully-fleshed out set of music and lyrics with 2012’s Remnants of Tomorrow, Leonov was able to expand his repertoire with 2013 Skies Change. “Believe Once More” is a tender composition with a deliberate percussion…
Though their sound belies the multi-colored confetti connotations of the band’s name, Majical Cloudz’ vocals and lyrics create a beauty and hope that penetrates their layers of melancholy instrumentation. The Montreal-based indie-synthpop band lies on the opposite end of the spectrum of other current keyboard-oriented outfits like Passion Pit, Foster The People and others of that ilk. Rather than inspiring new wave dance parties as those bands do, Majical Cloudz…
You Don’t Know Me starts out Ghost Lit Kingdom’s I Was Born EP. The track’s ethereal opening expands into a hard-hitting chorus that will impress fans of X Ambassadors and Imagine Dragons. Ela’s vocals here (and on the rest of Ghost Lit Kingdom’s newest) are a bright point; the band’s instrumentation during this beginning salvo hangs with these heavenly vox well.
Lovers & Liars is a country song that would work perfectly on C&W radio in the 1960s; the raw emotion of Elliot during this introductory track will immediately draw in fans of Hank Williams and Conway Twitty. There is little more instrumentally to this introductory effort than a lap steel and the lightest of percussion, but the vibrancy of the narrative that is created could fill up a story book.…
No opens up weareTheBigBang’s Smoke EP and showcases a unique style of music that ties together artists as diverse as No Doubt, Christina Aguilera and Paramore. The production of this initial track allows the drums, guitars, and Jolene’s inimitable vocals ample chances to shine. The harmonies that the band create during this introductory track firmly plant listeners on the edges of their seats for the entirety of Smoke.
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